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Author: Roger Blackley
Publisher: Auckland University Press
ISBN: 1776710215
Category : Art
Languages : en
Pages : 732
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Book Description
Galleries of Maoriland introduces us to the many ways in which European colonists to New Zealand discovered, created, propagated, and romanticised the Maori world summed up in a popular nickname describing New Zealand; Maoriland. But Blackley shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Galleries of Maoriland looks at Maori prehistory in European art; the enthusiasm of settlers and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy, this book provides a new understanding of our art and our culture.
Author: Roger Blackley
Publisher: Auckland University Press
ISBN: 1776710215
Category : Art
Languages : en
Pages : 732
Get Book Here
Book Description
Galleries of Maoriland introduces us to the many ways in which European colonists to New Zealand discovered, created, propagated, and romanticised the Maori world summed up in a popular nickname describing New Zealand; Maoriland. But Blackley shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Galleries of Maoriland looks at Maori prehistory in European art; the enthusiasm of settlers and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy, this book provides a new understanding of our art and our culture.
Author: Roger Blackley
Publisher:
ISBN: 9781869409357
Category : Art
Languages : en
Pages : 0
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Book Description
Galleries of Maoriland introduces us to the many ways in which European colonists to New Zealand (called Pakeha by the indigenous Maori) discovered, created, propagated and romanticised the Maori world at the turn of the century summed up in a popular nickname describing New Zealand; Maoriland. It could be seen in the paintings of Lindauer and Goldie; among artists, patrons, collectors and audiences; inside the Polynesian Society and the Dominion Museum; among stolen artefacts and fantastical accounts of the Maori past. The culture of Maoriland was a colonists creation. But Galleries of Maoriland shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Why did the idealisation of an ancient Maori world, which obsessed ethnological inquirers and artists alike, appeal also to Maori? Who precisely were the Maori participants in this culture, and what were their motives? Galleries of Maoriland looks at Maori prehistory in European art; the enthusiasm of settlers and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy at the turn of the twentieth century, this book provides a new understanding of our art and our culture.
Author: Michael Belgrave
Publisher: Massey University Press
ISBN: 199101662X
Category : History
Languages : en
Pages : 948
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Book Description
In the first major national history of Aotearoa New Zealand to be published for 20 years, Professor Michael Belgrave advances the notion that New Zealand's two peoples — tangata whenua and subsequent migrants — have together built an open, liberal society based on a series of social contracts. Frayed though they may sometimes be, these contracts have created a country that is distinct. This engaging new look at our history examines how.
Author: Robin Fisher
Publisher: Harbour Publishing
ISBN: 1550179764
Category : Biography & Autobiography
Languages : en
Pages : 410
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Book Description
The fascinating origin story of Wilson Duff, the pioneering BC anthropologist and museologist remembered for his contributions to research on First Nations cultures of the Northwest Coast. Wilson Duff was born in 1925 in the city of Vancouver and his turbulent early years were shaped by the Great Depression and the Second World War. An intelligent child, he quickly progressed in school. After one year at the University of British Columbia, he signed up for the Air Force. An analytic thinker, Duff excelled as a navigator on a Liberator bomber based in India. However, these years carried their own traumas—the omnipresent terror of war and the specter of death. On his return from India, Duff recommenced his studies at UBC. There he began a love affair with anthropology and museum studies. As provincial anthropologist at the BC Provincial Museum from 1950 to 1965 and then at the University of British Columbia, he helped to shape Canadian and British Columbian understanding of First Nations’ cultures. Forging relationships with Indigenous Peoples during field work, Duff was particularly interested in the Northwest Coast cultures and art, and authored important books including Arts of the Raven: Masterworks by the Northwest Coast Indian and Images Stone B.C.: Thirty Centuries of Northwest Coast Indian Sculpture. Hundreds of students left his classes with a greater understanding of Indigenous cultures and the consequences of settler colonialism in British Columbia. He devoted his life to understanding Indigenous people and cultures and communicating that understanding to newcomers, a subject of continued relevance today. Duff struggled with depression for much of his life and died by suicide at age 51. In the end, he claimed he did not fear death because “the end is the beginning.” He believed in reincarnation: that he would be coming back. In tracing the story of Wilson Duff, biographer Robin Fisher reveals the evolution of anthropological studies, the history of a time and place—Vancouver during the Great Depression and war years—and the more recent changes taking place in museum and anthropology studies. Told with insight, and attention to the controversies and complexities of Duff’s life, this story will fascinate anyone engaged in BC history.
Author: Dr. Jarrod Hore
Publisher: Univ of California Press
ISBN: 0520381270
Category : History
Languages : en
Pages : 352
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Book Description
Visions of Nature revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Author: Marie-Stéphanie Delamaire
Publisher: Open Book Publishers
ISBN: 1800641494
Category : Law
Languages : en
Pages : 334
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Book Description
The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age.
Author: Anthea Callen
Publisher: Routledge
ISBN: 1351575414
Category : Art
Languages : en
Pages : 317
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Book Description
This book reveals how art and sex promoted the desire for the genetically perfect body. Its eight chapters demonstrate that before eugenics was stigmatized by the Holocaust and Western histories were sanitized of its prevalence, a vast array of Western politicians, physicians, eugenic societies, family leagues, health associations, laboratories and museums advocated, through verbal and visual cultures, the breeding of 'the master race'. Each chapter illustrates the uncanny resemblances between models of sexual management and the perfect eugenic body in America, Britain, France, Communist Russia and Nazi Germany both before and after the Second World War. Traced back to the eighteenth-century anatomy lesson, the perfect eugenic body is revealed as athletic, hygienic, 'pure-blooded' and sexually potent. This paradigm is shown to have persisted as much during the Bolshevik sexual revolution, as in democratic nations and fascist regimes. Consistently posed naked, these images were unashamedly exhibitionist and voyeuristic. Despite stringent legislation against obscenity, not only were these images commended for soliciting the spectator's gaze but also for motivating the spectator to act out their desire. An examination of the counter-archives of Maori and African Americans also exposes how biologically racist eugenics could be equally challenged by art. Ultimately this book establishes that art inculcated procreative sex with the Corpus Delecti - the delectable body, healthy, wholesome and sanctioned by eugenicists for improving the Western race.
Author: Jock Phillips
Publisher: Penguin Random House New Zealand Limited
ISBN: 1761047221
Category : History
Languages : en
Pages : 716
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Book Description
Authored by award-winning historian Jock Phillips, The History of New Zealand in 100 Objects is gripping, inclusive, often revelatory and deeply human. A colourful and characterful retelling of our shared past, relevant to today, particular to all of us. The sewing kete of an unknown 18th-century Maori woman; the Endeavour cannons that fired on waka in 1769; the bagpipes of an Irish publican Paddy Galvin; the school uniform of Harold Pond, a Napier Tech pupil in the Hawke’s Bay quake; the Biko shields that tried to protect protestors during the Springbok tour in 1981; Winston Reynolds’ remarkable home-made Hokitika television set, the oldest working TV in the country; the soccer ball that was a tribute to Tariq Omar, a victim of the Christchurch Mosque shootings, and so many more – these are items of quiet significance and great personal meaning, taonga carrying stories that together represent a dramatic, full-of-life history for everyday New Zealanders.
Author: John H. Stubbs
Publisher: Taylor & Francis
ISBN: 1003807941
Category : Architecture
Languages : en
Pages : 951
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Book Description
The fourth in a series that documents architectural conservation in different parts of the world, Architectural Conservation in Australia, New Zealand and the Pacific Islands: National Experiences and Practice addresses cultural heritage protection in a region which comprises one third of the Earth’s surface. In response to local needs, Australia, New Zealand and the Pacific Islands have developed some of the most important and influential techniques, legislation, doctrine and theories in cultural heritage management in the world. The evolution of the heritage protection ethos and contemporary architectural conservation practices in Australia and Oceania are discussed on a national and regional basis using ample illustrations and examples. Accomplishments in architectural conservation are discussed in their national and international contexts, with an emphasis on original developments (solutions) and contributions made to the overall field. Enriched with essays contributed from fifty-nine specialists and thought leaders in the field, this book contains an extraordinary breadth and depth of research and synthesis on the why’s and how’s of cultural heritage conservation. Its holistic approach provides an essential resource and reference for students, academics, researchers, policy makers, practitioners and all who are interested in conserving the built environment.
Author: Nicholas Thomas
Publisher: Bloomsbury Publishing
ISBN: 1801105251
Category : Art
Languages : en
Pages : 463
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Book Description
Paul Gauguin is commonly regarded as one of the greatest modern artists. He is renowned for resplendent, mythic imagery from Oceania, for a life of restless travel and for his supposed immersion in Polynesian life. But he has long been regarded ambivalently, and in recent years both Gauguin's sexual behaviour, and his paintings, have been considered exploitative. Gauguin and Polynesia offers a fresh view on the artist, not from the perspective of European art history, but from the contemporary vantage point of the region – Oceania – which he so famously moved to. Gauguin's art is revealed, for the first time, to be richer and more eclectic than has been recognised. The artist indeed did invent enigmatic and symbolic images, but he also depicted Polynesia's colonial modernity, acknowledging the life of the time and the dignity and power of some of the Islanders he encountered. Gauguin and Polynesia neither celebrates nor condemns an extraordinary painter, who at times denounced and at other times affirmed the French empire that shaped his own life and the places he moved between. It is a revelation, of a formative artist of modern life, and of multicultural worlds in the making.
