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Author: David F. Richter
Publisher: Bucknell University Press
ISBN: 1611485762
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
García Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico García Lorca (1898–1936). In contrast to the idealist and subconscious tenets espoused by surrealist leader André Breton, which focus on the marvelous, automatic creative processes, and sublimated depictions of reality, Lorca’s surrealist impulse follows a trajectory more in line with the theories of French intellectuals such as Georges Bataille (1897–1962), who was expelled from Breton’s authoritative group. Bataille critiques the lofty goals and ideals of Bretonian surrealism in the pages of the cultural and anthropological review Documents (1929–1930) in terms of a dissident surrealist ethno-poetics. This brand of the surreal underscores the prevalence of the bleak or darker aspects of reality: crisis, primitive sacrifice, the death drive, and the violent representation of existence portrayed through formless base matter such as blood, excrement, and fragmented bodies. The present study demonstrates that Bataille’s theoretical and poetic expositions, including those dealing with l’informe (the formless) and the somber emptiness of the void, engage the trauma and anxiety of surrealist expression in Spain, particularly with reference to the anguish, desire, and death that figure so prominently in Spanish texts of the 1920s and 1930s often qualified as “surrealist.” Drawing extensively on the theoretical, cultural, and poetic texts of the period, García Lorca at the Edge of Surrealism offers the first book-length consideration of Bataille’s thinking within the Spanish context, examined through the work of Lorca, a singular proponent of what is here referred to as a dissident Spanish surrealism. By reading Lorca’s “surrealist” texts (including Poetaen Nueva York,Viaje a la luna, and El público) through the Bataillean lens, this volume both amplifies our understanding of the poetry and drama of one of the most important Spanish writers of the twentieth century and expands our perspective of what surrealism in Spain means.
Author: David F. Richter
Publisher: Bucknell University Press
ISBN: 1611485762
Category : Literary Criticism
Languages : en
Pages : 313
Get Book Here
Book Description
García Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico García Lorca (1898–1936). In contrast to the idealist and subconscious tenets espoused by surrealist leader André Breton, which focus on the marvelous, automatic creative processes, and sublimated depictions of reality, Lorca’s surrealist impulse follows a trajectory more in line with the theories of French intellectuals such as Georges Bataille (1897–1962), who was expelled from Breton’s authoritative group. Bataille critiques the lofty goals and ideals of Bretonian surrealism in the pages of the cultural and anthropological review Documents (1929–1930) in terms of a dissident surrealist ethno-poetics. This brand of the surreal underscores the prevalence of the bleak or darker aspects of reality: crisis, primitive sacrifice, the death drive, and the violent representation of existence portrayed through formless base matter such as blood, excrement, and fragmented bodies. The present study demonstrates that Bataille’s theoretical and poetic expositions, including those dealing with l’informe (the formless) and the somber emptiness of the void, engage the trauma and anxiety of surrealist expression in Spain, particularly with reference to the anguish, desire, and death that figure so prominently in Spanish texts of the 1920s and 1930s often qualified as “surrealist.” Drawing extensively on the theoretical, cultural, and poetic texts of the period, García Lorca at the Edge of Surrealism offers the first book-length consideration of Bataille’s thinking within the Spanish context, examined through the work of Lorca, a singular proponent of what is here referred to as a dissident Spanish surrealism. By reading Lorca’s “surrealist” texts (including Poetaen Nueva York,Viaje a la luna, and El público) through the Bataillean lens, this volume both amplifies our understanding of the poetry and drama of one of the most important Spanish writers of the twentieth century and expands our perspective of what surrealism in Spain means.
Author: David F. Richter
Publisher:
ISBN: 9781611485776
Category : Surrealism
Languages : en
Pages : 0
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Book Description
García Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico García Lorca (1898-1936). In contrast to the idealist and subconscious tenets espoused by surrealist leader André Breton, which focus on the marvelous, automatic creative processes, and sublimated depictions of reality, Lorca's surrealist impulse follows a trajectory more in line with the theories of French intellectuals such as Georges Bataille (1897-1962), who was expelled from Breton's authoritative group. Bataille critiques the lofty goals and ideals of Bretonian surrealism in the pages of the cultural and anthropological review Documents (1929-1930) in terms of a dissident surrealist ethno-poetics. This brand of the surreal underscores the prevalence of the bleak or darker aspects of reality: crisis, primitive sacrifice, the death drive, and the violent representation of existence portrayed through formless base matter such as blood, excrement, and fragmented bodies. The present study demonstrates that Bataille's theoretical and poetic expositions, including those dealing with l'informe (the formless) and the somber emptiness of the void, engage the trauma and anxiety of surrealist expression in Spain, particularly with reference to the anguish, desire, and death that figure so prominently in Spanish texts of the 1920s and 1930s often qualified as "surrealist." Drawing extensively on the theoretical, cultural, and poetic texts of the period, García Lorca at the Edge of Surrealism offers the first book-length consideration of Bataille's thinking within the Spanish context, examined through the work of Lorca, a singular proponent of what is here referred to as a dissident Spanish surrealism. By reading Lorca's "surrealist" texts (including Poeta en Nueva York, Viaje a la luna, and El público) through the Bataillean lens, this volume both amplifies our understanding of the poetry and drama of one of the most important Spanish writers of the twentieth century and expands our perspective of what surrealism in Spain means.
Author: Robin Adèle Greeley
Publisher: Yale University Press
ISBN: 0300112955
Category : Art
Languages : en
Pages : 284
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Book Description
La obra es una nueva aproximación al tema de la respuesta de los artistas ante la guerra, articulando la relación entre el esfuerzo artístico y la política durante periodos de crisis social. Se analiza la amplia respuesta que la Guerra Civil Española provocó en el trabajo de Miró, Dalí, Caballero, Masson y Picasso, investigando los esfuerzos del surrealismo por establecer un puente entre el pensamiento y el acto político.
Author: Johannes Birringer
Publisher: A&C Black
ISBN: 1847141269
Category : Social Science
Languages : en
Pages : 305
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Book Description
Performance on the Edge takes the reader on a journey across geographical borders and conceptual boundaries in order to map out the new territory of contemporary theatre, dance, media arts and activism. Working across social, cultural and political fault lines, the book explores performance as both process and contact, as the commitment to political activism and the reconstruction of community, as site-specific intervention into the social and technological structures of abandonment, and as the highly charged embodiment of erotic fantasies.Performance on the Edge addresses the politics of community-oriented and reconstructive artmaking in an era marked by the AIDS crisis, cultural and racial polarization, warfare, separatism and xenophobia. Provocatively illustrated with work from North and Central America and Eastern and Western Europe, the book challenges our assumptions about the relations between media and activism, technological imperatives and social processes and bodily identities and virtual communities.
Author: Robert Havard
Publisher: Tamesis Books
ISBN: 9781855661042
Category : Arts, Spanish
Languages : en
Pages : 330
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Book Description
A comprehensive introduction to Surrealism in Spain, with focus on poetry, art, drama and film.
Author: Will Atkin
Publisher: Rowman & Littlefield
ISBN: 1538133431
Category : Art
Languages : en
Pages : 447
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Book Description
The Surrealist Movement is an international intellectual movement that has led a sustained questioning of the basis of human experience under twentieth- and twenty-first century modernity since its founding in the early 1920s. Influenced by the psychoanalytical teachings of Sigmund Freud, Surrealism emerged among the generation that had witnessed the insanity and horror of the First World War, and was conceived of as a framework for investigating the little-understood phenomena of dreams and the unconscious. In these territories the surrealists recognized an alternative axis of human experience that did not align with the rational, workaday rhythms of modern life, and which instead revealed the extent to which individual subjectivity had been constrained by post-Enlightenment rationalism and by the economic forces governing the post-industrial world. Against these trends, the Surrealist Movement has sought to re-evaluate the foundations of modern society and reassert the primacy of the imagination for almost a century to-date. This book offers focused introductions to numerous writers, poets, artists, filmmakers, precursors, groups, movements, events, concepts, cultures, nations and publications connected to Surrealism, providing orientation for students and casual readers alike. Historical Dictionary of Surrealism, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the Surrealist Movement’s engagement with the realms of politics, philosophy, science, poetry, art and cinema, and charts the international surrealist community’s diverse explorations of specific thematic territories such as magic, occultism, mythology, eroticism and gothicism. This book is an excellent resource for students, researchers, and anyone wanting to know more about surrealism.
Author: Collin McKinney
Publisher: Springer Nature
ISBN: 3030568202
Category : Comics & Graphic Novels
Languages : en
Pages : 315
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Book Description
Spanish Graphic Narratives examines the most recent thematic and critical developments in Spanish sequential art, with essays focusing on comics published in Spain since 2007. Considering Spain’s rich literary history, contentious Civil War (1936–39), oppressive Francisco Franco regime (1939–75), and progressive contemporary politics, both the recent graphic novel production in Spain and the thematic focal points of the essays here are greatly varied. Topics of particular interest include studies on the subject of historical and personal memory; representations of gender, race, and identity; and texts dealing with Spanish customs, traditions, and the current political situation in Spain. These overarching topics share many points of contact one with another, and this interrelationship (as well as the many points of divergence) is illustrative of the uniqueness, diversity, and paradoxes of literary and cultural production in modern-day Spain, thus illuminating our understanding of Spanish national consciousness in the present day.
Author: Jaime Rodríguez Matos
Publisher: Fordham Univ Press
ISBN: 0823274098
Category : Political Science
Languages : en
Pages : 334
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Book Description
In this book, Jaime Rodríguez Matos proposes the “formless” as a point of departure in thinking through the relationship between politics and time. Thinking through both literary and political writings around the Cuban Revolution, Rodríguez Matos explores the link between abstract symbolic procedures and various political experiments that have sought to give form to a principle of sovereignty based on the category of representation. In doing so, he proposes the formless as the limit of modern and contemporary reflections on the meaning of politics while exploring the philosophical consequences of a formless concept of temporality for the critique of metaphysics. Rodríguez Matos takes the writing and thought of José Lezama Lima as the guiding thread in exploring the possibility of a politicity in which time is imagined beyond the disciplining functions it has had throughout the metaphysical tradition—a time of the absence of time, in which the absence of time no longer means eternity.
Author: Nate Garrelts
Publisher: McFarland
ISBN: 1476631247
Category : Games & Activities
Languages : en
Pages : 219
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Book Description
Call of Duty is one of the most culturally significant video game franchises of the 21st century. Since the first game was released for PC in 2003, the first-person shooter has sold over 250 million copies across a range of platforms, along with merchandise ranging from toys and comic books to a special edition Jeep Wrangler. Top players can compete for millions in prize money in tournaments sanctioned by the Call of Duty World League. While the gaming community has reported on and debated each development, Call of Duty has received little scholarly attention. This collection of new essays examines the ideologically charged campaign mode of major franchise releases, with a special focus on militarism, realism and gender.
Author: Roger Rothman
Publisher: U of Nebraska Press
ISBN: 0803236492
Category : Art
Languages : en
Pages : 280
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Book Description
"New light on both Dalí's well-known and little-studied works and his work as a response to modernism through a focus on Dalí's identification with the small and the marginal"--
