Further Letters of Joanna Baillie PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Further Letters of Joanna Baillie PDF full book. Access full book title Further Letters of Joanna Baillie by Joanna Baillie. Download full books in PDF and EPUB format.
Author: Joanna Baillie
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838641490
Category : Biography & Autobiography
Languages : en
Pages : 297
Get Book Here
Book Description
The earliest letter dates from 1800, not long after Baillie had announced her authorship of the first volume of Plays on the Passions. The last dates only a few weeks before her death in 1851. --
Author: Joanna Baillie
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838641490
Category : Biography & Autobiography
Languages : en
Pages : 297
Get Book Here
Book Description
The earliest letter dates from 1800, not long after Baillie had announced her authorship of the first volume of Plays on the Passions. The last dates only a few weeks before her death in 1851. --
Author: David Taylor
Publisher: Rowman & Littlefield
ISBN: 1793617163
Category : History
Languages : en
Pages : 391
Get Book Here
Book Description
Drawing on previously unpublished archival materials, this study spans three generations of the Lushington family. It investigates their personal histories through the themes of social, artistic, and cultural history. The author analyzes the Lushington family’s relationships with well-known figures like Lady Byron, Queen Caroline, and members of the Bloomsbury Group. Most importantly, this study examines Lushington family members’ roles within larger trends, including abolitionism, the Pre-Raphaelite movement, and Positivism.
Author: S. Schmid
Publisher: Springer
ISBN: 1137063742
Category : Literary Criticism
Languages : en
Pages : 382
Get Book Here
Book Description
British salons, with guests such as Byron, Moore, and Thackeray, were veritable hothouses of political and cultural agitation. Using a number of sources - diaries, letters, silver-fork novels, satires, travel writing, Keepsakes, and imaginary conversations - Schmid paints a vivid picture of the British salon between the 1780s and the 1840s.
Author: Ann R. Hawkins
Publisher: Taylor & Francis
ISBN: 1317041747
Category : Literary Criticism
Languages : en
Pages : 609
Get Book Here
Book Description
The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.
Author: Thomas C. Crochunis
Publisher: Routledge
ISBN: 1351025120
Category : Performing Arts
Languages : en
Pages : 618
Get Book Here
Book Description
The Routledge Anthology of British Women Playwrights, 1777-1843 brings together ten eclectic plays by female dramatists and writers, to stimulate a rich discussion of women, writing, and theatre history. Ranging through tragedy, comedy, musical theatre and mixed-genre texts, this volume celebrates the breadth and experimental spirit of women's eighteenth- and nineteenth-century dramatic writing. Each play is accompanied by an introductory essay that addresses its sociopolitical and theatrical contexts, and outlines its performance and reception history. The selections included here invite teachers and their students to study particular works by authors of note, but also to consider the differences between works written for page and stage. While many of the plays are recognizable as published dramas, they have been placed alongside textual artifacts that suggest plays or theatrical events of which no definitive record exists, as well as supplementary materials that invite teachers to engage their students in exploring women's dramatic writing in this era. Organized in chronological order, The Routledge Anthology of British Women Playwrights, 1777-1843 traces a history of women's writing across genres and styles, offering an invaluable resource to students and teachers alike.
Author: Andrea Fischerová
Publisher: Cambridge Scholars Publishing
ISBN: 1527561763
Category : Literary Criticism
Languages : en
Pages : 315
Get Book Here
Book Description
This study focuses on the six writing men who have been throughout decades regarded as the alpha and omega of British Romanticism: Byron, Coleridge, Keats, Scott, Shelley, and Wordsworth. It sees these men as a representative cohort of their time and examines their letters as results of a reading process. Although letters are usually seen as additional sources of reference in literary studies, in this book they are treated as the dominant information material: correspondence enables to reconsider British Romanticism on the basis of the epistolary communication of the first half of the nineteenth century. The target information from the letters are references to women writers and to their writings. A detailed analysis of the correspondence manages to answer the question whether male Romantics regarded writing women as “provoking” from time to time, as Duncan Wu assumes, and whether the gender identity of the woman author influenced the way male readers read her literary works. The examination of the correspondence thus takes a gendered perspective on British Romanticism. This approach to the target research data discloses a long list of almost 120 names of women writers from different periods and of different literary genres. Whereas the male readers in question have acquired a well-established, stable long-term position within literary history, the women were often marginalized, even forgotten. The study presents plentiful examples proving the discrepancies between what the twenty-first-century reader regards as the core of women’s Romantic literary tradition, and what the Romantic reader did. The following women writers are discussed in the study in detail: Susannah Centlivre, Anne Finch (Lady Winchelsea), Ann Radcliffe, Mary Robinson, Felicia Hemans, Mary Shelley, Joanna Baillie, Maria Edgeworth, Maria Jane Jewsbury, Catherine Grace Godwin, and Emmeline Fisher.
Author: Andrew O. Winckles
Publisher: Liverpool University Press
ISBN: 178694832X
Category : Literary Criticism
Languages : en
Pages : 326
Get Book Here
Book Description
The eighteenth century witnessed the rapid expansion of literary networks in Britain, yet we still lack a complex understanding of how these networks functioned, particularly for women. This volume addresses this gap, arguing that networks not only provided women with access to the literary marketplace, but altered their relations to each other, their literary production, and the broader social sphere.
Author: Emily Hodgson Anderson
Publisher: University of Michigan Press
ISBN: 0472902369
Category : Performing Arts
Languages : en
Pages : 262
Get Book Here
Book Description
How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again. In chapters featuring Othello, Richard III, Hamlet, The Winter’s Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick’s performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear.
Author: Robert Mayer
Publisher: Oxford University Press
ISBN: 0198794827
Category : Literary Collections
Languages : en
Pages : 236
Get Book Here
Book Description
Robert Mayer presents a study of correspondences between Walter Scott and socially and culturally diverse readers of his work in the English-speaking world in the early nineteenth century. He explores Scott's original constructions of authorship, reading strategies, and versions of fame in these revealing letters.
Author: Ralf Haekel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393409
Category : Literary Criticism
Languages : en
Pages : 770
Get Book Here
Book Description
The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discussions of key concepts such as history, class, gender, science and the use of media as well as a thorough account of the most central literary genres around the turn of the 19th century. The focus of the book, however, will lie on a discussion of key literary texts in the light of the most recent theoretical developments. Thus, the Handbook of British Romanticism will provide students with an introduction to Romantic literature in general and literary scholars with a discussion of innovative and groundbreaking theoretical developments.
