Author: Marlow
Publisher: Venus World Publishers
ISBN: 9780976375241
Category :
Languages : en
Pages : 182
Book Description
WATCH" GARBO GIRL QUOTES YOUTUBE" RELEASE DATE: MAY 1ST, 2015. TOP REVIEW FROM: SKIP "IF YOUR DOG COULD TALK THEY'D ORDER A MILLION COPIES!" ALSO: TAKE A PEEK@GARBO GIRL VIDEO YOU TUBE! Visit Garbo Girl@ www.garbogirl.com DOWNLOAD "GARBO GIRL RINGTONE" This story will touch your HEART, rekindle your FAITH, and show you that LOVE is the GREATEST GIFT OF ALL. An "exceptional dog" looks down from the heavens and describes her journey on earth... *I am inside my mother's womb, warm and safe. Suddenly, with an overwhelming push and a powerful tug, my "tiny puppy dog body" covered in its "black fur jacket" is released into a world where my willpower and resolve will be constantly challenged. This is the beginning of MY FIRST ASSIGNMENT. *I came here to guide without judgment, I came here to inspire from the heart. But most importantly, I was chosen: TO HELP MAKE ONE LIFE MAGNIFICENT! If you have ever owned a dog, lost a beloved pet, or are just now thinking about inviting a furry companion into your life, this narrative will resonate with you. After you read GARBO GIRL'S story, you will never look at your animal-friend or your life, the same way again. ORDER NOW! MAKES A GREAT GIFT FOR FAMILY & FRIENDS!
Garbo Girl
Author: Marlow
Publisher: Venus World Publishers
ISBN: 9780976375241
Category :
Languages : en
Pages : 182
Book Description
WATCH" GARBO GIRL QUOTES YOUTUBE" RELEASE DATE: MAY 1ST, 2015. TOP REVIEW FROM: SKIP "IF YOUR DOG COULD TALK THEY'D ORDER A MILLION COPIES!" ALSO: TAKE A PEEK@GARBO GIRL VIDEO YOU TUBE! Visit Garbo Girl@ www.garbogirl.com DOWNLOAD "GARBO GIRL RINGTONE" This story will touch your HEART, rekindle your FAITH, and show you that LOVE is the GREATEST GIFT OF ALL. An "exceptional dog" looks down from the heavens and describes her journey on earth... *I am inside my mother's womb, warm and safe. Suddenly, with an overwhelming push and a powerful tug, my "tiny puppy dog body" covered in its "black fur jacket" is released into a world where my willpower and resolve will be constantly challenged. This is the beginning of MY FIRST ASSIGNMENT. *I came here to guide without judgment, I came here to inspire from the heart. But most importantly, I was chosen: TO HELP MAKE ONE LIFE MAGNIFICENT! If you have ever owned a dog, lost a beloved pet, or are just now thinking about inviting a furry companion into your life, this narrative will resonate with you. After you read GARBO GIRL'S story, you will never look at your animal-friend or your life, the same way again. ORDER NOW! MAKES A GREAT GIFT FOR FAMILY & FRIENDS!
Publisher: Venus World Publishers
ISBN: 9780976375241
Category :
Languages : en
Pages : 182
Book Description
WATCH" GARBO GIRL QUOTES YOUTUBE" RELEASE DATE: MAY 1ST, 2015. TOP REVIEW FROM: SKIP "IF YOUR DOG COULD TALK THEY'D ORDER A MILLION COPIES!" ALSO: TAKE A PEEK@GARBO GIRL VIDEO YOU TUBE! Visit Garbo Girl@ www.garbogirl.com DOWNLOAD "GARBO GIRL RINGTONE" This story will touch your HEART, rekindle your FAITH, and show you that LOVE is the GREATEST GIFT OF ALL. An "exceptional dog" looks down from the heavens and describes her journey on earth... *I am inside my mother's womb, warm and safe. Suddenly, with an overwhelming push and a powerful tug, my "tiny puppy dog body" covered in its "black fur jacket" is released into a world where my willpower and resolve will be constantly challenged. This is the beginning of MY FIRST ASSIGNMENT. *I came here to guide without judgment, I came here to inspire from the heart. But most importantly, I was chosen: TO HELP MAKE ONE LIFE MAGNIFICENT! If you have ever owned a dog, lost a beloved pet, or are just now thinking about inviting a furry companion into your life, this narrative will resonate with you. After you read GARBO GIRL'S story, you will never look at your animal-friend or your life, the same way again. ORDER NOW! MAKES A GREAT GIFT FOR FAMILY & FRIENDS!
Garbo
Author: Robert Gottlieb
Publisher: Farrar, Straus and Giroux
ISBN: 0374720819
Category : Performing Arts
Languages : en
Pages : 372
Book Description
A New York Times Book Review Editors' Choice | One of Esquire's 125 best books about Hollywood Award-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshiped her. “Wherever you look in the period between 1925 and 1941,” Robert Gottlieb writes in Garbo, “Greta Garbo is in people’s minds, hearts, and dreams.” Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world’s subconscious; the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world—and that indescribable, transcendent presence she possessed—was rivaled only by Marilyn Monroe’s. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood, aged nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world’s most famous actress. In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world—her desperate, futile striving to be “left alone.” He takes us through the films themselves, from M-G-M’s early presentation of her as a “vamp”—her overwhelming beauty drawing men to their doom, a formula she loathed—to the artistic heights of Camille and Ninotchka (“Garbo Laughs!”), by way of Anna Christie (“Garbo Talks!”), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York—“a hermit about town”—and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee—were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know—and still wants to know. In addition to offering his rich account of her life, Gottlieb, in what he calls “A Garbo Reader,” brings together a remarkable assembly of glimpses of Garbo from other people’s memoirs and interviews, ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes; from literature (she turns up everywhere—in Hemingway’s For Whom the Bell Tolls, in Evelyn Waugh, Graham Greene, and the letters of Marianne Moore and Alice B. Toklas); from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures—250 or so ravishing movie stills, formal portraits, and revealing snapshots—all reproduced here in superb duotone. She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera. Forty years after her career ended, she was still being tormented by unrelenting paparazzi wherever she went. Includes Black-and-White Photographs
Publisher: Farrar, Straus and Giroux
ISBN: 0374720819
Category : Performing Arts
Languages : en
Pages : 372
Book Description
A New York Times Book Review Editors' Choice | One of Esquire's 125 best books about Hollywood Award-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshiped her. “Wherever you look in the period between 1925 and 1941,” Robert Gottlieb writes in Garbo, “Greta Garbo is in people’s minds, hearts, and dreams.” Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world’s subconscious; the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world—and that indescribable, transcendent presence she possessed—was rivaled only by Marilyn Monroe’s. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood, aged nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world’s most famous actress. In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world—her desperate, futile striving to be “left alone.” He takes us through the films themselves, from M-G-M’s early presentation of her as a “vamp”—her overwhelming beauty drawing men to their doom, a formula she loathed—to the artistic heights of Camille and Ninotchka (“Garbo Laughs!”), by way of Anna Christie (“Garbo Talks!”), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York—“a hermit about town”—and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee—were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know—and still wants to know. In addition to offering his rich account of her life, Gottlieb, in what he calls “A Garbo Reader,” brings together a remarkable assembly of glimpses of Garbo from other people’s memoirs and interviews, ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes; from literature (she turns up everywhere—in Hemingway’s For Whom the Bell Tolls, in Evelyn Waugh, Graham Greene, and the letters of Marianne Moore and Alice B. Toklas); from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures—250 or so ravishing movie stills, formal portraits, and revealing snapshots—all reproduced here in superb duotone. She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera. Forty years after her career ended, she was still being tormented by unrelenting paparazzi wherever she went. Includes Black-and-White Photographs
Complicated Women
Author: Mick LaSalle
Publisher: Macmillan
ISBN: 1466876972
Category : Performing Arts
Languages : en
Pages : 340
Book Description
Between 1929 and 1934, women in American cinema were modern! For five short years women in American cinema were modern! They took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers and, in general, acted the way many think women only acted after 1968. Before then, women on screen had come in two varieties - good or bad - sweet ingenue or vamp. Then two stars came along to blast away these common stereotypes. Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. Garbo and Shearer took the stereotypes and made them complicated. In the wake of these complicated women came others, a deluge of indelible stars - Constance Bennett, Ruth Chatterton, Mae Clarke, Claudette Colbert, Marlene Dietrich, Kay Francis, Ann Harding, Jean Harlow, Miriam Hopkins, Dorothy Mackaill, Barbara Stanywyck, Mae West and Loretta Young all came into their own during the pre-Code era. These women pushed the limits and shaped their images along modern lines. Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later. Mick LaSalle, film critic for the San Francisco Chronicle, takes readers on a tour of pre-Code films and reveals how this was the true golden age of women's films and how the movies of the pre-Code are still worth watching. The bold, pioneering and complicated women of the pre-Code era are about to take their place in the pantheon of film history, and America is about to reclaim a rich legacy.
Publisher: Macmillan
ISBN: 1466876972
Category : Performing Arts
Languages : en
Pages : 340
Book Description
Between 1929 and 1934, women in American cinema were modern! For five short years women in American cinema were modern! They took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers and, in general, acted the way many think women only acted after 1968. Before then, women on screen had come in two varieties - good or bad - sweet ingenue or vamp. Then two stars came along to blast away these common stereotypes. Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. Garbo and Shearer took the stereotypes and made them complicated. In the wake of these complicated women came others, a deluge of indelible stars - Constance Bennett, Ruth Chatterton, Mae Clarke, Claudette Colbert, Marlene Dietrich, Kay Francis, Ann Harding, Jean Harlow, Miriam Hopkins, Dorothy Mackaill, Barbara Stanywyck, Mae West and Loretta Young all came into their own during the pre-Code era. These women pushed the limits and shaped their images along modern lines. Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later. Mick LaSalle, film critic for the San Francisco Chronicle, takes readers on a tour of pre-Code films and reveals how this was the true golden age of women's films and how the movies of the pre-Code are still worth watching. The bold, pioneering and complicated women of the pre-Code era are about to take their place in the pantheon of film history, and America is about to reclaim a rich legacy.
The Girls
Author: Diana McLellan
Publisher: Macmillan
ISBN: 9780312283209
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.
Publisher: Macmillan
ISBN: 9780312283209
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.
Greta Garbo
Author: David Bret
Publisher: Biteback Publishing
ISBN: 1849543534
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
In the male-oriented studio system, Greta Garbo wielded a power no other actress has ever possessed, before or since. Be it producer, director, lover or journalist, Garbo called the shots, and when she decided that she was done with the whirlwind of life as Hollywood's darling she withdrew completely, leaving her public begging for an encore that never came. Though there have been numerous biographies of Garbo, this is the first to investigate fully the two so-called missing periods in the life of this most enigmatic of Hollywood stars: the first during the late 1920s, forcing MGM to employ a lookalike to conceal what was almost certainly a pregnancy; the second during World War II when Garbo was employed by British Intelligence to track down Nazi sympathisers. It also analyses in detail the original, uncensored copies of Garbo's films - with the exception of The Divine Woman, of which no complete print survives - and offers substantial evidence that John Gilbert was not, in fact, the great love of her life. Rather her true affections lay with the gay, Sapphic and Scandinavian members of her very intimate inner circle. Using previously unsourced material, along with anecdotes from friends and colleagues that have never before been published, David Bret paints a rounded portrait of Garbo's childhood in Sweden, her rise to stardom and her all-too-brief reign as queen of MGM. Hers is a truly remarkable story, recounted here with warmth, intensity and unique insight.
Publisher: Biteback Publishing
ISBN: 1849543534
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
In the male-oriented studio system, Greta Garbo wielded a power no other actress has ever possessed, before or since. Be it producer, director, lover or journalist, Garbo called the shots, and when she decided that she was done with the whirlwind of life as Hollywood's darling she withdrew completely, leaving her public begging for an encore that never came. Though there have been numerous biographies of Garbo, this is the first to investigate fully the two so-called missing periods in the life of this most enigmatic of Hollywood stars: the first during the late 1920s, forcing MGM to employ a lookalike to conceal what was almost certainly a pregnancy; the second during World War II when Garbo was employed by British Intelligence to track down Nazi sympathisers. It also analyses in detail the original, uncensored copies of Garbo's films - with the exception of The Divine Woman, of which no complete print survives - and offers substantial evidence that John Gilbert was not, in fact, the great love of her life. Rather her true affections lay with the gay, Sapphic and Scandinavian members of her very intimate inner circle. Using previously unsourced material, along with anecdotes from friends and colleagues that have never before been published, David Bret paints a rounded portrait of Garbo's childhood in Sweden, her rise to stardom and her all-too-brief reign as queen of MGM. Hers is a truly remarkable story, recounted here with warmth, intensity and unique insight.
The Girls
Author: Diana McLellan
Publisher: Booktrope Editions
ISBN: 9781935961543
Category : Lesbian actresses
Languages : en
Pages : 0
Book Description
Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.
Publisher: Booktrope Editions
ISBN: 9781935961543
Category : Lesbian actresses
Languages : en
Pages : 0
Book Description
Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.
Scandals of Classic Hollywood
Author: Anne Helen Petersen
Publisher: Penguin
ISBN: 1101635479
Category : Social Science
Languages : en
Pages : 304
Book Description
Celebrity gossip meets history in this compulsively readable collection from Buzzfeed reporter Anne Helen Peterson. This guide to film stars and their deepest secrets is sure to top your list for movie gifts and appeal to fans of classic cinema and hollywood history alike. Believe it or not, America’s fascination with celebrity culture was thriving well before the days of TMZ, Cardi B, Kanye's tweets, and the #metoo allegations that have gripped Hollywood. And the stars of yesteryear? They weren’t always the saints that we make them out to be. BuzzFeed's Anne Helen Petersen, author of Too Fat, Too Slutty, Too Loud, is here to set the record straight. Pulling little-known gems from the archives of film history, Petersen reveals eyebrow-raising information, including: • The smear campaign against the original It Girl, Clara Bow, started by her best friend • The heartbreaking story of Montgomery Clift’s rapid rise to fame, the car accident that destroyed his face, and the “long suicide” that followed • Fatty Arbuckle's descent from Hollywood royalty, fueled by allegations of a boozy orgy turned violent assault • Why Mae West was arrested and jailed for "indecency charges" • And much more Part biography, part cultural history, these stories cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups. But it's not all just tawdry gossip in the pages of this book. The stories are all contextualized within the boundaries of film, cultural, political, and gender history, making for a read that will inform as it entertains. Based on Petersen's beloved column on the Hairpin, but featuring 100% new content, Scandals of Classic Hollywood is sensationalism made smart.
Publisher: Penguin
ISBN: 1101635479
Category : Social Science
Languages : en
Pages : 304
Book Description
Celebrity gossip meets history in this compulsively readable collection from Buzzfeed reporter Anne Helen Peterson. This guide to film stars and their deepest secrets is sure to top your list for movie gifts and appeal to fans of classic cinema and hollywood history alike. Believe it or not, America’s fascination with celebrity culture was thriving well before the days of TMZ, Cardi B, Kanye's tweets, and the #metoo allegations that have gripped Hollywood. And the stars of yesteryear? They weren’t always the saints that we make them out to be. BuzzFeed's Anne Helen Petersen, author of Too Fat, Too Slutty, Too Loud, is here to set the record straight. Pulling little-known gems from the archives of film history, Petersen reveals eyebrow-raising information, including: • The smear campaign against the original It Girl, Clara Bow, started by her best friend • The heartbreaking story of Montgomery Clift’s rapid rise to fame, the car accident that destroyed his face, and the “long suicide” that followed • Fatty Arbuckle's descent from Hollywood royalty, fueled by allegations of a boozy orgy turned violent assault • Why Mae West was arrested and jailed for "indecency charges" • And much more Part biography, part cultural history, these stories cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups. But it's not all just tawdry gossip in the pages of this book. The stories are all contextualized within the boundaries of film, cultural, political, and gender history, making for a read that will inform as it entertains. Based on Petersen's beloved column on the Hairpin, but featuring 100% new content, Scandals of Classic Hollywood is sensationalism made smart.
The Savvy Sphinx
Author: Robert Dance
Publisher: Univ. Press of Mississippi
ISBN: 1496836561
Category : Biography & Autobiography
Languages : en
Pages : 370
Book Description
Named a 2022 Richard Wall Award Finalist by the Theatre Library Association From the late 1920s through the thirties, Greta Garbo (1905–1990) was the biggest star in Hollywood. She stopped making films in 1941, at only thirty-six, and thereafter sought a discreet private life. Still, her fame only increased as the public and press clamored for news of the former actress. At the time of her death, forty-nine years later, photographers continued to stalk her, and her death was reported on the front pages of newspapers worldwide. In The Savvy Sphinx: How Garbo Conquered Hollywood, Robert Dance traces the strategy a working-class Swedish teenager employed to enter motion pictures, find her way to America, and ultimately become Hollywood’s most glorious product. Brilliant tactics allowed her to reach Hollywood’s upper-most echelon and made her one of the last century’s most famous people. Garbo was discovered by director Mauritz Stiller, who saw promise in her nascent talent and insisted that she accompany him when he was lured to America by an MGM contract. By twenty she was a movie star and the epitome of glamour. Soon Garbo was among the highest-paid performers, and in many years she occupied the number one position. Unique among studio players, she quickly insisted on and was granted final authority over her scripts, costars, and directors. But Garbo never played the Hollywood game, and by the late twenties her unwillingness to grant interviews, attend premieres, or meet visiting dignitaries won her the sobriquet the Swedish Sphinx. The Savvy Sphinx, which includes over a hundred beautiful images, charts her rise and her long self-imposed exile as the queen who abdicated her Hollywood throne. Garbo was the paramount star produced by the Hollywood studio system, and by the time of her death her legendary status was assured.
Publisher: Univ. Press of Mississippi
ISBN: 1496836561
Category : Biography & Autobiography
Languages : en
Pages : 370
Book Description
Named a 2022 Richard Wall Award Finalist by the Theatre Library Association From the late 1920s through the thirties, Greta Garbo (1905–1990) was the biggest star in Hollywood. She stopped making films in 1941, at only thirty-six, and thereafter sought a discreet private life. Still, her fame only increased as the public and press clamored for news of the former actress. At the time of her death, forty-nine years later, photographers continued to stalk her, and her death was reported on the front pages of newspapers worldwide. In The Savvy Sphinx: How Garbo Conquered Hollywood, Robert Dance traces the strategy a working-class Swedish teenager employed to enter motion pictures, find her way to America, and ultimately become Hollywood’s most glorious product. Brilliant tactics allowed her to reach Hollywood’s upper-most echelon and made her one of the last century’s most famous people. Garbo was discovered by director Mauritz Stiller, who saw promise in her nascent talent and insisted that she accompany him when he was lured to America by an MGM contract. By twenty she was a movie star and the epitome of glamour. Soon Garbo was among the highest-paid performers, and in many years she occupied the number one position. Unique among studio players, she quickly insisted on and was granted final authority over her scripts, costars, and directors. But Garbo never played the Hollywood game, and by the late twenties her unwillingness to grant interviews, attend premieres, or meet visiting dignitaries won her the sobriquet the Swedish Sphinx. The Savvy Sphinx, which includes over a hundred beautiful images, charts her rise and her long self-imposed exile as the queen who abdicated her Hollywood throne. Garbo was the paramount star produced by the Hollywood studio system, and by the time of her death her legendary status was assured.
Girls Will Be Boys
Author: Laura Horak
Publisher: Rutgers University Press
ISBN: 0813574854
Category : Art
Languages : en
Pages : 329
Book Description
2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men. Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity. Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes.
Publisher: Rutgers University Press
ISBN: 0813574854
Category : Art
Languages : en
Pages : 329
Book Description
2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men. Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity. Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes.
Designing Women
Author: Lucy Fischer
Publisher: Columbia University Press
ISBN: 9780231500579
Category : Performing Arts
Languages : en
Pages : 312
Book Description
Grand, sensational, and exotic, Art Deco design was above all modern, exemplifying the majesty and boundless potential of a newly industrialized world. From department store window dressings to the illustrations in the Sears, Roebuck & Co. catalogs to the glamorous pages of Vogue and Harper's Bazar, Lucy Fischer documents the ubiquity of Art Deco in mainstream consumerism and its connection to the emergence of the "New Woman" in American society. Fischer argues that Art Deco functioned as a trademark for popular notions of femininity during a time when women were widely considered to be the primary consumers in the average household, and as the tactics of advertisers as well as the content of new magazines such as Good Housekeeping and the Woman's Home Companion increasingly catered to female buyers. While reflecting the growing prestige of the modern woman, Art Deco-inspired consumerism helped shape the image of femininity that would dominate the American imagination for decades to come. In films of the middle and late 1920s, the Art Deco aesthetic was at its most radical. Female stars such as Greta Garbo, Joan Crawford, and Myrna Loy donned sumptuous Art Deco fashions, while the directors Cecil B. DeMille, Busby Berkeley, Jacques Feyder, and Fritz Lang created cinematic worlds that were veritable Deco extravaganzas. But the style soon fell into decline, and Fischer examines the attendant taming of the female role throughout the 1930s as a growing conservatism challenged the feminist advances of an earlier generation. Progressively muted in films, the Art Deco woman—once an object of intense desire—gradually regressed toward demeaning caricatures and pantomimes of unbridled sexuality. Exploring the vision of American womanhood as it was portrayed in a large body of films and a variety of genres, from the fashionable musicals of Josephine Baker, and Fred Astaire and Ginger Rogers to the fantastic settings of Metropolis, The Wizard of Oz, and Lost Horizon, Fischer reveals America's long standing fascination with Art Deco, the movement's iconic influence on cinematic expression, and how its familiar style left an indelible mark on American culture.
Publisher: Columbia University Press
ISBN: 9780231500579
Category : Performing Arts
Languages : en
Pages : 312
Book Description
Grand, sensational, and exotic, Art Deco design was above all modern, exemplifying the majesty and boundless potential of a newly industrialized world. From department store window dressings to the illustrations in the Sears, Roebuck & Co. catalogs to the glamorous pages of Vogue and Harper's Bazar, Lucy Fischer documents the ubiquity of Art Deco in mainstream consumerism and its connection to the emergence of the "New Woman" in American society. Fischer argues that Art Deco functioned as a trademark for popular notions of femininity during a time when women were widely considered to be the primary consumers in the average household, and as the tactics of advertisers as well as the content of new magazines such as Good Housekeeping and the Woman's Home Companion increasingly catered to female buyers. While reflecting the growing prestige of the modern woman, Art Deco-inspired consumerism helped shape the image of femininity that would dominate the American imagination for decades to come. In films of the middle and late 1920s, the Art Deco aesthetic was at its most radical. Female stars such as Greta Garbo, Joan Crawford, and Myrna Loy donned sumptuous Art Deco fashions, while the directors Cecil B. DeMille, Busby Berkeley, Jacques Feyder, and Fritz Lang created cinematic worlds that were veritable Deco extravaganzas. But the style soon fell into decline, and Fischer examines the attendant taming of the female role throughout the 1930s as a growing conservatism challenged the feminist advances of an earlier generation. Progressively muted in films, the Art Deco woman—once an object of intense desire—gradually regressed toward demeaning caricatures and pantomimes of unbridled sexuality. Exploring the vision of American womanhood as it was portrayed in a large body of films and a variety of genres, from the fashionable musicals of Josephine Baker, and Fred Astaire and Ginger Rogers to the fantastic settings of Metropolis, The Wizard of Oz, and Lost Horizon, Fischer reveals America's long standing fascination with Art Deco, the movement's iconic influence on cinematic expression, and how its familiar style left an indelible mark on American culture.