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Author: Melanie Hawthorne
Publisher: UPNE
ISBN: 9780874518146
Category : History
Languages : en
Pages : 244
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Book Description
Discovering the ways gender issues are articulated in the cultures of the extreme right in modern France.
Author: Melanie Hawthorne
Publisher: UPNE
ISBN: 9780874518146
Category : History
Languages : en
Pages : 244
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Book Description
Discovering the ways gender issues are articulated in the cultures of the extreme right in modern France.
Author: Caroline Campbell
Publisher: LSU Press
ISBN: 0807160997
Category : History
Languages : en
Pages : 311
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Book Description
In the inter war era, the rise of the largest political movement in modern French history, the powerful Croix de Feu (1927–1936), and its successor, the Parti Social Français, or PSF (1936–1945), led to a sharp rightward turn in France’s political culture. Political Belief in France, 1927–1945 traces the central role of women in this shift, arguing that they transformed the Croix de Feu/PSF from a paramilitary league for veterans into a social reform movement that sought to remake the politics, society, and culture of the French Republic. Following the creation of a Women’s Section in 1934, the women of the Croix de Feu/PSF developed a wide array of social programs, including welfare services, youth development, and health-care initiatives. At a time of economic depression and high unemployment, these popular programs tempered the organization’s fearsome reputation as a violent paramilitary group. While the efforts of the Women’s Section had the veneer of moderation, they accentuated the long-standing conservative image of France as a deeply Christian society and sought to assimilate people of different ethnoreligious backgrounds into the dominant national community. Croix de Feu/PSF women promoted their socialagenda as a religious and patriotic duty, a reflection of the individual’s responsibility to make personal sacrifices on behalf of their vision for France’s Christian civilization. The Croix de Feu/PSF’s ethnoreligious nationalism circulated throughout the French imperial nation-state, making the movement the premier defender of an empire at the height of its power. But women in North African branches faced substantial marginalization, and the movement remained dangerously sectarian in the Maghreb, driving indigenous activists from reformism to anticolonialism. The Croix de Feu/PSF thus set the stage for both the authoritarian, anti-Semitic Vichy regime and the decolonization that followed the war. The first book on women of the French far right in the age of fascism, Political Belief in France, 1927–1945 contributes to the fields of French history, gender studies, the history of fascism, and the history of empire.
Author: Kevin Passmore
Publisher: OUP Oxford
ISBN: 0191508551
Category : Political Science
Languages : en
Pages : 185
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Book Description
What is fascism? Is it revolutionary? Or is it reactionary? Can it be both? Fascism is notoriously hard to define. How do we make sense of an ideology that appeals to streetfighters and intellectuals alike? That is overtly macho in style, yet attracts many women? That calls for a return to tradition while maintaining a fascination with technology? And that preaches violence in the name of an ordered society? In the new edition of this Very Short Introduction, Kevin Passmore brilliantly unravels the paradoxes of one of the most important phenomena in the modern world—tracing its origins in the intellectual, political, and social crises of the late nineteenth century, the rise of fascism following World War I, including fascist regimes in Italy and Germany, and the fortunes of 'failed' fascist movements in Eastern Europe, Spain, and the Americas. He also considers fascism in culture, the new interest in transnational research, and the progress of the far right since 2002. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Caroline Campbell
Publisher:
ISBN: 9780807161012
Category : Fascism
Languages : en
Pages : 286
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Book Description
Author: Kevin Passmore
Publisher: Manchester University Press
ISBN: 9780719066177
Category : History
Languages : en
Pages : 292
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Book Description
Investigates the role of women and gender in fascist and non-fascist movements of the extreme right. The text re-examines the nature of the extreme right in the light of research in the field of women's and gender studies, offering an accessible overview of developments in Europe.
Author: Samuel Kalman
Publisher: Berghahn Books
ISBN: 1782382410
Category : History
Languages : en
Pages : 274
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Book Description
During the interwar years France experienced severe political polarization. At the time many observers, particularly on the left, feared that the French right had embraced fascism, generating a fierce debate that has engaged scholars for decades, but has also obscured critical changes in French society and culture during the 1920s and 1930s. This collection of essays shifts the focus away from long-standing controversies in order to examine various elements of the French right, from writers to politicians, social workers to street fighters, in their broader social, cultural, and political contexts. It offers a wide-ranging reassessment of the structures, mentalities, and significance of various conservative and extremist organizations, deepening our understanding of French and European history in a troubled yet fascinating era.
Author: Martin Durham
Publisher: Routledge
ISBN: 113480637X
Category : Political Science
Languages : en
Pages : 157
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Book Description
This seminal book challenges the common assumption that fascism is a misogynist movement which has tended to exclude women. Using examples from Germany, Italy and France, Durham analyses the rise of women in fascist organizations across Europe from the early twenties to the present. Unusually, however, the author focuses on British fascism and in doing so he offers valuable new perspectives on fascist attitudes to women. Offering interesting examples of women training in armed combat, and more generally as voters and members of fascist organizations, he highlights women's relationship to fascist policies on birth rate, abortion and eugenics.
Author: Mark Antliff
Publisher: Duke University Press
ISBN: 0822390477
Category : Art
Languages : en
Pages : 373
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Book Description
Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the sculptors Charles Despiau and Aristide Maillol, the “New Vision” photographer Germaine Krull, and the fauve Maurice Vlaminck. Antliff considers three French fascists: Georges Valois, Philippe Lamour, and Thierry Maulnier, demonstrating how they appropriated the avant-garde aesthetics of cubism, futurism, surrealism, and the so-called Retour à l’Ordre (“Return to Order”), and, in one instance, even defined the “dynamism” of fascist ideology in terms of Soviet filmmaker Sergei Eisenstein’s theory of montage. For these fascists, modern art was the mythic harbinger of a regenerative revolution that would overthrow existing governmental institutions, inaugurate an anticapitalist new order, and awaken the creative and artistic potential of the fascist “new man.” In formulating the nexus of fascist ideology, aesthetics, and violence, Valois, Lamour, and Maulnier drew primarily on the writings of the French political theorist Georges Sorel, whose concept of revolutionary myth proved central to fascist theories of cultural and national regeneration in France. Antliff analyzes the impact of Sorel’s theory of myth on Valois, Lamour, and Maulnier. Valois created the first fascist movement in France; Lamour, a follower of Valois, established the short-lived Parti Fasciste Révolutionnaire in 1928 before founding two fascist-oriented journals; Maulnier forged a theory of fascism under the auspices of the journals Combat and Insurgé.
Author: Kenneth Krauss
Publisher: State University of New York Press
ISBN: 079148579X
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
The Drama of Fallen France examines various dramatic works written and/or produced in Paris during the four years of Nazi occupation and explains what they may have meant to their original audiences. Because of widespread financial support from the new French government at Vichy, the former French capital underwent a renaissance of theatre during this period, and both the public playhouses and the private theatres provided an amazing array of new productions and revivals. Some of the plays considered here are well known: Anouilh's Antigone, Sartre's The Flies, Claudel's The Satin Slipper. Others have remained obscure, such as Cocteau's The Typewriter, Giraudoux's The Apollo of Marsac, and Montherlant's Nobody's Son; and two—André Obey's Eight Hundred Meters and Simone Jollivet's The Princess of Ursins—have remained virtually unread since the early 1940s. In examining French culture under the Vichy regime and the Nazis, Kenneth Krauss links the politics of gender and sexuality with the more traditional political concepts of collaboration and resistance. A final chapter on Truffaut's 1980 film, The Last Métro, demonstrates how the present manages to rewrite and revision the complex and seemingly contradictory reality of the past.
Author: Melanie Hawthorne
Publisher: U of Nebraska Press
ISBN: 9780803224025
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Under the assumed name Rachilde, Marguerite Eymery (1860?1953) wrote over sixty works of fiction, drama, poetry, memoir, and criticism, including Monsieur Vänus, one of the most famous examples of decadent fiction. She was closely associated with the literary journal Mercure de France, inspired parts of Oscar Wilde's The Picture of Dorian Gray, and mingled with all the literary lights of the day. Yet for all that, very little has been written about her. Melanie C. Hawthorne corrects this oversight and counters the traditional approach to Rachilde by persuasively portraying this "eccentric" as patently representative of the French women writers of her time and of the social and literary issues they faced. Seen in this light, Rachilde's writing clearly illustrates important questions in feminist literary theory as well as significant features of turn-of-the-century French society. ø Hawthorne arranges her approach to Rachilde around several defining events in the author's life, including the controversial publication of Monsieur Vänus, with its presentation of sex reversals. Weaving back and forth in time, she is able to depict these moments in relation to Rachilde's life, work, and times and to illuminate nineteenth-century publishing practices and rivalries, including authorial manipulations of the market for sexually suggestive literature. The most complete and accurate account yet written of this emblematic author, Hawthorne's work is also the first to situate Rachilde in the broader social contexts and literary currents of her time and of our own.
