Author: Stefan Zweig
Publisher: Transaction Publishers
ISBN: 141281135X
Category : Social Science
Languages : en
Pages : 342
Book Description
This is the second volume in a trilogy in which Stefan Zweig builds a composite picture of the European mind through intellectual portraits selected from among its most representative and influential figures. In Hölderlin, Kleist, and Nietzsche, Zweig concentrates on three giants of German literature to portray the artist and thinker as a figure possessed by a powerful inner vision at odds with the materialism and scientific positivism of his time, in this case, the nineteenth century. Zweig's subjects here are respectively a lyric poet, a dramatist and writer of novellas, and a philosopher. Each led an unstable life ending in madness and/or suicide and not until the twentieth century did each make their full impact. Whereas the nineteenth-century novel is socially capacious in terms of subject and audience, the three figures treated here are prophets or forerunners of modernist ideas of alienation and exile. Hölderlin and Kleist consciously opposed the worldly harmoniousness of Goethe's classicism in favor of a visionary inwardness and dramatization of the subjective psyche. Nietzsche set himself as a destroyer and rebuilder of philosophy and critic of the degradation of the German spirit through nationalism and militarism. Zweig's choice of subjects reflects a division in his own soul. The image of Goethe recurs here as the ultimate upholder of Zweig's own ideals: scientist and artist, receptive to world culture, supremely rational and prudent. Yet Zweig was aware that Hölderlin, Kleist, and Nietzsche were more daring explorers of the dangerous and destructive aspects of man that needed to be seen and comprehended in the clarifying light of poetry and philosophy.
Hölderlin, Kleist, and Nietzsche
Author: Stefan Zweig
Publisher: Transaction Publishers
ISBN: 141281135X
Category : Social Science
Languages : en
Pages : 342
Book Description
This is the second volume in a trilogy in which Stefan Zweig builds a composite picture of the European mind through intellectual portraits selected from among its most representative and influential figures. In Hölderlin, Kleist, and Nietzsche, Zweig concentrates on three giants of German literature to portray the artist and thinker as a figure possessed by a powerful inner vision at odds with the materialism and scientific positivism of his time, in this case, the nineteenth century. Zweig's subjects here are respectively a lyric poet, a dramatist and writer of novellas, and a philosopher. Each led an unstable life ending in madness and/or suicide and not until the twentieth century did each make their full impact. Whereas the nineteenth-century novel is socially capacious in terms of subject and audience, the three figures treated here are prophets or forerunners of modernist ideas of alienation and exile. Hölderlin and Kleist consciously opposed the worldly harmoniousness of Goethe's classicism in favor of a visionary inwardness and dramatization of the subjective psyche. Nietzsche set himself as a destroyer and rebuilder of philosophy and critic of the degradation of the German spirit through nationalism and militarism. Zweig's choice of subjects reflects a division in his own soul. The image of Goethe recurs here as the ultimate upholder of Zweig's own ideals: scientist and artist, receptive to world culture, supremely rational and prudent. Yet Zweig was aware that Hölderlin, Kleist, and Nietzsche were more daring explorers of the dangerous and destructive aspects of man that needed to be seen and comprehended in the clarifying light of poetry and philosophy.
Publisher: Transaction Publishers
ISBN: 141281135X
Category : Social Science
Languages : en
Pages : 342
Book Description
This is the second volume in a trilogy in which Stefan Zweig builds a composite picture of the European mind through intellectual portraits selected from among its most representative and influential figures. In Hölderlin, Kleist, and Nietzsche, Zweig concentrates on three giants of German literature to portray the artist and thinker as a figure possessed by a powerful inner vision at odds with the materialism and scientific positivism of his time, in this case, the nineteenth century. Zweig's subjects here are respectively a lyric poet, a dramatist and writer of novellas, and a philosopher. Each led an unstable life ending in madness and/or suicide and not until the twentieth century did each make their full impact. Whereas the nineteenth-century novel is socially capacious in terms of subject and audience, the three figures treated here are prophets or forerunners of modernist ideas of alienation and exile. Hölderlin and Kleist consciously opposed the worldly harmoniousness of Goethe's classicism in favor of a visionary inwardness and dramatization of the subjective psyche. Nietzsche set himself as a destroyer and rebuilder of philosophy and critic of the degradation of the German spirit through nationalism and militarism. Zweig's choice of subjects reflects a division in his own soul. The image of Goethe recurs here as the ultimate upholder of Zweig's own ideals: scientist and artist, receptive to world culture, supremely rational and prudent. Yet Zweig was aware that Hölderlin, Kleist, and Nietzsche were more daring explorers of the dangerous and destructive aspects of man that needed to be seen and comprehended in the clarifying light of poetry and philosophy.
Fuseli: The Nightmare
Author: Nicolas Powell
Publisher:
ISBN:
Category : Artists, Swiss
Languages : en
Pages : 130
Book Description
Publisher:
ISBN:
Category : Artists, Swiss
Languages : en
Pages : 130
Book Description
Gothic Nightmares
Author: Martin Myrone
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
"Gothic Nightmares explores the taste for weird, supernatural and fantastic themes in British art between 1770 and 1830. Presenting the wildly original and extravagant images of Henry Fuseli and his contemporaries in the context of the 'Gothic', it shows how art, taste and ideas of the self were transformed in an era of revolutionary change, helping lay the foundations of modern culture."--BOOK JACKET.
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
"Gothic Nightmares explores the taste for weird, supernatural and fantastic themes in British art between 1770 and 1830. Presenting the wildly original and extravagant images of Henry Fuseli and his contemporaries in the context of the 'Gothic', it shows how art, taste and ideas of the self were transformed in an era of revolutionary change, helping lay the foundations of modern culture."--BOOK JACKET.
Nightmare
Author: Christopher Frayling
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Mary Shelley's creation, Frankenstein, who emerged from a dream by a young woman who had just lost her first child, has transformed itself into a warning about the dangers of tampering with nature. The vampire started life as a sexual fantasy, and Bram Stoker's tale became a metaphor for dominance and dependence in sexual relationships. Dr Jekyll and Mr Hyde, perhaps the most psychological of all horror stories, examines the beast in man and the dark side of human nature. And The Hound of the Baskervilles is a tale of conflict between rationalism and folklore, and the skills of Sherlock Holmes.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Mary Shelley's creation, Frankenstein, who emerged from a dream by a young woman who had just lost her first child, has transformed itself into a warning about the dangers of tampering with nature. The vampire started life as a sexual fantasy, and Bram Stoker's tale became a metaphor for dominance and dependence in sexual relationships. Dr Jekyll and Mr Hyde, perhaps the most psychological of all horror stories, examines the beast in man and the dark side of human nature. And The Hound of the Baskervilles is a tale of conflict between rationalism and folklore, and the skills of Sherlock Holmes.
Art, Science, and the Body in Early Romanticism
Author: Stephanie O'Rourke
Publisher: Cambridge University Press
ISBN: 1316519023
Category : Art
Languages : en
Pages : 273
Book Description
Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.
Publisher: Cambridge University Press
ISBN: 1316519023
Category : Art
Languages : en
Pages : 273
Book Description
Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.
Romanticism and Illustration
Author: Ian Haywood
Publisher: Cambridge University Press
ISBN: 1108425712
Category : Art
Languages : en
Pages : 343
Book Description
Explores a vital aspect of British Romanticism, the role of illustration in Romantic-era literary texts and visual culture.
Publisher: Cambridge University Press
ISBN: 1108425712
Category : Art
Languages : en
Pages : 343
Book Description
Explores a vital aspect of British Romanticism, the role of illustration in Romantic-era literary texts and visual culture.
The Life and Writings of Henry Fuseli
Author: Henry Fuseli
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 488
Book Description
Sleep Paralysis
Author: Brian A. Sharpless
Publisher: Oxford University Press, USA
ISBN: 0199313806
Category : Health & Fitness
Languages : en
Pages : 305
Book Description
Sleep Paralysis: Historical, Psychological, and Medical Perspectives offers the first comprehensive examination of sleep paralysis from both clinical and cultural perspectives. Dr. Brian Sharpless and Dr. Karl Doghramji provide a thorough and easily readable resource on the phenomenon and present differential diagnosis suggestions, medication guidance, and a new treatment approach for mental health professionals.
Publisher: Oxford University Press, USA
ISBN: 0199313806
Category : Health & Fitness
Languages : en
Pages : 305
Book Description
Sleep Paralysis: Historical, Psychological, and Medical Perspectives offers the first comprehensive examination of sleep paralysis from both clinical and cultural perspectives. Dr. Brian Sharpless and Dr. Karl Doghramji provide a thorough and easily readable resource on the phenomenon and present differential diagnosis suggestions, medication guidance, and a new treatment approach for mental health professionals.
Fuseli
Author: Franziska Lentzsh
Publisher: Scheidegger and Spiess
ISBN:
Category : Art
Languages : en
Pages : 282
Book Description
Published in connection with an exhibition held at Kunsthaus Zeurich Oct. 14, 2005-Jan. 8, 2006.
Publisher: Scheidegger and Spiess
ISBN:
Category : Art
Languages : en
Pages : 282
Book Description
Published in connection with an exhibition held at Kunsthaus Zeurich Oct. 14, 2005-Jan. 8, 2006.
Fat Cat Art
Author: Svetlana Petrova
Publisher: Penguin
ISBN: 0698195159
Category : Humor
Languages : en
Pages : 382
Book Description
“It’s official. That thing that classic art has been missing is a chubby reclining kitty.” —The Huffington Post Internet meme meets classical art in Svetlana Petrova’s brilliant Fat Cat Art. Featuring her twenty-two-pound, ginger-colored cat Zarathustra superimposed onto some of the greatest artworks of all time, Petrova’s paintings are an Internet sensation. Now fans will have the ultimate full-color collection of her work, including several never-before-seen pieces, to savor for themselves or to give as a gift to fellow cat lovers. From competing with Venus’s sexy reclining pose (and almost knocking her off her chaise lounge in the process) in Titian’s Venus of Urbino, to exhibiting complete disdain as he skirts away from God’s pointing finger in Michelangelo’s Creation of Adam, Zarathustra single-handedly rewrites art history in the way that only an adorable fat cat can.
Publisher: Penguin
ISBN: 0698195159
Category : Humor
Languages : en
Pages : 382
Book Description
“It’s official. That thing that classic art has been missing is a chubby reclining kitty.” —The Huffington Post Internet meme meets classical art in Svetlana Petrova’s brilliant Fat Cat Art. Featuring her twenty-two-pound, ginger-colored cat Zarathustra superimposed onto some of the greatest artworks of all time, Petrova’s paintings are an Internet sensation. Now fans will have the ultimate full-color collection of her work, including several never-before-seen pieces, to savor for themselves or to give as a gift to fellow cat lovers. From competing with Venus’s sexy reclining pose (and almost knocking her off her chaise lounge in the process) in Titian’s Venus of Urbino, to exhibiting complete disdain as he skirts away from God’s pointing finger in Michelangelo’s Creation of Adam, Zarathustra single-handedly rewrites art history in the way that only an adorable fat cat can.