Future Science Fiction Digest Issue 4 PDF Download
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Author: Alex Shvartsman
Publisher: UFO Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 175
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Book Description
Issue 4 of FUTURE SF is themed Alien Invasion. It features eight stories from the UK, Russia, USA, China, Sweden, and Italy. Table of Contents: “They Are Coming” by Paul R. Hardy “The Building Atop the Hill” by Alexander Bachilo (translated by Alex Shvartsman) “A Typical Tale of Bloodlust and Conquest” by Mike Resnick “You Came to the Tower” by Shaenon K. Garrity “Through the Fog, a Distant Land Appears” by Wanxiang Fegnian (translated by Nathan Faires) “Yi” by Oskar Källner (translated by Gordon Jones) “The Last Trial” by Stephen S. Power “The Messiah of the Thirteenth Colony” by Davide Camparsi (translated by Michael Colbert)
Author: Alex Shvartsman
Publisher: UFO Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 175
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Book Description
Issue 4 of FUTURE SF is themed Alien Invasion. It features eight stories from the UK, Russia, USA, China, Sweden, and Italy. Table of Contents: “They Are Coming” by Paul R. Hardy “The Building Atop the Hill” by Alexander Bachilo (translated by Alex Shvartsman) “A Typical Tale of Bloodlust and Conquest” by Mike Resnick “You Came to the Tower” by Shaenon K. Garrity “Through the Fog, a Distant Land Appears” by Wanxiang Fegnian (translated by Nathan Faires) “Yi” by Oskar Källner (translated by Gordon Jones) “The Last Trial” by Stephen S. Power “The Messiah of the Thirteenth Colony” by Davide Camparsi (translated by Michael Colbert)
Author: Peter Frase
Publisher: Verso Books
ISBN: 1781688141
Category : Political Science
Languages : en
Pages : 134
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Book Description
An exploration of the utopias and dystopias that could develop from present society Peter Frase argues that increasing automation and a growing scarcity of resources, thanks to climate change, will bring it all tumbling down. In Four Futures, Frase imagines how this post-capitalist world might look, deploying the tools of both social science and speculative fiction to explore what communism, rentism and extermininsm might actually entail. Could the current rise of the real-life robocops usher in a world that resembles Ender's Game? And sure, communism will bring an end to material scarcities and inequalities of wealth—but there's no guarantee that social hierarchies, governed by an economy of "likes," wouldn't rise to take their place. A whirlwind tour through science fiction, social theory and the new technologies are already shaping our lives, Four Futures is a balance sheet of the socialisms we may reach if a resurgent Left is successful, and the barbarisms we may be consigned to if those movements fail.
Author: Laura Resnick
Publisher: UFO Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 240
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Book Description
Issue 3 of Future Science Fiction Digest features over 60,000 words of fiction. A selection of moon-based stories commemorates the 50th anniversary of the moon landing, followed by a sampling of AI stories (featuring both humans owning robotic dogs and robots owning live dogs!), with a little bit of time travel to round things out. Fiction from authors in the United States, China, Russia, Bulgaria, and Sri Lanka.
Author: Brian David Johnson
Publisher: Morgan & Claypool Publishers
ISBN: 1608456560
Category : Fiction
Languages : en
Pages : 190
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Book Description
Science fiction is the playground of the imagination. If you are interested in science or fascinated with the future then science fiction is where you explore new ideas and let your dreams and nightmares duke it out on the safety of the page or screen. But what if we could use science fiction to do more than that? What if we could use science fiction based on science fact to not only imagine our future but develop new technologies and products? What if we could use stories, movies and comics as a kind of tool to explore the real world implications and uses of future technologies today? Science Fiction Prototyping is a practical guide to using fiction as a way to imagine our future in a whole new way. Filled with history, real world examples and conversations with experts like best selling science fiction author Cory Doctorow, senior editor at Dark Horse Comics Chris Warner and Hollywood science expert Sidney Perkowitz, Science Fiction Prototyping will give you the tools you need to begin designing the future with science fiction. The future is Brian David Johnson’s business. As a futurist at Intel Corporation, his charter is to develop an actionable vision for computing in 2021. His work is called “future casting”—using ethnographic field studies, technology research, trend data, and even science fiction to create a pragmatic vision of consumers and computing. Johnson has been pioneering development in artificial intelligence, robotics, and reinventing TV. He speaks and writes extensively about future technologies in articles and scientific papers as well as science fiction short stories and novels (Fake Plastic Love and Screen Future: The Future of Entertainment, Computing and the Devices We Love). He has directed two feature films and is an illustrator and commissioned painter. Table of Contents: Preface / Foreword / Epilogue / Dedication / Acknowledgments / 1. The Future Is in Your Hands / 2. Religious Robots and Runaway Were-Tigers: A Brief Overview of the Science and the Fiction that Went Into Two SF Prototypes / 3. How to Build Your Own SF Prototype in Five Steps or Less / 4. I, Robot: From Asimov to Doctorow: Exploring Short Fiction as an SF Prototype and a Conversation With Cory Doctorow / 5. The Men in the Moon: Exploring Movies as an SF Prototype and a Conversation with Sidney Perkowitz / 6. Science in the Gutters: Exploring Comics as an SF Prototype and a Conversation With Chris Warner / 7. Making the Future: Now that You Have Developed Your SF Prototype, What’s Next? / 8. Einstein’s Thought Experiments and Asimov’s Second Dream / Appendix A: The SF Prototypes / Notes / Author Biography
Author: Alex Shvartsman
Publisher: CAEZIK SF & Fantasy
ISBN: 9781647100544
Category : Fiction
Languages : en
Pages : 230
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Book Description
The Dresden Files meets American Gods in New York City. What would you do if you lost everything that mattered to you, as well as all means to protect yourself and others, but still had to save the day? Conrad Brent is about to find out. Conrad Brent protects the people of Brooklyn from monsters and magical threats. The snarky, wisecracking guardian also has a dangerous secret: he's one in a million - literally. Magical ability comes to about one in every 30,000 and can manifest at any age. Conrad is rarer than this, however. He's a middling, one of the half-gifted and totally despised. Most of the gifted community feels that middlings should be instantly killed. The few who don't flat out hate them still aren't excited to be around middlings. Meaning Conrad can't tell anyone, not even his best friends, what he really is. Conrad hides in plain sight by being a part of the volunteer Watch, those magically gifted who protect their cities from dangerous, arcane threats. And, to pay the bills, Conrad moonlights as a private detective and monster hunter for the gifted community. Which helps him keep up his personal fiction - that he's a magical version of Batman. Conrad does both jobs thanks to charms, artifacts, and his wits, along with copious amounts of coffee. But little does he know that events are about to change his life...forever. When Conrad discovers the Traveling Fair auction house has another middling who's just manifested her so-called powers on the auction block, he's determined to save her, regardless of risk. But what he finds out while doing so is even worse - the winning bidder works for a company that's just created the most dangerous chemical weapon to ever hit the magical community. Before Conrad can convince anyone at the Watch of the danger, he's exposed for what he really is. Now, stripped of rank, magical objects, friends and allies, Conrad has to try to save the world with only his wits. Thankfully though, no one's taken away his coffee.
Author: Blake Bell
Publisher: Fantagraphics Books
ISBN: 1606995529
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
The Secret History of Marvel Comics digs back to the 1930s when Marvel Comics wasn't just a comic-book producing company. Marvel Comics owner Martin Goodman had tentacles into a publishing world that might have made that era’s conservative American parents lynch him on his front porch. Marvel was but a small part of Goodman’s publishing empire, which had begun years before he published his first comic book. Goodman mostly published lurid and sensationalistic story books (known as “pulps”) and magazines, featuring sexually-charged detective and romance short fiction, and celebrity gossip scandal sheets. And artists like Jack Kirby, who was producing Captain America for eight-year-olds, were simultaneously dipping their toes in both ponds. The Secret History of Marvel Comics tells this parallel story of 1930s/40s Marvel Comics sharing offices with those Goodman publications not quite fit for children. The book also features a comprehensive display of the artwork produced for Goodman’s other enterprises by Marvel Comics artists such as Jack Kirby and Joe Simon, Alex Schomburg, Bill Everett, Al Jaffee, and Dan DeCarlo, plus the very best pulp artists in the field, including Norman Saunders, John Walter Scott, Hans Wesso, L.F. Bjorklund, and Marvel Comics #1 cover artist Frank R. Paul. Goodman’s magazines also featured cover stories on celebrities such as Jackie Gleason, Elizabeth Taylor, Liberace, and Sophia Loren, as well as contributions from famous literary and social figures such as Isaac Asimov, Theodore Sturgeon, and L. Ron Hubbard.
Author: Thomas Nolden
Publisher: UCL Press
ISBN: 1800083696
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
In the Face of Adversity explores the dynamics of translating texts that articulate particular notions of adverse circumstances. The chapters illustrate how literary records of often painful experiences and dissenting voices are at risk of being stripped of their authenticity when not carefully handled by the translator; how cultural moments in which the translation of a text that would have otherwise fallen into oblivion instead gave rise to a translator who enabled its preservation while ultimately coming into their own as an author as a result; and how the difficulties the translator faces in intercultural or transnational constellations in which prejudice plays a role endangers projects meant to facilitate mutual understanding. The authors address translation as a project of making available and preserving a corpus of texts that would otherwise be in danger of becoming censored, misperceived or ignored. They look at translation and adaptation as a project of curating textual models of personal, communal or collective perseverance, and they offer insights into the dynamics of cultural inclusion and exclusion through a series of theoretical frameworks, as well as through a set of concrete case studies drawn from different cultural and historical contexts. The collection also explores some of the venues that artists have pursued by transferring artistic expressions from one medium into another in order to preserve and disseminate important experiences in different cultural settings, media and arts.
Author: Rob Latham
Publisher: Oxford Handbooks
ISBN: 0199838844
Category : Comics & Graphic Novels
Languages : en
Pages : 641
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Book Description
The Oxford Handbook of Science Fiction attempts to descry the historical and cultural contours of SF in the wake of technoculture studies. Rather than treating the genre as an isolated aesthetic formation, it examines SF's many lines of cross-pollination with technocultural realities since itsinception in the nineteenth century, showing how SF's unique history and subcultural identity has been constructed in ongoing dialogue with popular discourses of science and technology.The volume consists of four broadly themed sections, each divided into eleven chapters. Section I, "Science Fiction as Genre," considers the internal history of SF literature, examining its characteristic aesthetic and ideological modalities, its animating social and commercial institutions, and itsrelationship to other fantastic genres. Section II, "Science Fiction as Medium," presents a more diverse and ramified understanding of what constitutes the field as a mode of artistic and pop-cultural expression, canvassing extra-literary manifestations of SF ranging from film and television tovideogames and hypertext to music and theme parks. Section III, "Science Fiction as Culture," examines the genre in relation to cultural issues and contexts that have influenced it and been influenced by it in turn, the goal being to see how SF has helped to constitute and define important(sub)cultural groupings, social movements, and historical developments during the nineteenth, twentieth, and twenty-first centuries. Finally, Section IV, "Science Fiction as Worldview," explores SF as a mode of thought and its intersection with other philosophies and large-scale perspectives on theworld, from the Enlightenment to the present day.
Author: Rick Ollerman
Publisher: Down & Out Books
ISBN:
Category : Fiction
Languages : en
Pages : 129
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Book Description
Issue four closes our exciting first year with the very talented debut of Arthur Klepchukov. His intelligent “A Damn Fine Town” is followed by film director and writer John Shepphird and a prequel to his award-nominated “Shill” trilogy, a bit of a teaser for those of you who may not have discovered Jane Innes…yet. Brian Silverman is up next with a story set on his fictional Caribbean island of St. Pierre featuring his characters, Leonard and Tubby. The featured story this issue is of the most excellent Inspector Kubu by the writing team of Michael Stanley. If “Shoot to Kill” is your first Kubu tale, believe me, he’s only better when he’s in a novel. Our featured historical story is by the very prolific, very good Frederick C. Davis, who became one of Harry Whittington’s “St. Pete Boys,” the group of writers like Gil Brewer, Day Keene, and occasionally John D. MacDonald, that met on Sunday afternoons at Harry’s house. Davis’s story is the first Secrets, Inc. installment, “Blood on the Block.” We close out the issue with an offbeat heist story by Robb T. White called “Inside Man,” and a short piece by the always terrific Lissa Marie Redmond, who first appeared in issue two, called “We Don’t Talk About Lester Anymore.” There’s a good reason for that.
Author: Lester del Rey
Publisher: Routledge
ISBN: 1000378764
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
This book, first published in 1980, is a guide to the major forces in the subculture of science fiction. It analyses the history of the field and the related developments, for instance the Bomb, that have shaped the literature. It examines the complex of activity and background tradition, the body of accepted beliefs and conventions, and the ethics and values of the world of science fiction.
