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Author: Jan Gossaert
Publisher: Metropolitan Museum of Art
ISBN: 1588393984
Category : Art and design
Languages : en
Pages : 498
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Book Description
Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).
Author: Jan Gossaert
Publisher: Metropolitan Museum of Art
ISBN: 1588393984
Category : Art and design
Languages : en
Pages : 498
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Book Description
Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).
Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher: Kerber Verlag
ISBN:
Category : Art
Languages : en
Pages : 562
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Book Description
The 'book' has always played a pivotal role in the work of Ilya Kabakov. Initially successful as an illustrator of children's books in the Soviet Union, the book was the impetus for his visual artistic activity. The book has remained Kabakov's constant companion. On the one hand, it is used to present new projects. On the other, it is the medium used to document these projects once they have been realised. The book accompanies Kabakov's visual work but that is not its only purpose, it has always also been crucial in terms of the visual art itself. As always with Kabakov, there is no distinction between artistic practice and discourse. This applies also to this catalogue raisonne, which turns out to be a paradoxical construction - it is both an academic work and an artist's book. English and German text.
Author: Parvis Emad
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 316
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Book Description
Heidegger Studies is an annual publication dedicated to promoting the understanding of Heidegger's thought through the interpretation of his writings. This annual review provides a forum for the thorough interpretation of the whole of Heidegger's work (including works published during his lifetime) that is called for by the ongoing publication of his Gesamtausgabe. Indeed, Heidegger Studies is called for because of the breadth and significance of the new texts published in this edition. Heidegger Studies is international in character, and in keeping with this character it will publish papers in German, English and French.Die Heidegger Studien sind ein jährlich erscheinendes Periodikum, das der Förderung des Verständnisses des Heideggerschen Denkens durch die Interpretation seiner Schriften gewidmet ist. Das Jahrbuch bietet ein Forum für die gründliche Interpretation von Heideggers Werk im ganzen (einschließlich der zu seinen Lebzeiten veröffentlichten Werke), deren Notwendigkeit sich aus der fortlaufenden Veröffentlichung der Gesamtausgabe ergibt. In der Tat machen Spannbreite und Bedeutung der neuen Texte, die in dieser Ausgabe erscheinen, die Heidegger Studien erforderlich. Die Heidegger Studien sind ihrem Wesen nach international und werden diesem Wesen entsprechend Arbeiten in deutscher, englischer und französischer Sprache veröffentlichen.Les Etudes Heideggeriennes sont une publication annuelle, consacrée à promouvoir l'entente de la pensée de Heidegger grâce à l'interprétation de ses écrits. Ces annales s'offrent ainsi à être un lieu de débat en vue de la réinterprétation complète du travail de Heidegger dans son ensemble (y compris les textes publiés de son vivant) - ce qu'appelle d'ailleurs la publication en cours de l'Edition Intégrale. Assurément, les Etudes Heideggeriennes répondent aussi à l'exigence suscitée par l'ampleur et l'importance des inédits que publie l'Edition Intégrale. Les Etudes Heideggeriennes sont une revue délibérément internationale. Ce caractère s'affirme avec la publication de textes en allemand, en anglais et en français.
Author: Ernst van de Wetering
Publisher: Springer Science & Business Media
ISBN: 1402057865
Category : Art
Languages : en
Pages : 689
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Book Description
This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt’s paintings. This is the work of ‘The Rembrandt Research Project’, consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt’s own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt’s paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of different hands. The new approach yielded much more information not only about Rembrandt’s working methods but also about the function and meaning of his works. This expanded field of view meant that etchings and drawings with similar themes also needed to be included. In 2005 Volume IV appeared, devoted to Rembrandt’s self-portraits, in painting, etching and drawing. Volume V consists of a catalogue and analysis of the so-called small-scale history and genre paintings. That theme was chosen because this type of complex work shows a variety of full-length protagonists acting in different narrative settings. For this reason, in the 17th century, painting, etching or drawing biblical and mythological scenes was looked upon as an artist’s greatest challenge. The choice of this theme proved to be highly fruitful in several ways. Small-scale history pieces reveal Rembrandt’s artistic ambitions most clearly. They also offer the authors a much more accurate view of the daily routine in Rembrandt’s studio; his apprentices mostly copied this type of work or used it as a starting point for their own. As a result it was easier to distinguish the works by the master himself from those of his pupils. All aspects of the skills necessary to create a pictorial illusion play a part in the creation of small-figured history paintings. These aspects were referred to as ‘the basis of the noble art of painting’ in Rembrandt’s days. Two seventeenth century painter/theoreticians discussed these principles systematically in two books which up till now have only sporadically been consulted in the context of 17th century studio practice. Karel van Mander wrote his Grond der edel vry schilder-const [Basis of the Art of Painting] in 1604 and Samuel van Hoogstraten produced his Inleyding tot de hooge schoole der schilderkonst [Academy of Painting] in 1678. Van Hoogstraten was a pupil of Rembrandt between 1642 and ’48. Comparing the two books and considering them in relation to Rembrandt’s oeuvre, gradually reveals his original views on painting and how these had developed during his career. Thus, the authors of this new Volume of A Corpus have gained an unexpected and profound insight into Rembrandt’s ideas and approach to his art. The ‘basic aspects’ of painting included the following topics: function and methods of drawing; human proportions; various positions, poses and gestures of figures; ways of arranging a scene’s protagonists in a composition; facial expressions of a variety of emotions; light, shadows and reflected light; landscape and animals; draperies and articles of clothing; methods of painting, and various characteristics and uses of colours. The way these ‘basic aspects’ were selected and dealt with presumed that the more practical side to the art of painting would be learned by the apprentice in the daily routine of his master’s studio. With the development of art history in the nineteenth century the ‘basic aspects’ of the art of painting listed above acquired the vague label of ‘style’. However, the seventeenth century categorization of the ‘basic aspects’ provides a much more acute means of probing the views and criteria for judging a painting by Rembrandt and his contemporaries than the concept of ‘style’. Volume V in the series A Corpus of Rembrandt Paintings breaks new ground from the point of view of art history, not only in its approach to Rembrandt as an artist, but more particularly to his thinking about painting. Moreover, a detailed comparison of Rembrandt’s works and those by his apprentices who based their works on his, led to a profound and detailed understanding of Rembrandt’s views on pictorial quality. In art historical literature quality usually does not feature prominently since it is regarded as being too subjective. This comparative approach, together with the analysis of seventeenth century categories of thought about painting, have given the research on Rembrandt a new impetus, at the same time allowing us to see more clearly through seventeenth century eyes. That is why the new volume of the ‘Corpus’ is an important publication – not only for art historians but also for all who want to fully enjoy the numerous works of art that date back to the Dutch Golden Age, now scattered in museums around the world.
Author: Robert Echols
Publisher: Yale University Press
ISBN: 0300230400
Category : Art
Languages : en
Pages : 313
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Book Description
"Considered one of the three greatest painters of sixteenth-century Venice, along with Titian and Veronese, Tintoretto was a bold innovator. His free, expressive brushwork made his work look unfinished to contemporaries but is now recognized as a key step in the development of oil-on-canvas painting. Even today's audiences are astonished by the superhuman scale, painterly dynamism, and visionary qualities of his work. On the 500th anniversary of Tintoretto's birth, this volume provides a comprehensive overview of his career and achievement, with fifteen essays and reproductions of more than 140 paintings--many newly conserved--as well as a selection of his finest drawings. One special contribution is a focus on the artist's portraiture" -- Library of Congress.
Author: Stijn Alsteens
Publisher: Metropolitan Museum of Art
ISBN: 1588394514
Category : Art
Languages : en
Pages : 274
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Book Description
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
Author: Thijs Weststeijn
Publisher: BRILL
ISBN: 9004283994
Category : Art
Languages : en
Pages : 476
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Book Description
How did the classical tradition survive on the North Sea shores? This richly illustrated book explores the interplay between art and erudition in the seventeenth century. It analyses the sources, editions, and reception of Franciscus Junius’s writings to chart how ideas about Northern European painting, from Van Dyck to Rembrandt, developed as a counterweight to the Italian tradition. Thus the language of art in Junius’s The Painting of the Ancients appears to be related to his seminal work in the field of Germanic linguistics and his discovery of the shared pre-Christian civilization of Holland and England. Junius’s innovative pairing of scholarship to the painter’s practice illuminates the reception of antiquity and the creation of an Anglo-Dutch artistic Arcadia.
Author: April A. Eisman
Publisher: Camden House (NY)
ISBN: 164014031X
Category : Art
Languages : en
Pages : 282
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Book Description
Introduction : Why Heisig matters -- From the Nazi past to the Cold War present -- Art for an educated nation -- Against the wall : murals, modern art, and controversy -- The contentious emergence of the "Leipzig school"--Portraying workers and revolutionaries -- Conclusion : the quintessential German artist
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588394875
Category : History
Languages : en
Pages : 386
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Book Description
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Author: Alison Manges Nogueira
Publisher: Metropolitan Museum of Art
ISBN: 1588397750
Category : Art
Languages : en
Pages : 235
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Book Description
Many small Renaissance portraits were richly adorned with covers or backs bearing allegorical figures, mythological scenes, or emblems that celebrated the sitter and invited the viewer to decipher their meaning. Hidden Faces includes seventy objects, ranging in format from covered paintings to miniature boxes, that illuminate the symbiotic relationship between the portrait and its pair. Texts by thirteen distinguished scholars vividly illustrate that the other “faces” of these portraits represent some of the most innovative images of the Renaissance, created by masters such as Hans Memling and Titian. Uniting works that have in some cases been separated for centuries, this fascinating volume shows how the multifaceted format unveiled the sitter’s identity, both by physically revealing the portrait and reading the significance behind its cover.
