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Author: Guntram Koch
Publisher: Getty Publications
ISBN: 0892360852
Category : Art
Languages : en
Pages : 142
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Book Description
During the Roman Empire lavish marble monuments to the dead were erected to decorate tombs and cemeteries. A group of these memorials, often so opulent that they required considerable economic sacrifice from the families who commissioned them, is catalogued in this volume.
Author: Guntram Koch
Publisher: Getty Publications
ISBN: 0892360852
Category : Art
Languages : en
Pages : 142
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Book Description
During the Roman Empire lavish marble monuments to the dead were erected to decorate tombs and cemeteries. A group of these memorials, often so opulent that they required considerable economic sacrifice from the families who commissioned them, is catalogued in this volume.
Author: Janet Burnett Grossman
Publisher: Getty Publications
ISBN: 0892366125
Category : Art
Languages : en
Pages : 174
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Book Description
"This illustrated catalogue presents fifty-nine Greek funerary monuments in the Antiquities collection of the Getty Museum. Spanning the Classical and Hellenistic periods, the sculptures typically show the deceased either alone or surrounded by family. Ranging from depictions of seated mothers and modest maidens to nude boys and armed warriors, this collection offers new insight into Greek art and society that will undoubtedly pique the interest of both scholars and the general public."--BOOK JACKET.
Author: Janet Burnett Grossman
Publisher:
ISBN: 9780876612354
Category : Agora (Athens, Greece)
Languages : en
Pages : 0
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Book Description
Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period. The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.
Author: Janet Burnett Grossman
Publisher: American School of Classical Studies at Athens
ISBN: 1621390144
Category : Art
Languages : en
Pages : 409
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Book Description
Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period. The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.
Author: Thelma K. Thomas
Publisher: Princeton University Press
ISBN: 9780691034683
Category : Art
Languages : en
Pages : 252
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Book Description
Some of these sculptures were made for grand monumental tombs and commissioned by an urban, land-owning class with strong Hellenistic roots; others were made for smaller and less imposing monuments and commissioned by distinctly different clienteles from monasteries and towns, as well as by different socio-economic classes within the cities.".
Author: Jeehee Hong
Publisher: University of Hawaii Press
ISBN: 082485540X
Category : History
Languages : en
Pages : 249
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Book Description
In eleventh-century China, both the living and the dead were treated to theatrical spectacles. Chambers designed for the deceased were ornamented with actors and theaters sculpted in stone, molded in clay, rendered in paint. Notably, the tombs were not commissioned for the scholars and officials who dominate the historical record of China but affluent farmers, merchants, clerics—people whose lives and deaths largely went unrecorded. Why did these elites furnish their burial chambers with vivid representations of actors and theatrical performances? Why did they pursue such distinctive tomb-making? In Theater of the Dead, Jeehee Hong maintains that the production and placement of these tomb images shed light on complex intersections of the visual, mortuary, and everyday worlds of China at the dawn of the second millennium. Assembling recent archaeological evidence and previously overlooked historical sources, Hong explores new elements in the cultural and religious lives of middle-period Chinese. Rather than treat theatrical tomb images as visual documents of early theater, she calls attention to two largely ignored and interlinked aspects: their complex visual forms and their symbolic roles in the mortuary context in which they were created and used. She introduces carefully selected examples that show visual and conceptual novelty in engendering and engaging dimensions of space within and beyond the tomb in specifically theatrical terms. These reveal surprising insights into the intricate relationship between the living and the dead. The overarching sense of theatricality conveys a densely socialized vision of death. Unlike earlier modes of representation in funerary art, which favored cosmological or ritual motifs and maintained a clear dichotomy between the two worlds, these visual practices show a growing interest in conceptualizing the sphere of the dead within the existing social framework. By materializing a “social turn,” this remarkable phenomenon constitutes a tangible symptom of middle-period Chinese attempting to socialize the sacred realm. Theater of the Dead is an original work that will contribute to bridging core issues in visual culture, history, religion, and drama and theater studies.
Author: Evangelia Georgitsoyanni
Publisher: Cambridge Scholars Publishing
ISBN: 1527543765
Category : Art
Languages : en
Pages : 470
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Book Description
This book charts a significant aspect of European heritage: cemeteries. Cemeteries are nowadays considered as formal cultural sites and open-air museums attracting a great number of visitors; while cemetery records, memorial monuments, epitaph inscriptions and symbols provide useful data, attracting the interest of an increasing number of scholars from various disciplines and backgrounds. This collective volume consists of selected papers, presented at the ASCE (Association of Significant Cemeteries in Europe) Conference: “Ancient Greek Art and European Funerary Art” organized by the Harokopio University of Athens-Greece on October 5-7 2017, aiming to highlight various cultural aspects of cemeteries. The authors present funerary art and its classical origin, investigate theoretical and historical approaches, plan cultural and educational routes, design technological applications concerning the use of cemeteries as cultural sites, and propose multiple ways for promoting cemetery heritage and public engagement; while the majority of the papers is based on field and archival research and is accompanied by original images. The multicultural character of death heritage is highlighted through the variety of case-studies presented in this volume, introducing different perspectives and interpretations on art, history, heritage and cultural tourism, laying the groundwork for the public discussion on our common heritage as appeared in cemeteries, appealing to both the wider public and the academic community.
Author: Elise A. Friedland
Publisher: Oxford University Press, USA
ISBN: 0199921822
Category : Art
Languages : en
Pages : 737
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Book Description
Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.
Author: Suzanne G. Lindsay
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409422617
Category : Art
Languages : en
Pages : 280
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Book Description
This book sheds new light on the interplay of the funerary arts, tomb cult and the mentalities that shaped them in France, over a period famous for profound and often violent change. Using previously untouched archival sources and period published material, this study proposes new and vital contexts for nineteenth-century France's celebrated funerary projects, often profoundly reinterpreting them, and brings to light significant enterprises that are little known today.
Author: Maura Heyn
Publisher:
ISBN: 9782503591261
Category :
Languages : en
Pages : 156
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Book Description
During the Roman era, when the ancient city of Palmyra was at the height of its powers, several thousand funerary portraits were sculpted, each carefully crafted to represent the men, women, and children who had once lived there as members of the Palmyrene elite. In their commemorative monuments, these individuals were given specific attributes to express their social status, wealth, identity, and skills. This volume provides an in-depth exploration of different aspects of these funerary portraits, and illuminates in particular the addition of attributes and how and why they were used by both artists and their patrons. The eight contributions gathered here examine the range of choices available to commissioners of art works in Palmyra, the prevalence or rarity of specific attributes, and the ways in which the variation and selection of attributes could be used in funerary, religious, or public contexts to express social cohesion and group identity, as well as to demonstrate individuality. Crucially, while these funerary monuments may be closely associated with Palmyra, they in fact provide clear evidence of the city's relationships across the wider region: examination of the different attributes suggests that the Palmyrenes were aware of how these were used, perceived, and adapted by neighbouring people as a way of transmitting various social meanings and expressing their own values.
