Author: Paul Walker
Publisher:
ISBN: 0190056193
Category : Music
Languages : en
Pages : 385
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Book Description
Examining the roots of the classical fugue pre-Bach, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period--motet, ricercar, and canonza--through musical examples and close analysis.
Author: Alfred Mann
Publisher: Courier Corporation
ISBN: 0486171345
Category : Music
Languages : en
Pages : 369
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Book Description
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Author: Lionel Pike
Publisher: Austin Macauley Publishers
ISBN: 1528966279
Category : Music
Languages : en
Pages : 348
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Book Description
This is the first full-length study of the symphonies of Robert Simpson to be offered to the general public. Simpson is perhaps best known for his BBC work, including the Promenade Concerts and such innovatory radio programmes as The Innocent Ear; but critics have hailed him as one of the finest writers of symphonies of the twentieth century—one who additionally spent a lifetime examining and talking about works of this kind, being particularly interested in the oeuvres of Bruckner, Nielsen and Sibelius. As a result, his compositions provide invaluable case studies for the understanding of this most demanding of compositional forms, as well as being a string of eleven masterpieces spanning the last half of the twentieth century.
Author: William Alexander Barrett
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
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Book Description
Author: Paul Walker
Publisher: University Rochester Press
ISBN: 9781580461504
Category : Music
Languages : en
Pages : 504
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Book Description
An analysis of the history and methodology of the pre-Bach baroque fugue.
Author: James Haar
Publisher: Princeton University Press
ISBN: 1400864712
Category : Music
Languages : en
Pages : 408
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Book Description
As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Peter Cooper
Publisher: Alma Books
ISBN: 0714544906
Category : Music
Languages : en
Pages : 193
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Book Description
Renowned for its versatility, the piano has played a majorrole both in musical development and in the shaping ofpublic taste. Throughout its history it has always remainedat the centre of the music scene as the composer's tool, thevirtuoso's partner and the accompanist's mainstay.Style in Piano Playing is a book not only about the piano,its uses and performers, but also about the music writtenfor the piano. In it, the author shows how the great pianistsof the past built their programmes, tells of how they werereceived and takes a critical look at the history of musicaltaste.
Author: Michelle Witen
Publisher: Bloomsbury Publishing
ISBN: 1350014230
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the “Sirens” episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the “pure music” of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.
Author: Johann Fux
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164
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Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
Author: David Ledbetter
Publisher: Yale University Press
ISBN: 0300128983
Category : Music
Languages : en
Pages : 430
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Book Description
Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.
