Gautier and the Romantics PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Gautier and the Romantics PDF full book. Access full book title Gautier and the Romantics by John Garber Palache. Download full books in PDF and EPUB format.
Author: John Garber Palache
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 214
Get Book Here
Book Description
Author: John Garber Palache
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 214
Get Book Here
Book Description
Author: Karen L. Taylor
Publisher: Infobase Publishing
ISBN: 0816074992
Category : Electronic books
Languages : en
Pages : 497
Get Book Here
Book Description
French novels such as "Madame Bovary" and "The Stranger" are staples of high school and college literature courses. This work provides coverage of the French novel since its origins in the 16th century, with an emphasis on novels most commonly studied in high school and college courses in world literature and in French culture and civilization.
Author: Christopher John Murray
Publisher: Routledge
ISBN: 1135455791
Category : History
Languages : en
Pages : 1303
Get Book Here
Book Description
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
Author: Elena Anastasaki
Publisher: Taylor & Francis
ISBN: 1000627276
Category : Literary Criticism
Languages : en
Pages : 206
Get Book Here
Book Description
This study addresses the question of artistic identity and the myth of the artist as it has been shaped by the artists themselves. While the term artist is to be understood in a broad sense, the focus of this study is the literature of the Romantic tradition. Identity is largely perceived as a construct, and a central hypothesis of this book concerns its aesthetic value and the ways it creates dominant narratives of self-perception that produce powerful myths. The construction of the artist’s identity, be it collective or personal, rests on a series of aesthetic praxes. Caught between the mythic idealisation of poetic genius and its social devaluation, the Romantic artist seeks to create a place for himself, and in doing so, he engages in his own mythmaking. This process is studied in an interdisciplinary perspective, approaching texts and writers from different traditions. The study analyses various typologies of the artist, numerous mythmaking strategies as well as several postural techniques; all of which have sketched major direct or indirect fictional self-portraits in the European tradition.
Author: Constance Gosselin Schick
Publisher: BRILL
ISBN: 9004650520
Category : Literary Criticism
Languages : en
Pages : 221
Get Book Here
Book Description
Gautier's poetry merits an attentive reading which respects his own essential criterion of poeticity, namely, textuality. This is a poetry which puts on display its literariness, that is, its existence as cultural artifact. In so doing, however, it also puts on display the absence of and its resistance to whatever personal or real signified it would evoke or name. Its beauty and self-indulgent pleasure reveal their hollowness and inadequacy. Its chiseled, polished surface renders its borders or limits and its play unsatisfyingly and teasingly perceptible. Its very superficiality allows, invites and seduces the reader to go entre les lignes and perceive the mystery, not of what has been symbolically buried/unburied, concealed/revealed, but of the truly absent, the abîmes superficiels. Chapter 1, focusing on texts from the Poésies of 1830, studies the intextual repetition of Gautier's poetry, the citations, imitations and transpositions which make evident the poetry's displacement of the significant and the personal into aesthetic simulacra. Chapter 2 deals with the poems of Gautier's second collection, Albertus, and analyzes the use of allegory and of humor as further markers of textual substitution. The inherent lifelessness and illusoriness of the textual artifact is revealed in the poems of La Comédie de la Mort, the collection examined in chapter 3. Chapter 4 analyzes the so-called descriptive, referential poetry of España, and finds that the monde extérieur of Gautier's poetry functions to express an absence of self and is itself always shown to be other than the Other. The dimunition of the poetic effected in Emaux et Camées is the subject of chapter 5, and chapter 6 deals with the contextuality, the fetishism, and the eroticism revealed in a miscellany of poems - in particular the libertine poems - which do not figure in Gautier's five major collections. By short-circuiting significations and transforming them into seductive appearances, Gautier reveals himself to be the acknowledged maître of both Baudelaire and Mallarmé.
Author: Kathleen Koestler
Publisher: Summa Publications, Inc.
ISBN: 9781883479374
Category : Literary Criticism
Languages : en
Pages : 142
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 706
Get Book Here
Book Description
Author: Michael Pitwood
Publisher: Librairie Droz
ISBN: 9782600036153
Category : Christianity in literature
Languages : en
Pages : 348
Get Book Here
Book Description
Author: Joseph Andriano
Publisher: Penn State Press
ISBN: 0271039167
Category : Literary Criticism
Languages : en
Pages : 197
Get Book Here
Book Description
Author: Christopher W. Thompson
Publisher: Oxford University Press (UK)
ISBN: 0199233543
Category : Literary Criticism
Languages : en
Pages : 466
Get Book Here
Book Description
A pioneering overview of the travel books produced by fourteen French Romantic writers - including Chateaubriand, Staël, Stendhal, Hugo, Nerval, Sand, Mérimée, Dumas, and Tristan - whose journeys ranged from Peru to Russia and from North America to North Africa and the Near East.
