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Author: Douglas Brode
Publisher: University of Texas Press
ISBN: 0292768079
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
With his thumbprint on the most ubiquitous films of childhood, Walt Disney is widely considered to be the most conventional of all major American moviemakers. The adjective "Disneyfied" has become shorthand for a creative work that has abandoned any controversial or substantial content to find commercial success. But does Disney deserve that reputation? Douglas Brode overturns the idea of Disney as a middlebrow filmmaker by detailing how Disney movies played a key role in transforming children of the Eisenhower era into the radical youth of the Age of Aquarius. Using close readings of Disney projects, Brode shows that Disney's films were frequently ahead of their time thematically. Long before the cultural tumult of the sixties, Disney films preached pacifism, introduced a generation to the notion of feminism, offered the screen's first drug-trip imagery, encouraged young people to become runaways, insisted on the need for integration, advanced the notion of a sexual revolution, created the concept of multiculturalism, called for a return to nature, nourished the cult of the righteous outlaw, justified violent radicalism in defense of individual rights, argued in favor of communal living, and encouraged antiauthoritarian attitudes. Brode argues that Disney, more than any other influence in popular culture, should be considered the primary creator of the sixties counterculture—a reality that couldn't be further from his "conventional" reputation.
Author: Douglas Brode
Publisher: University of Texas Press
ISBN: 0292768079
Category : Performing Arts
Languages : en
Pages : 292
Get Book Here
Book Description
With his thumbprint on the most ubiquitous films of childhood, Walt Disney is widely considered to be the most conventional of all major American moviemakers. The adjective "Disneyfied" has become shorthand for a creative work that has abandoned any controversial or substantial content to find commercial success. But does Disney deserve that reputation? Douglas Brode overturns the idea of Disney as a middlebrow filmmaker by detailing how Disney movies played a key role in transforming children of the Eisenhower era into the radical youth of the Age of Aquarius. Using close readings of Disney projects, Brode shows that Disney's films were frequently ahead of their time thematically. Long before the cultural tumult of the sixties, Disney films preached pacifism, introduced a generation to the notion of feminism, offered the screen's first drug-trip imagery, encouraged young people to become runaways, insisted on the need for integration, advanced the notion of a sexual revolution, created the concept of multiculturalism, called for a return to nature, nourished the cult of the righteous outlaw, justified violent radicalism in defense of individual rights, argued in favor of communal living, and encouraged antiauthoritarian attitudes. Brode argues that Disney, more than any other influence in popular culture, should be considered the primary creator of the sixties counterculture—a reality that couldn't be further from his "conventional" reputation.
Author: Douglas Brode
Publisher: University of Texas Press
ISBN: 0292709609
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Douglas Brode's spirited defence of Disney entertainment argues that Disney paved the way for today's multicultural values through its positive portrayal of women, ethnic minorities, gays, and non-Christian spirituality and it was this portrayal of difference that promoted diversity decades before the 1990s.
Author: Marc Eliot
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 358
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Book Description
This biography of the man behind the magic reconciles the private 'monster' with the artistic genius of popular culture by showing that the disturbing problems of his own life provided the rich, dark side of the animated movies.
Author: Douglas Brode
Publisher: University of Texas Press
ISBN: 0292748280
Category : Performing Arts
Languages : en
Pages : 391
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Book Description
"Overturns conventional thinking that the Western genre is essentially conservative. Instead, Brode demonstrates that Hollywood liberals used Westerns to espouse a progressive agenda on a range of issues, including gun control, environmental protection, respect for non-Christian belief systems, and community cohesion versus rugged individualism. Doug Brode takes a new look at dozens of Westerns, including Gunfight at the O.K. Corral, Red River, 3:10 to Yuma (old and new), The Wild Ones, High Noon, My Darling Clementine, The Alamo, and No Country for Old Men"--
Author: Douglas Brode
Publisher: University of Texas Press
ISBN: 9780292702738
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
Douglas Brode overturns the idea of Disney as a middlebrow filmmaker by detailing how Disney movies played a key role in transforming children of the Eisenhower era into the radical youth of the Age of Aquarius.
Author: Dale Bell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 300
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Book Description
This unique book is a collection of remembrances and perceptions from the filmmakers, performers and festival producers who created the Academy Award-winning film that defined a generation. 100 photos.
Author: Brian G. Southwell
Publisher: University of Texas Press
ISBN: 147731458X
Category : Social Science
Languages : en
Pages : 377
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Book Description
Lies and inaccurate information are as old as humanity, but never before have they been so easy to spread. Each moment of every day, the Internet and broadcast media purvey misinformation, either deliberately or accidentally, to a mass audience on subjects ranging from politics to consumer goods to science and medicine, among many others. Because misinformation now has the potential to affect behavior on a massive scale, it is urgently important to understand how it works and what can be done to mitigate its harmful effects. Misinformation and Mass Audiences brings together evidence and ideas from communication research, public health, psychology, political science, environmental studies, and information science to investigate what constitutes misinformation, how it spreads, and how best to counter it. The expert contributors cover such topics as whether and to what extent audiences consciously notice misinformation, the possibilities for audience deception, the ethics of satire in journalism and public affairs programming, the diffusion of rumors, the role of Internet search behavior, and the evolving efforts to counteract misinformation, such as fact-checking programs. The first comprehensive social science volume exploring the prevalence and consequences of, and remedies for, misinformation as a mass communication phenomenon, Misinformation and Mass Audiences will be a crucial resource for students and faculty researching misinformation, policymakers grappling with questions of regulation and prevention, and anyone concerned about this troubling, yet perhaps unavoidable, dimension of current media systems.
Author: Douglas Brode
Publisher: Oxford University Press
ISBN: 019972802X
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
Shakespeare is now enjoying perhaps his most glorious--certainly his most popular--filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author--and an auteur--and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others. Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue--PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide.
Author: Michael Murphy
Publisher: Morgan James Publishing
ISBN: 1938467213
Category : Fiction
Languages : en
Pages : 273
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Book Description
Three baby boomers relive their 1969 trip to Woodstock. One final roadtrip. One last chance to say Goodbye Emily. They met at Woodstock, and the love lasted a lifetime. Then she was gone, and so was his college teaching job. Heartbroken but determined, he calls on his two best friends to help him return to the place it all began.The professor and his Woodstock buddy need the third tripper from back in the day, now in a nursing home with early stage Alzheimer’s. When the home refuses to allow their friend to come along, the professor and the vet bust him out, attracting the attention of the cops and the media, fascinating the public. The roadtrip turns into a flight from “the man” and not even the professor’s defense attorney daughter can help. In a psychedelic van, the trio dodges cops and prosecutors. Against all odds, they close in on their destination, where thousands of supporters and cops await them. Goodbye Emily is the irreverantly funny story about a journey of self-discovery for a man who thought he’d left all important journeys in life behind.
Author: Byron Preiss
Publisher: ibooks
ISBN: 1596872330
Category : Fiction
Languages : en
Pages : 682
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Book Description
“Dragonworld goes far beyond the flashy pyrotechnics of contemporary fantasy and fantasy illustration. Joe Zucker is a superlative and original illustrator, and he reveals a rare and astonishing gift for infusing a richness of character into his pictures, which do justice to Byron Preiss's and Michael Reaves's compelling story.” —Maurice Sendak “Until now, there have been only two real grandmasters of modern epic fantasy—J.R.R. Tolkien and Ann McCaffrey. With the team of Preiss and Reaves, there are three, and may they write and write and write.” —United Press International Somewhere beyond the northern mists lies a land where dreams live and dragons are real. This is the tale of the twilight of the dragons, of two nations plunged into war by a tragic misunderstanding, of a shy dreamer's incredible voyage of peace to a long-forgotten land where nightmares are born. A magnificent creation, a sweeping epic of high fantasy set in a richly imagined world, vividly brought to life with over eighty pages of stunning illustrations by Joseph Zucker.
