From the forerunners of romanticism to the present PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download From the forerunners of romanticism to the present PDF full book. Access full book title From the forerunners of romanticism to the present by Bernard D. N. Grebanier. Download full books in PDF and EPUB format.
Author: Bernard D. N. Grebanier
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 1298
Get Book Here
Book Description
Author: Bernard D. N. Grebanier
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 1298
Get Book Here
Book Description
Author: Bernard D. N. Grebanier
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 1248
Get Book Here
Book Description
Author: Karl Mannheim
Publisher: Routledge
ISBN: 1136187405
Category : Social Science
Languages : en
Pages : 336
Get Book Here
Book Description
First published in 1952.This is Volume V of Mannheim's collected works. When Karl Mannheim died early in 1947 in his fifty-third year, he left a number of unpublished manuscripts in varying stages of completion. The present volume is the sequel to Freedom, Power, and Democratic Planning, which was published in 1950. It contains six essays which Mannheim wrote and published in German scientific magazines between 1923 and 1929: elaborations of one dominant theme, the Sociology of Knowledge, which at the same time represents one of Mannheim's main contributions to sociological theory.
Author: Jack Stillinger
Publisher: University of Illinois Press
ISBN: 0252076370
Category : English poetry
Languages : en
Pages : 282
Get Book Here
Book Description
A critical look at three fundamental Romantic poets from a leading scholar of British romanticism
Author: Werner Sollors
Publisher: NYU Press
ISBN: 0814780350
Category : Social Science
Languages : en
Pages : 555
Get Book Here
Book Description
Werner Sollors has here brought together such intellects as Max Weber, Carl Gustav Jung, Margaret Mead, Georg Simmel, Erik Erikson, Karl Mannheim, Jean Toomer, Fredrik Barth, and Herbert Gans, and pioneering work by a host of other sociologists, anthropologists, psychologists, historians, and philosophers from around the world.
Author: Columbia University
Publisher:
ISBN:
Category :
Languages : en
Pages : 82
Get Book Here
Book Description
Author: Daniel Gregory Mason
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 390
Get Book Here
Book Description
Author: Chris Washington
Publisher: Bloomsbury Publishing USA
ISBN: 1501336401
Category : Literary Criticism
Languages : en
Pages : 304
Get Book Here
Book Description
Romanticism and Speculative Realism features a range of scholars working at the intersection of literary poetics and philosophy. It considers how the writing of the Romantic era reconceptualizes the human imagination, the natural world, and the language that correlates them in radical ways that can advance current speculative debates concerning new ontologies and new materialisms. In their wide-ranging examinations of canonical and non-canonical romantic writers, the scholars gathered here rethink the connections between the human and non-human world to envision speculative modes of social being and ecological politics. Spanning historical and national frameworks-from historical romanticism to contemporary post-romantic ecology, and from British and German romanticism to global modernity-these essays examine life in all its varied forms in, and beyond, the Anthropocene.
Author: Matthew Gelbart
Publisher: Oxford University Press
ISBN: 0190646926
Category : History
Languages : en
Pages : 553
Get Book Here
Book Description
European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.
Author: Mark Sandy
Publisher: Routledge
ISBN: 1317061330
Category : Literary Criticism
Languages : en
Pages : 200
Get Book Here
Book Description
The subject of Romanticism, Memory, and Mourning could not be timelier with Zizek’s recent proclamation that we are ’living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the ballad, sonnet, epic, elegy, fragment, romance, and ode in the works of poets as diverse as Smith, Hemans, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and Clare. Romantic meditations on grief, however varied in form and content, are self-consciously aware of the complexity and strength of feelings surrounding the consolation or disconsolation that their structures of poetic memory afford those who survive the imaginary and actual dead. Romantic mourning, Sandy shows, finds expression in disparate poetic forms, and how it manifests itself both as the spirit of its age, rooted in precise historical conditions, and as a proleptic power, of lasting transhistorical significance. Romantic meditations on grief and loss speak to our contemporary anxieties about the inevitable, but unthinkable, event of death itself.
