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Author:
Publisher: Medieval Institute Publications
ISBN: 1580445349
Category : Literary Criticism
Languages : en
Pages : 154
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Book Description
The legend of Theophilus is a widely disseminated medieval miracle story. A good man gives in to Vain Glory, sells his soul to the Devil, has a terrible crisis of conscience, and is saved by the Virgin. The story is translated into most European languages and appears in stained glass, sculpture, and manuscripts. Gautier de Coinci writes the longest version of the legend. Its colorful details reveal the medieval period's deep fear of hell and the Devil and its high hopes in the Virgin and the Church.
Author:
Publisher: Medieval Institute Publications
ISBN: 1580445349
Category : Literary Criticism
Languages : en
Pages : 154
Get Book Here
Book Description
The legend of Theophilus is a widely disseminated medieval miracle story. A good man gives in to Vain Glory, sells his soul to the Devil, has a terrible crisis of conscience, and is saved by the Virgin. The story is translated into most European languages and appears in stained glass, sculpture, and manuscripts. Gautier de Coinci writes the longest version of the legend. Its colorful details reveal the medieval period's deep fear of hell and the Devil and its high hopes in the Virgin and the Church.
Author: Gautier (de Coinci)
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Vernon Frederic Koenig
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: Tony Hunt
Publisher: DS Brewer
ISBN: 9781843841265
Category : Literary Collections
Languages : en
Pages : 230
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Book Description
The first published general study of an unduly neglected writer whose stylistic legacy remains unique in the Middle Ages. The well-connected, northern-French monk and musician Gautier de Coinci (1177/8-1236) occupies an unassailable position as one of the most exceptional vernacular writers of the Middle Ages, concerning whom there is nevertheless nofull length study in English. In a meticulously planned and supervised collection of miracles of Our Lady, which survive in a remarkable number of manuscripts, some beautifully illustrated, Gautier deploys his outstanding talentsas a composer of songs, an acerbic satirist, an audacious inventor of rich and equivocal rhymes (of a virtuosity unparalleled before the "Grands Rhetoriqueurs" on the eve of the Renaissance), a confident lexical innovator, an exuberant exponent of rhetorical wordplay, an incisive observer of contemporary society, and a man of profound personal piety. This study of word-patterning in Gautier seeks to compensate for the dearth of stylistic studies ofOld French and to examine in detail the relationship between rhetoric and religion, "courtoisie" and Mariolatry, aristocratic tastes and the way to spiritual renewal. Gautier's writing strategy is shown to be a means to rise beyond secular, aristocratic values by building on them and transcending them rather than opposing and rejecting them. TONY HUNT is a Fellow of St Peter's College, Oxford.
Author: Victor Frederic Koenig
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Kathy M. Krause
Publisher: Brepols Publishers
ISBN:
Category : Manuscripts, French
Languages : en
Pages : 520
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Book Description
Gautier de Coinci (c. 1177-1236) was a Benedictine prior, a poet and composer, and the author of several very popular religious works, including a large collection of Miracles of the Virgin in French, which enjoyed a wide circulation during the Middle Ages. Gautier drew on multiple Latin sources for his work, embellishing and personalizing them as he adapted them to his poetic design. Conceiving of his collection of miracles as a complete work, Gautier carefully organized the tales into two books, framing each with authorial exordia and lyrics praising the Virgin. In addition to its obvious literary interest, the subsequent manuscript tradition offers a remarkable panorama of medieval manuscript production, in particular due to the fascinating combination of text, music and illustration. Bringing together a select group of scholars from multiple disciplines (including art history, musicology, and literary studies), this collection of essays explores complementary aspects of Gautier, his works, and his manuscripts. The volume offers both breadth and depth in its examination of Gautier de Coinci and his Miracles de Nostre Dame It promises to redefine Gautier studies through its interdisciplinary consideration of the varied facets of his work as it makes available to scholars and students the first interdisciplinary examination of this key figure in medieval vernacular religious culture.
Author: V. Greene
Publisher: Springer
ISBN: 1403983453
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
Thirty-five years ago Roland Barthes proclaimed the death of the Author. For medievalists no death has been more timely. The essays in this volume create a prism through which to understand medieval authorship as a process and the medieval author as an agency in the making.
Author: Maureen Barry McCann Boulton
Publisher: Boydell & Brewer
ISBN: 1843844141
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
A study of the immensely popular "lives" of Christ and the Virgin in medieval France.
Author: Claire M. Waters
Publisher: University of Pennsylvania Press
ISBN: 0812247728
Category : Education
Languages : en
Pages : 312
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Book Description
In Translating "Clergie," Claire M. Waters explores medieval texts in French verse and prose from England and the Continent that perform and represent the process of teaching as a shared lay and clerical endeavor.
Author: John Haines
Publisher: Cambridge University Press
ISBN: 1139451790
Category : Music
Languages : en
Pages : 361
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Book Description
This 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'medieval music'. Important stages include sixteenth-century antiquarianism, the Enlightenment synthesis of scholarly and popular traditions and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm. More often than now, writers and performers have negotiated a compromise between historical research and a more imaginative approach to envisioning the music of troubadours and trouveres. This book points not so much to a resurrection of medieval music in modern times as to a continuous tradition of interpreting these songs over eight centuries.
