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Author: Ion Grigorescu
Publisher:
ISBN: 9782954197425
Category : Artists' books
Languages : en
Pages : 352
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Book Description
From static oblivion traces, with circular, nearly spiral movements, the progression, both expansive and inclusive, of Grigorescu’s work, which, starting from the intimacy of a room or a kitchen, opens itself up to the structure of a house with its inhabitants or to the architecture of an entire city with its population, while moving through the urban transformations of a strongly rural and traditional Romania, in order to return and inscribe itself into the space of the body and into that of the world, in a complete superimposition (or indeed doubling) of micro and macrocosm. By enlarging his own field of vision, Grigorescu in effect circumscribes and simultaneously absorbs elements of his surrounding reality, showing us a continuity between art and life which translates itself, inside the frame of an image, into an interplay between work and work space or space of daily experience: Grigorescu’s act of dissidence is not an outcry of provocation, nor is it extreme or ostentatious; it is an anti-aesthetic operation which uses experimentation and rough or limited techniques to uncover the fiction of art and to denounce the artifice of representation, leaving us with the ambiguity between truth and falsehood, not only within the process of creation, but also within society. There is no trespass, Grigorescu’s performances are part of an ongoing and “contained” interrogation of the relationship between the body and the space which the book is trying to match with the choice of its images whose measured surface tries to “keep inside” all that’s possible: the composition appears dense yet fluid, “cursive”, though never imposing.
Author: Ion Grigorescu
Publisher:
ISBN: 9782954197425
Category : Artists' books
Languages : en
Pages : 352
Get Book Here
Book Description
From static oblivion traces, with circular, nearly spiral movements, the progression, both expansive and inclusive, of Grigorescu’s work, which, starting from the intimacy of a room or a kitchen, opens itself up to the structure of a house with its inhabitants or to the architecture of an entire city with its population, while moving through the urban transformations of a strongly rural and traditional Romania, in order to return and inscribe itself into the space of the body and into that of the world, in a complete superimposition (or indeed doubling) of micro and macrocosm. By enlarging his own field of vision, Grigorescu in effect circumscribes and simultaneously absorbs elements of his surrounding reality, showing us a continuity between art and life which translates itself, inside the frame of an image, into an interplay between work and work space or space of daily experience: Grigorescu’s act of dissidence is not an outcry of provocation, nor is it extreme or ostentatious; it is an anti-aesthetic operation which uses experimentation and rough or limited techniques to uncover the fiction of art and to denounce the artifice of representation, leaving us with the ambiguity between truth and falsehood, not only within the process of creation, but also within society. There is no trespass, Grigorescu’s performances are part of an ongoing and “contained” interrogation of the relationship between the body and the space which the book is trying to match with the choice of its images whose measured surface tries to “keep inside” all that’s possible: the composition appears dense yet fluid, “cursive”, though never imposing.
Author: Sergei Lebedev
Publisher: New Vessel Press
ISBN: 1939931290
Category : Fiction
Languages : en
Pages : 300
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Book Description
This acclaimed twenty-first–century Russian novel is “a Dantean descent” into the abandoned Soviet gulags, written “with a clear poetic sensibility” (The Wall Street Journal). In Sergei Lebedev’s debut novel, an unnamed young man travels to the vast wastelands of the Far North to uncover the truth about a mysterious neighbor who once saved his life, and whom he knows only as Grandfather II. What he finds among the forgotten mines and decrepit barracks of former gulags is a world relegated to oblivion, where it is easier to ignore both the victims and the executioners than to come to terms with a terrible past. This disturbing tale evokes the great and ruined beauty of a land where man and machine work in tandem with nature to destroy millions of lives during the Soviet century. Emerging from today’s Russia, where the ills of the past are being forcefully erased from public memory, this masterful novel is an epic literary act of bearing witness, attempting to rescue history from the brink of oblivion. A Wall Street Journal Top 10 Novel of the Year “Not since Alexander Solzhenitsyn has Russia had a writer as obsessed as Sergei Lebedev with that country’s history or the traces it has left on the collective consciousness . . . The best of Russia’s younger generation of writers.” ―The New York Review of Books
Author: Iulian Apostolescu
Publisher: Springer Nature
ISBN: 3030293572
Category : Philosophy
Languages : en
Pages : 380
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Book Description
Bringing together established researchers and emerging scholars alike to discuss new readings of Husserl and to reignite the much needed discussion of what phenomenology actually is and can possibly be about, this volume sets out to critically re-evaluate (and challenge) the predominant interpretations of Husserl’s philosophy, and to adapt phenomenology to the specific philosophical challenges and context of the 21st century. “What is phenomenology?”, Maurice Merleau-Ponty asks at the beginning of his Phenomenology of Perception – and he continues: “It may seem strange that this question still has to be asked half a century after the first works of Husserl. It is, however, far from being resolved.” Even today, more than half a century after Merleau-Ponty’s magnum opus, the answer is in many ways still up for grasp. While it may seem obvious that the main subject of phenomenological inquiry is, in fact, the subject, it is anything but self evident what this precisely implies: Considering the immense variety of different themes and methodological self-revisions found in Husserl’s philosophy – from its Brentanian beginnings to its transcendental re-interpretation and, last but not least, to its ‘crypto-deconstruction’ in the revisions of his early manuscripts and in his later work –, one cannot but acknowledge the fact that ‘the’ subject of phenomenology marks an irreducible plurality of possible subjects. Paying tribute to this irreducible plurality the volume sets out to develop interpretative takes on the phenomenological tradition which transcend both its naive celebration and its brute rejection, to re-articulate the positions of other philosophers within the framework of Husserl’s thought, and to engage in an investigative dialogue between traditionally opposed camps within phenomenology and beyond.
Author: David Foster Wallace
Publisher: Little, Brown
ISBN: 075951156X
Category : Fiction
Languages : en
Pages : 336
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Book Description
In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness -- a combination that is dazzlingly, uniquely his. These are worlds undreamt of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown (The Soul Is Not a Smithy). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way (The Suffering Channel). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring (Oblivion). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate.
Author: Héctor Abad
Publisher: Farrar, Straus and Giroux
ISBN: 0374708800
Category : Biography & Autobiography
Languages : en
Pages : 274
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Book Description
Oblivion is a heartbreaking, exquisitely written memorial to the author's father, Héctor Abad Gómez, whose criticism of the Colombian regime led to his murder by paramilitaries in 1987. Twenty years in the writing, it paints an unforgettable picture of a man who followed his conscience and paid for it with his life during one of the darkest periods in Latin America's recent history.
Author: David Mack
Publisher: Simon and Schuster
ISBN: 1982159685
Category : Fiction
Languages : en
Pages : 448
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Book Description
The crews of Jean-Luc Picard, Benjamin Sisko, Ezri Dax, and William Riker unite to prevent a cosmic-level apocalypse—only to find that some fates really are inevitable. THEIR MOST DAUNTING MISSION WILL BE THEIR FINEST HOUR. The epic Star Trek: Coda trilogy comes to a shattering conclusion as the Temporal Apocalypse forces Starfleet’s greatest heroes to make the greatest sacrifices of their lives. ™, ®, & © 2021 CBS Studios, Inc. STAR TREK and related marks and logos are trademarks of CBS Studios, Inc. All Rights Reserved.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Maximum PC is the magazine that every computer fanatic, PC gamer or content creator must read. Each and every issue is packed with punishing product reviews, insightful and innovative how-to stories and the illuminating technical articles that enthusiasts crave.
Author: Cynthia Cruz
Publisher:
ISBN: 9781954245112
Category :
Languages : en
Pages : 120
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Book Description
A specter, haunting the edges of society: because neoliberalism insists there are no social classes, thus, there is no working class, the main subject of Hotel Oblivion, a working class subject, does not exist. With no access to a past, she has no home, no history, no memory. And yet, despite all this, she will not assimilate. Instead, this book chronicles the subject's repeated attempts at locating an exit from capitalist society via acts of negative freedom and through engagement with the death drive, whose aim is complete destruction in order to begin all over again. In the end, of course, the only true exit and only possibility for emancipation for the working class subject is through a return to one's self. In Hotel Oblivion, through a series of fragments and interrelated poems, Cruz resists invisibilizing forces, undergoing numerous attempts at transfiguration in a concerted effort to escape her fate.
Author: A.W. Reinink
Publisher: Springer Science & Business Media
ISBN: 9401140065
Category : Art
Languages : en
Pages : 1054
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Book Description
Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology.
Author: Alex McAulay
Publisher:
ISBN: 9781417794904
Category : Fiction
Languages : en
Pages :
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Book Description
After a car accident, a group of teenagers are left stranded on an isolated mountain road during a blizzard. Their search for help leads them to an abandoned prison van, a dead guard, and an escaped inmate named J.G. J.G. claims it was not he but anothe
