Future Science Fiction Digest Issue 4 PDF Download
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Author: Alex Shvartsman
Publisher: UFO Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 175
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Book Description
Issue 4 of FUTURE SF is themed Alien Invasion. It features eight stories from the UK, Russia, USA, China, Sweden, and Italy. Table of Contents: “They Are Coming” by Paul R. Hardy “The Building Atop the Hill” by Alexander Bachilo (translated by Alex Shvartsman) “A Typical Tale of Bloodlust and Conquest” by Mike Resnick “You Came to the Tower” by Shaenon K. Garrity “Through the Fog, a Distant Land Appears” by Wanxiang Fegnian (translated by Nathan Faires) “Yi” by Oskar Källner (translated by Gordon Jones) “The Last Trial” by Stephen S. Power “The Messiah of the Thirteenth Colony” by Davide Camparsi (translated by Michael Colbert)
Author: Alex Shvartsman
Publisher: UFO Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 175
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Book Description
Issue 4 of FUTURE SF is themed Alien Invasion. It features eight stories from the UK, Russia, USA, China, Sweden, and Italy. Table of Contents: “They Are Coming” by Paul R. Hardy “The Building Atop the Hill” by Alexander Bachilo (translated by Alex Shvartsman) “A Typical Tale of Bloodlust and Conquest” by Mike Resnick “You Came to the Tower” by Shaenon K. Garrity “Through the Fog, a Distant Land Appears” by Wanxiang Fegnian (translated by Nathan Faires) “Yi” by Oskar Källner (translated by Gordon Jones) “The Last Trial” by Stephen S. Power “The Messiah of the Thirteenth Colony” by Davide Camparsi (translated by Michael Colbert)
Author: Mike Resnick
Publisher:
ISBN: 9781790821754
Category :
Languages : en
Pages : 224
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Book Description
Science fiction magazine featuring stories from across the globe. In this issue we have original fiction and translations from China, the Ukraine, Nigeria, Italy, and the United States. Fiction contents:"The Rule of Three" by Lawrence M. Schoen, "SisiMumu" by Walter Dinjos, "The Emperor of Death" by Marina and Sergey Dyachenko, "One Bad Unit" by Steve Kopka, "The Substance of Ideas" by Clelia Farris, "In All Possible Futures" by Dantzel Cherry, "Perfection" by Mike Resnick, "Wordfall" by Liang Ling. Also included is an interview with Hollywood showrunners Javier Grillo-Marxuach and Jose Molina, an essay about the role of empire in SF storytelling, and a profile of Marina and Sergey Dyachenko by their translator and friend Julia Meitov Hersey. Includes 65,000 words of fiction and articles.
Author: Peter Frase
Publisher: Verso Books
ISBN: 1781688141
Category : Political Science
Languages : en
Pages : 134
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Book Description
"It is easier to imagine the end of the world," the theorist Fredric Jameson has remarked, "than to imagine the end of capitalism." Jacobin Editor Peter Frase argues that technological advancements and environmental threats will inevitably push our society beyond capitalism, and Four Futures imagines just how this might look. Extrapolating possible futures from current changes the world is now experiencing, and drawing upon speculative fictions to illustrate how these futures might be realized, Four Futures examines communism, rentism, socialism, and exterminism-or in other words, the socialisms we may reach if a resurgent Left is successful and the barbarisms we may be consigned to if those movements fail.
Author: Laura Resnick
Publisher: UFO Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 240
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Book Description
Issue 3 of Future Science Fiction Digest features over 60,000 words of fiction. A selection of moon-based stories commemorates the 50th anniversary of the moon landing, followed by a sampling of AI stories (featuring both humans owning robotic dogs and robots owning live dogs!), with a little bit of time travel to round things out. Fiction from authors in the United States, China, Russia, Bulgaria, and Sri Lanka.
Author: Walidah Imarisha
Publisher: AK Press
ISBN: 1849352100
Category : Fiction
Languages : en
Pages : 296
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Book Description
Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia’s Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas. PRAISE FOR OCTAVIA'S BROOD: "Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society's imagination and its desire for change. In adrienne maree brown and Walidah Imarisha's visionary conception, and by its activist-artists' often stunning acts of creative inception, Octavia's Brood makes for great thinking and damn good reading. The rest will be up to us." —Jeff Chang, author of Who We Be: The Colorization of America “Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, ‘It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change....This is the text we’ve been waiting for.” —Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier "Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side." —Steven Barnes, author of Lion’s Blood “Never has one book so thoroughly realized the dream of its namesake. Octavia's Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody.... Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” —Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy “Like [Octavia] Butler's fiction, this collection is cartography, a map to freedom.” —dream hampton, filmmaker and Visiting Artist at Stanford University’s Institute for Diversity in the Arts Walidah Imarisha is a writer, organizer, educator, and spoken word artist. She is the author of the poetry collectionScars/Stars and facilitates writing workshops at schools, community centers, youth detention facilities, and women's prisons. adrienne maree brown is a 2013 Kresge Literary Arts Fellow writing science fiction in Detroit, Michigan. She received a 2013 Detroit Knight Arts Challenge Award to run a series of Octavia Butler–based writing workshops.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 532
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Book Description
Author: Blake Bell
Publisher: Fantagraphics Books
ISBN: 1606995529
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
The Secret History of Marvel Comics digs back to the 1930s when Marvel Comics wasn't just a comic-book producing company. Marvel Comics owner Martin Goodman had tentacles into a publishing world that might have made that era’s conservative American parents lynch him on his front porch. Marvel was but a small part of Goodman’s publishing empire, which had begun years before he published his first comic book. Goodman mostly published lurid and sensationalistic story books (known as “pulps”) and magazines, featuring sexually-charged detective and romance short fiction, and celebrity gossip scandal sheets. And artists like Jack Kirby, who was producing Captain America for eight-year-olds, were simultaneously dipping their toes in both ponds. The Secret History of Marvel Comics tells this parallel story of 1930s/40s Marvel Comics sharing offices with those Goodman publications not quite fit for children. The book also features a comprehensive display of the artwork produced for Goodman’s other enterprises by Marvel Comics artists such as Jack Kirby and Joe Simon, Alex Schomburg, Bill Everett, Al Jaffee, and Dan DeCarlo, plus the very best pulp artists in the field, including Norman Saunders, John Walter Scott, Hans Wesso, L.F. Bjorklund, and Marvel Comics #1 cover artist Frank R. Paul. Goodman’s magazines also featured cover stories on celebrities such as Jackie Gleason, Elizabeth Taylor, Liberace, and Sophia Loren, as well as contributions from famous literary and social figures such as Isaac Asimov, Theodore Sturgeon, and L. Ron Hubbard.
Author: Thomas Nolden
Publisher: UCL Press
ISBN: 1800083696
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
In the Face of Adversity explores the dynamics of translating texts that articulate particular notions of adverse circumstances. The chapters illustrate how literary records of often painful experiences and dissenting voices are at risk of being stripped of their authenticity when not carefully handled by the translator; how cultural moments in which the translation of a text that would have otherwise fallen into oblivion instead gave rise to a translator who enabled its preservation while ultimately coming into their own as an author as a result; and how the difficulties the translator faces in intercultural or transnational constellations in which prejudice plays a role endangers projects meant to facilitate mutual understanding. The authors address translation as a project of making available and preserving a corpus of texts that would otherwise be in danger of becoming censored, misperceived or ignored. They look at translation and adaptation as a project of curating textual models of personal, communal or collective perseverance, and they offer insights into the dynamics of cultural inclusion and exclusion through a series of theoretical frameworks, as well as through a set of concrete case studies drawn from different cultural and historical contexts. The collection also explores some of the venues that artists have pursued by transferring artistic expressions from one medium into another in order to preserve and disseminate important experiences in different cultural settings, media and arts.
Author: Rob Latham
Publisher:
ISBN: 0199838844
Category : Comics & Graphic Novels
Languages : en
Pages : 641
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Book Description
The Oxford Handbook of Science Fiction attempts to descry the historical and cultural contours of SF in the wake of technoculture studies. Rather than treating the genre as an isolated aesthetic formation, it examines SF's many lines of cross-pollination with technocultural realities since its inception in the nineteenth century, showing how SF's unique history and subcultural identity has been constructed in ongoing dialogue with popular discourses of science and technology. The volume consists of four broadly themed sections, each divided into eleven chapters. Section I, "Science Fiction as Genre," considers the internal history of SF literature, examining its characteristic aesthetic and ideological modalities, its animating social and commercial institutions, and its relationship to other fantastic genres. Section II, "Science Fiction as Medium," presents a more diverse and ramified understanding of what constitutes the field as a mode of artistic and pop-cultural expression, canvassing extra-literary manifestations of SF ranging from film and television to videogames and hypertext to music and theme parks. Section III, "Science Fiction as Culture," examines the genre in relation to cultural issues and contexts that have influenced it and been influenced by it in turn, the goal being to see how SF has helped to constitute and define important (sub)cultural groupings, social movements, and historical developments during the nineteenth, twentieth, and twenty-first centuries. Finally, Section IV, "Science Fiction as Worldview," explores SF as a mode of thought and its intersection with other philosophies and large-scale perspectives on the world, from the Enlightenment to the present day.
Author: Michael Ashley
Publisher:
ISBN: 1789621712
Category : Comics & Graphic Novels
Languages : en
Pages : 495
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Book Description
Fourth volume in Mike Ashley's acclaimed set on the history of science-fiction magazines. This volume looks at the 1980s.
