Function and Participation of the Reader in Balzac's Comédie Humaine PDF Download
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Author: Mary Susan McCarthy
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
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Book Description
Author: Mary Susan McCarthy
Publisher:
ISBN:
Category :
Languages : en
Pages : 702
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Book Description
Author: Linzy Erika Dickinson
Publisher: BRILL
ISBN: 9004490655
Category : Social Science
Languages : en
Pages : 380
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Book Description
This is the first study of Balzac's work to examine theatre in La Comédie humaine both as a theme in itself and for its influence on Balzac's techniques and modes of presentation in his novels, and to demonstrate the symbiotic influence of novel and stage on Balzac's work as a playwright and novelist. It will be of interest not only to students of Balzac, but also to students of nineteenth-century theatre and history. The introduction gives an account of Balzac's experience of the theatre; the first three chapters examine the historicity of Balzac's portrayal of the theatre world and how this portrayal serves his wider narrative purpose; the two following chapters demonstrate how and why Balzac relies on the theatre to provide a rich tissue of metaphor and bank of expressive devices with which to communicate his critique of society; finally the work shows how Balzac succeeded in bringing to the stage the same scrutiny of the capitalist ethos which underpins La Comédie humaine. An index of references to playwrights, plays, actors and stage characters in La Comédie humaine is given in an appendix.
Author: Mary S. MacCarthy
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
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Book Description
Author: Mary Susan McCarthy
Publisher:
ISBN:
Category :
Languages : en
Pages : 674
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Book Description
Author: Owen Heathcote
Publisher: Cambridge University Press
ISBN: 1107066476
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Leading specialists shed new light on key narrative and thematic features of the writings of Honoré de Balzac.
Author: Robert Nisbet
Publisher: Routledge
ISBN: 1351488910
Category : Social Science
Languages : en
Pages : 201
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Book Description
""One of our most original social thinkers,"" according to the New York Times, Robert Nisbet offers a new approach to sociology. He shows that sociology is indeed an art form, one that has a strong kinship with literature, painting, Romantic history, and philosophy in the nineteenth century, the age in which sociology came into full stature. Sociology as an Art Form is an introduction for the initiated and the uninitiated in so-ciology.Nisbet explains the degree to which sociology draws from the same creative impulses, themes and styles (rooted in history), and actual modes of representa-tion found in the arts. He shows how the founding sociologists such as Marx, Weber, Durkheim, and Simmel constructed portraits (of the bourgeois, the worker, and the intellectual) and landscapes (of the masses, the poor, the factory system), all reflecting and contribut-ing to identical portraits and landscapes found in the literature and art of the period. In addition to marking the similarities between sociologists' and artists' efforts to depict motion or movement, Nisbet emphasizes the relation of sociology to the fin de siecle in art and literature, with examples such as alienation, anomie, and degeneration. He creates an elegant, brilliantly reasoned appraisal of sociology's contribution to modern culture.This book will be of interest to sociologists, artists, and anyone interested in how the fields relate to one another.
Author: Lynn R. Wilkinson
Publisher: State University of New York Press
ISBN: 1438424078
Category : Biography & Autobiography
Languages : en
Pages : 364
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Book Description
Taking as its point of departure the two poems, "Correspondances" by Baudelaire and "Les correspondances" by Alphonse-Louis Constant, The Dream of an Absolute Language: Emanuel Swedenborg and French Literary Culture traces the reception and popularization of several key Swedenborgian doctrines in late-eighteenth- and nineteenth-century French literature and popular culture, notably the doctrine of correspondences. Contrary to what Michel Foucault argued in his early Les mots et les choses, in nineteenth-century France, the word "correspondences" does not denote a break with "representation," at least as it was used by nineteenth-century French writers: rather it is intimately bound up with the taxonomic structures of natural history—and also with the desire to understand the social world in terms of an ordered and controllable totality. Because it crops up in texts we now classify as canonical and also those outside the canon, and because it is so clearly related to notions of literary structure and effect, the word "correspondences" and its transformations in late-eighteenth- and nineteenth-century France offers a vantage point for discerning how artists and writers defined their work both within and against a context of cultures defined as elite, "popular," and even ideological.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 634
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Book Description
Author: James Madden
Publisher: Summa Publications, Inc.
ISBN: 9781883479411
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This study explores the process by which Balzac made use of the unique structure of his fictional world to create subtlety and complexity both within and between the individual works of "La Comedie humaine." Internal narrations--scenes of story-telling--offer a particularly rich field of study as characters tell each other stories about other characters. Because of the system of recurring characters, Balzac's narrative framing creates layers of meaning, thus raising questions that resonate throughout the whole textual edifice. "Weaving Balzac's Web" shows how story-telling scenes can serve as windows into the depths of Balzac's masterpiece and reveal the carefully construction complexities and ambiguities that lie enmeshed in its vast narrative web.
Author: Martin Kanes
Publisher: Princeton University Press
ISBN: 1400869692
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Although Balzac's work has been much studied, practically nothing has been written on his use of linguistic concepts. Applying a new approach, this perceptive book demonstrates that the theme and theory of language were central to Balzac's fiction. In considering how the novelist was influenced by eighteenth- and nineteenth-century speculation on language, Martin Kanes traces the development of Balzac's own linguistic ideas from his early to his later writings. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
