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Author: Velma García-Gorena
Publisher: University of New Mexico Press
ISBN: 0826359574
Category : Literary Collections
Languages : en
Pages : 399
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Book Description
The Nobel Prize–winning poet Gabriela Mistral is celebrated by her native Chile as the “mother of the nation” even though she spent most of her life in Mexico, Europe, and the United States. Throughout the Spanish-speaking world and especially in Chile, Mistral was characterized as a sad, traditionally Catholic spinster. Yet her voluminous correspondence with Doris Dana, long believed to be her secretary, reveals that the two women were lovers from 1948 until Mistral’s death in 1957. These letters, published in Spanish in 2010 and now translated for the first time into English, provide insight into her work as a poet and illuminate her perspectives on politics, especially war and human rights. The correspondence also sheds light on the poet’s personal life and corrects the long-standing misperceptions of her as a lonely, single, heterosexual woman.
Author: Velma García-Gorena
Publisher: University of New Mexico Press
ISBN: 0826359574
Category : Literary Collections
Languages : en
Pages : 399
Get Book Here
Book Description
The Nobel Prize–winning poet Gabriela Mistral is celebrated by her native Chile as the “mother of the nation” even though she spent most of her life in Mexico, Europe, and the United States. Throughout the Spanish-speaking world and especially in Chile, Mistral was characterized as a sad, traditionally Catholic spinster. Yet her voluminous correspondence with Doris Dana, long believed to be her secretary, reveals that the two women were lovers from 1948 until Mistral’s death in 1957. These letters, published in Spanish in 2010 and now translated for the first time into English, provide insight into her work as a poet and illuminate her perspectives on politics, especially war and human rights. The correspondence also sheds light on the poet’s personal life and corrects the long-standing misperceptions of her as a lonely, single, heterosexual woman.
Author: Carla Guelfenbein
Publisher: Other Press, LLC
ISBN: 1590518721
Category : Fiction
Languages : en
Pages : 145
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Book Description
Lambda Literary: Most Anticipated Book of the Month A poignant collage of stories of women young and old, this novel from an Alfaguara Prize–winning author explores both the need to be seen and the need to disappear. In present-day New York, Margarita grapples with insecurities on her fifty-sixth birthday. She feels neglected by her husband, and suspects he’s having an affair with one of his students. Mysteries surrounding two friends offer both a distraction and unexpected insight: Anne, the concierge of her apartment building, has suddenly vanished without a trace, leaving Anne’s mother to confront a long-held secret. Juliana, now in her eighties, is eager to find the woman who changed the course of her life more than sixty years ago. With a seamless blend of reality and fiction, Carla Guelfenbein takes us back to the 1940s to provide answers, drawing on the intimate letters that Chilean poet Gabriela Mistral wrote to her lover and executor, Doris Dana, in the years after their first meeting at Barnard College. Struggling under the weight of Gabriela’s intense attachment, the much younger Doris enjoys a passionate night of sex and alcohol with a childhood friend while they’re apart. Far from the chaste, self-sacrificing image imposed on Mistral after her death because she never married, the characters of One in Me I Never Loved reflect womanhood in all its complexities, challenging the limits on their freedom and sexuality.
Author: Michael Seth Stewart
Publisher: University of New Mexico Press
ISBN: 0826366368
Category : Literary Collections
Languages : en
Pages : 360
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Book Description
Boston born and bred, John Wieners was a queer self-styled poète maudit who was renowned among his contemporaries but ignored by mainstream critics. Twenty-first-century readers are correcting this elision, placing Wieners back alongside his better-known peers, including Allen Ginsberg, Charles Olson, Denise Levertov, and Amiri Baraka. Wieners was a voluble letter writer, maintaining friendships with these contemporaries that spanned decades and tackling a range of complex issues that resonate today, including drug use, homosexuality, subcultures of the East and West Coasts, and the differing treatment of mental patients based on their economic class. The letters collected in this volume are greatly enhanced by Eileen Myles’s preface and Stewart’s thorough introduction, notes, and brief bios of the poets, writers, artists, and editors with whom Wieners corresponded. The result is more than the letters of a poet—it is a history that explores the world at large in the mid-twentieth century.
Author: Ryan Dobran
Publisher: University of New Mexico Press
ISBN: 0826358330
Category : Literary Collections
Languages : en
Pages : 249
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Book Description
Edited by poet and scholar Ryan Dobran, this volume of correspondence between the American poet Charles Olson (1910–1970) and the English poet J. H. Prynne (b. 1936) sheds light on a little-known but incredibly influential aspect of twentieth-century transatlantic literary culture. Never before published, the letters capture their shared passion for knowledge as well as their distinct writing styles. Written between 1961 and Olson’s death in 1970, the letters display the mutual admiration and intimacy that developed between the two poets after Prynne initiated their exchange when pursuing work for the literary magazine Prospect. This work illustrates how Olson and Prynne influenced each other, and it represents an important step toward understanding their contributions to poetics on both sides of the Atlantic.
Author: Licia Fiol-Matta
Publisher: U of Minnesota Press
ISBN: 9780816639632
Category : Biography & Autobiography
Languages : en
Pages : 269
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Book Description
A Queer Mother for the Nation weaves a nuanced understanding of how Gabriela Mistral (1889-1957), the first Latin American to win the Nobel Prize for Literature, cooperated with authority and fashioned herself as the figure of Motherhood in collaboration with the state.
Author: Graziano Krätli
Publisher: University of New Mexico Press
ISBN: 0826359973
Category : Literary Collections
Languages : en
Pages : 241
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Book Description
In October 1949 the poet William Carlos Williams received a letter from a young man from India who was studying engineering at Stanford University but wanted to write poetry. Williams was intrigued enough to write back. Their intense epistolary relationship, lasting almost a decade and little known up to now, is chronicled in this edition of their letters. Rayaprol returned to India and lived a quiet life as a civil engineer. Yet his commitment to poetry, spurred by Dr. Williams’s long-distance mentoring, never faltered, and the three collections he published eventually gained him a lasting position in the canon of postcolonial Anglophone poetry in India. Rich in personal details, feelings, and moods, the Rayaprol-Williams correspondence is particularly significant as it provides valuable information about transnational literary modernism in the context of American cultural influence during the Cold War as well as the role played by US philanthropic organizations and their relationship to overt and covert CIA operations in India.
Author: Jocelyn Viterna
Publisher: Oxford University Press, USA
ISBN: 0199843651
Category : History
Languages : en
Pages : 306
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Book Description
Women in War provides an in-depth analysis of women's experiences in the FMLN guerrilla army in El Salvador, and examines the consequences of those experiences for their post war lives. It also develops a new model for investigating and understanding micro-level mobilization processes that has applications to many social movement settings.
Author: Velma García-Gorena
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
In the early 1970s construction began on a nuclear power plant at Laguna Verde in the Mexican state of Veracruz. Initially, most local citizens were largely unconcerned with the prospect of having the nuclear plant in their community. With the accidents at Three Mile Island and Chernobyl, however, residents' complacency toward the power plant soon turned to opposition. Protest groups such as the Madres Veracruzanas emerged to join existing environmental groups in a fight to close down the facility. In Mothers and the Mexican Antinuclear Power Movement, Velma García-Gorena traces the protest movement against the Mexican government's Laguna Verde nuclear plant, outlining the movement's formation, development, and decline. Documenting the movement's key players and turning points in superb detail, she interweaves important historical narrative with a deft examination of the events, framing her analysis in terms of social movement literature. In a departure from the more conventional New Social Movements approach to analyzing antinuclear movements, García-Gorena demonstrates how, in many ways, movements of this kind are not so new and how a modified "political process" approach fits much better. With a sophisticated application of various social movements' paradigms, García-Gorena incorporates perspectives such as resource mobilization, political process paradigms, and feminist theory. Timely, well written, and thoroughly researched, Mothers and the Mexican Antinuclear Power Movement fills a major gap in the literature on grassroots environmental movements in Latin America. Both rich in empirical detail and convincing in its conclusions, this study provides a broader understanding of Mexican social movements and the quest for democracy in developing countries.
Author: Gabriela Mistral
Publisher: Baltimore : Published for the Library of Congress by the Johns Hopkins Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
"The first Nobel Prize in literature to be awarded to a Latin American writer went to the Chilean poet Gabriela Mistral. Famous and beloved during her lifetime all over Latin America and in Europe, Mistral has never been known in North America as she deserves to be. The reputation of her more flamboyant and accessible friend and countryman Pablo Neruda has overshadowed hers, and she has been officially sentimentalized into a 'poetess' of children and motherhood. Translations, and even selections of her work in Spanish, have tended to underplay the darkness, the strangeness, and the raging intensity of her poems of grief and pain, the yearning power of her evocations of the Chilean landscape, the stark music of her Round Dances, the visionary splendor of her Hymns of America. During her lifetime Mistral published four books: Desolation, Tenderness, Clearcut, and Winepress. These are included in the 'Complete' Nobel edition published in Madrid; the Poem of Chile, her last book, was printed years after her death. Le Guin includes poems from all five books in this volume, with particular emphasis on the later work. The intelligence and passion of Le Guin's selection and translation will finally allow people in the North to hear the originality, power, purity, and intransigence of this great American voice"--Publisher
Author: Amy Sara Carroll
Publisher: University of Texas Press
ISBN: 1477311378
Category : Art
Languages : en
Pages : 417
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Book Description
REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994–2008). Marshaling over a decade’s worth of archival research, interviews, and participant observation in Mexico City and the Mexico–US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates—City, Woman, and Border. She links the rise of 1990s Mexico City art in the global market to the period’s consolidation of Mexico–US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists’ remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy—what Carroll terms the “allegorical performative”—REMEX adds context to the long-term effects of the post-1968 intersection of D.F. performance and conceptualism, centralizes women artists’ embodied critiques of national and global master narratives, and tracks post-1984 border art’s “undocumentation” of racialized and sexualized reconfigurations of North American labor pools. The book’s featured artwork becomes the lens through which Carroll rereads a range of events and phenomenon from California’s Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Ciudad Juárez, and Mexico’s war on drugs.
