Author: Darren Rousar
Publisher: Velatura Press, LLC
ISBN: 9780980045482
Category : Art
Languages : en
Pages : 320
Book Description
Within The Sight-Size Cast is everything you ever wanted to know about Sight-Size cast drawing and painting, impressionistic seeing, and the ways in which many of the ateliers that stem from R. H. Ives Gammell and Richard Lack teach their students. You can learn how to see through Sight-Size with Darren Rousar's book, The Sight-Size Cast.
The Sight-Size Cast
Author: Darren Rousar
Publisher: Velatura Press, LLC
ISBN: 9780980045482
Category : Art
Languages : en
Pages : 320
Book Description
Within The Sight-Size Cast is everything you ever wanted to know about Sight-Size cast drawing and painting, impressionistic seeing, and the ways in which many of the ateliers that stem from R. H. Ives Gammell and Richard Lack teach their students. You can learn how to see through Sight-Size with Darren Rousar's book, The Sight-Size Cast.
Publisher: Velatura Press, LLC
ISBN: 9780980045482
Category : Art
Languages : en
Pages : 320
Book Description
Within The Sight-Size Cast is everything you ever wanted to know about Sight-Size cast drawing and painting, impressionistic seeing, and the ways in which many of the ateliers that stem from R. H. Ives Gammell and Richard Lack teach their students. You can learn how to see through Sight-Size with Darren Rousar's book, The Sight-Size Cast.
Gari Melchers, Painter
Author: Gari Melchers
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 128
Book Description
Gari Melchers
Author: Gari Melchers
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 254
Book Description
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 254
Book Description
Dutch Utopia
Author: Annette Stott
Publisher:
ISBN:
Category : Artist colonies
Languages : en
Pages : 272
Book Description
Showcasing more than seventy paintings from public and private collections throughout the United States and Europe, Dutch Utopia: American Artists in Holland, 1880-1914 explores the work of forty-three American artists drawn to Holland during the late nineteenth and early twentieth centuries. Escaping from the rapid urbanization of their time, these artists established colonies in six communities in the Netherlands—Dordrecht, Egmond, Katwijk, Laren, Rijsoord, and Volendam—with all but Dordrecht being small, preindustrial villages. Inspired by their pastoral surroundings as well as the great traditions of seventeenth-century Dutch art and the contemporary Hague school, these American artists created visions of Dutch society underpinned by a nostalgic yearning for a premodern way of life. Some even alluded to America’s own colonial Dutch heritage, exploring shared histories and cultural connections between the two countries. Organized by the Telfair Museum of Art in Savannah, Georgia, Dutch Utopia examines the appeal of Holland for American artists during this period, through six pivotal themes: the influence of seventeenth-century Dutch painting; the impact of the contemporary Hague School; antimodernism and the American Progressive Movement; points of convergence in national identities; the proliferation of artist colonies in Holland; and the popular construction of “Dutchness” beyond the stereotypes of wooden shoes and windmills. Dutch Utopia includes works by artists who remain celebrated today, such as Robert Henri, William Merritt Chase, and John Singer Sargent, and by painters admired in their own time but less well-known now. These include accomplished women such as Elizabeth Nourse and Anna Stanley, as well as George Hitchcock, Gari Melchers, and Walter MacEwen, who built international reputations with Salon pictures of Dutch landscapes and costumed figures. These artists were among hundreds of Americans who traveled to the Netherlands between 1880 and 1914 to paint and to study. Some lived in Holland for decades, while others stayed only a week or two, but most passed quickly through the major cities to small rural communities, where they created picturesque idylls on canvas.
Publisher:
ISBN:
Category : Artist colonies
Languages : en
Pages : 272
Book Description
Showcasing more than seventy paintings from public and private collections throughout the United States and Europe, Dutch Utopia: American Artists in Holland, 1880-1914 explores the work of forty-three American artists drawn to Holland during the late nineteenth and early twentieth centuries. Escaping from the rapid urbanization of their time, these artists established colonies in six communities in the Netherlands—Dordrecht, Egmond, Katwijk, Laren, Rijsoord, and Volendam—with all but Dordrecht being small, preindustrial villages. Inspired by their pastoral surroundings as well as the great traditions of seventeenth-century Dutch art and the contemporary Hague school, these American artists created visions of Dutch society underpinned by a nostalgic yearning for a premodern way of life. Some even alluded to America’s own colonial Dutch heritage, exploring shared histories and cultural connections between the two countries. Organized by the Telfair Museum of Art in Savannah, Georgia, Dutch Utopia examines the appeal of Holland for American artists during this period, through six pivotal themes: the influence of seventeenth-century Dutch painting; the impact of the contemporary Hague School; antimodernism and the American Progressive Movement; points of convergence in national identities; the proliferation of artist colonies in Holland; and the popular construction of “Dutchness” beyond the stereotypes of wooden shoes and windmills. Dutch Utopia includes works by artists who remain celebrated today, such as Robert Henri, William Merritt Chase, and John Singer Sargent, and by painters admired in their own time but less well-known now. These include accomplished women such as Elizabeth Nourse and Anna Stanley, as well as George Hitchcock, Gari Melchers, and Walter MacEwen, who built international reputations with Salon pictures of Dutch landscapes and costumed figures. These artists were among hundreds of Americans who traveled to the Netherlands between 1880 and 1914 to paint and to study. Some lived in Holland for decades, while others stayed only a week or two, but most passed quickly through the major cities to small rural communities, where they created picturesque idylls on canvas.
Monet and American Impressionism
Author: Samuel P. Harn Museum of Art
Publisher: Samuel P. Harn Museum of Art
ISBN: 9780983308515
Category : Impressionism (Art)
Languages : en
Pages : 0
Book Description
"Published in conjunction with the exhibition Monet and American Impressionism, organized by the Samuel P. Harn Museum of Art, University of Florida, in partnership with Telfair Museums and Hunter Museum of American Art."
Publisher: Samuel P. Harn Museum of Art
ISBN: 9780983308515
Category : Impressionism (Art)
Languages : en
Pages : 0
Book Description
"Published in conjunction with the exhibition Monet and American Impressionism, organized by the Samuel P. Harn Museum of Art, University of Florida, in partnership with Telfair Museums and Hunter Museum of American Art."
Corcoran Gallery of Art
Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0
Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0
Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Scenes of New York
Author: Giles, Zeny
Publisher: Giles
ISBN: 9781911282853
Category : Art
Languages : en
Pages :
Book Description
Publisher: Giles
ISBN: 9781911282853
Category : Art
Languages : en
Pages :
Book Description
Visions of the Prophet
Author: Kahlil Gibran
Publisher: North Atlantic Books
ISBN: 1583946799
Category : Poetry
Languages : en
Pages : 161
Book Description
Ever since his best-selling book The Prophet was first published in 1923, Kahlil Gibran has been enchanting spiritually inclined readers with his dogma-free writings so rich with insight, wisdom, beauty, and truth. In this companion collection of little-known writings taken from his published works in Arabic, Gibran encourages us to bravely face life's hardships, and to continuously cultivate a rich inner life to set our moral compasses by. In Visions of the Prophet, Gibran's narrator wrestles with the hypocrisies of Christianity ("Mad John," "The Man on the Cross") and challenges hypocrisy ("Kahlil the Ungodly"). He questions how children born of corrupt marriages and living in poverty can ever become soulful creatures ("The Sister Soul," "The Woman of Tomorrow") and urges us to develop our souls ("Solitude and Isolation"). The one-act dramatic play "The Many-Columned City of Iram" shows a Sufi master, a female sage, and a seeker having a heartfelt discussion about the natures of faith and reality. Containing some of his most intellectually challenging work, Visions of the Prophet reveals a Gibran more vehement and vulnerable than in previous publications.
Publisher: North Atlantic Books
ISBN: 1583946799
Category : Poetry
Languages : en
Pages : 161
Book Description
Ever since his best-selling book The Prophet was first published in 1923, Kahlil Gibran has been enchanting spiritually inclined readers with his dogma-free writings so rich with insight, wisdom, beauty, and truth. In this companion collection of little-known writings taken from his published works in Arabic, Gibran encourages us to bravely face life's hardships, and to continuously cultivate a rich inner life to set our moral compasses by. In Visions of the Prophet, Gibran's narrator wrestles with the hypocrisies of Christianity ("Mad John," "The Man on the Cross") and challenges hypocrisy ("Kahlil the Ungodly"). He questions how children born of corrupt marriages and living in poverty can ever become soulful creatures ("The Sister Soul," "The Woman of Tomorrow") and urges us to develop our souls ("Solitude and Isolation"). The one-act dramatic play "The Many-Columned City of Iram" shows a Sufi master, a female sage, and a seeker having a heartfelt discussion about the natures of faith and reality. Containing some of his most intellectually challenging work, Visions of the Prophet reveals a Gibran more vehement and vulnerable than in previous publications.
Illusions of Reality
Author: Gabriel P. Weisberg
Publisher: Mercatorfonds Nv
ISBN: 9789061539414
Category : Art
Languages : en
Pages : 223
Book Description
Capturing realistic images on canvas has been a staple aspiration of western art since the Renaissance development of scientific perspective. At the end of the nineteenth century, however, animated by the invention of photography and cinema, artists began attempting not only to paint realistically but also to create images that projected the ethical content of the world around them. "Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918" traces the development of Naturalism within painting, literature, theater, photography and film, and the relationship among these art forms, paying attention to the way painters such as Jules Adler, Thomas Anshutz, Jules Bastien-Lepage, Emile Claus, Thomas Eakins, Christian Krohg, Gari Melchers, Jules-Alexis Muenier, Fernand Pelez, Jean-Andr xE9; Rixens and Anders Zorn, filmmakers such as Andr xE9; Antoine, Albert Capellani and L xE9;on Lhermitte and photographers such as Peter Henry Emerson, used Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social transformation. Practitioners of Naturalism frequently concerned themselves with the social ills created by industrialization, as well as the social responses to these problems in both public education and religion. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. Technological advances in art, from the development of photography in the first half of the nineteenth century to the emergence of film toward the end of the century, contributed to the interaction among art forms and the attention toward social conditions. Edited by Gabriel P. Weisberg, Professor of Art History at the University of Minnesota, with essays by Weisberg, David Jackson, Willa Silverman and Maartje de Haan, "Illusions of Reality" offers a fresh interpretation of how Naturalist artists, and the aesthetic they espoused, attempted to understand and explain the rapid and profound changes of their time.
Publisher: Mercatorfonds Nv
ISBN: 9789061539414
Category : Art
Languages : en
Pages : 223
Book Description
Capturing realistic images on canvas has been a staple aspiration of western art since the Renaissance development of scientific perspective. At the end of the nineteenth century, however, animated by the invention of photography and cinema, artists began attempting not only to paint realistically but also to create images that projected the ethical content of the world around them. "Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918" traces the development of Naturalism within painting, literature, theater, photography and film, and the relationship among these art forms, paying attention to the way painters such as Jules Adler, Thomas Anshutz, Jules Bastien-Lepage, Emile Claus, Thomas Eakins, Christian Krohg, Gari Melchers, Jules-Alexis Muenier, Fernand Pelez, Jean-Andr xE9; Rixens and Anders Zorn, filmmakers such as Andr xE9; Antoine, Albert Capellani and L xE9;on Lhermitte and photographers such as Peter Henry Emerson, used Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social transformation. Practitioners of Naturalism frequently concerned themselves with the social ills created by industrialization, as well as the social responses to these problems in both public education and religion. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. Technological advances in art, from the development of photography in the first half of the nineteenth century to the emergence of film toward the end of the century, contributed to the interaction among art forms and the attention toward social conditions. Edited by Gabriel P. Weisberg, Professor of Art History at the University of Minnesota, with essays by Weisberg, David Jackson, Willa Silverman and Maartje de Haan, "Illusions of Reality" offers a fresh interpretation of how Naturalist artists, and the aesthetic they espoused, attempted to understand and explain the rapid and profound changes of their time.
American Paintings
Author: National Gallery of Art (U.S.)
Publisher: Washington : National Gallery of Art
ISBN:
Category : Painting
Languages : en
Pages : 336
Book Description
Publisher: Washington : National Gallery of Art
ISBN:
Category : Painting
Languages : en
Pages : 336
Book Description