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Author: Paul Hitchcock
Publisher:
ISBN: 9781593938963
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
This is the HARDBACK version. After serving his film apprenticeship his film apprenticeship at Pinewood Studios between 1946 and 1962, Paul Hitchcock left at the invitation of United Artists to work on five of their major productions until he was later head-hunted by Paramount Pictures to oversee their entire international production arm. Subsequently as "Head Of International Production" for Warner Bros. for over twenty years, he oversaw scores of movies ranging from Gorillas In The Mist, Superman I & II, Batman (1989), Full Metal Jacket, Empire Of The Sun, Outland, Barry Lyndon, A Clockwork Orange, Firefox, Little Shop of Horrors to Greystoke. There were also films that never quite made it into production, such as David Lean's version of The Bounty and his ill-fated Nostromo, and a multi-million dollar biopic of Polish President Lech Wa sa which the studio believed would be the "next Driving Miss Daisy." Later as an independent Producer and Executive Producer he helmed films such as First Knight, Mission Impossible I & II, The Saint, The Man in the Iron Mask, Phantom Of The Opera and Fred Claus. This is his inside story of these and many other Hollywood blockbusters! London-born Paul Hitchcock spent most of his childhood living near Pinewood Studios, and after a chance suggestion by one of his teachers to Paul's father, he joined the studio as a junior in their accounts department. Thus began a 50 plus year involvement in the movie business. Now semi-retired Paul lives in Berkshire with his wife Lidia and along with going to the movies, is a passionate golfer. Gareth Owen has authored and ghost-written 12 film-related books and biographies, including three with Sir Roger Moore. He is based at Pinewood Studios."
Author: Paul Hitchcock
Publisher:
ISBN: 9781593938963
Category : Biography & Autobiography
Languages : en
Pages : 294
Get Book Here
Book Description
This is the HARDBACK version. After serving his film apprenticeship his film apprenticeship at Pinewood Studios between 1946 and 1962, Paul Hitchcock left at the invitation of United Artists to work on five of their major productions until he was later head-hunted by Paramount Pictures to oversee their entire international production arm. Subsequently as "Head Of International Production" for Warner Bros. for over twenty years, he oversaw scores of movies ranging from Gorillas In The Mist, Superman I & II, Batman (1989), Full Metal Jacket, Empire Of The Sun, Outland, Barry Lyndon, A Clockwork Orange, Firefox, Little Shop of Horrors to Greystoke. There were also films that never quite made it into production, such as David Lean's version of The Bounty and his ill-fated Nostromo, and a multi-million dollar biopic of Polish President Lech Wa sa which the studio believed would be the "next Driving Miss Daisy." Later as an independent Producer and Executive Producer he helmed films such as First Knight, Mission Impossible I & II, The Saint, The Man in the Iron Mask, Phantom Of The Opera and Fred Claus. This is his inside story of these and many other Hollywood blockbusters! London-born Paul Hitchcock spent most of his childhood living near Pinewood Studios, and after a chance suggestion by one of his teachers to Paul's father, he joined the studio as a junior in their accounts department. Thus began a 50 plus year involvement in the movie business. Now semi-retired Paul lives in Berkshire with his wife Lidia and along with going to the movies, is a passionate golfer. Gareth Owen has authored and ghost-written 12 film-related books and biographies, including three with Sir Roger Moore. He is based at Pinewood Studios."
Author: Ian Scott
Publisher: Edinburgh University Press
ISBN: 0748688366
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
In this second edition of American Politics in Hollywood Film, Ian Scott takes up his analysis of political content and ideology through movies and contends that American culture and the institutional process continues to be portrayed, debated and influen
Author: Marina Cano
Publisher: Springer Nature
ISBN: 3030256898
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga Twilight, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.
Author: Sarah Street
Publisher: Springer Nature
ISBN: 303151307X
Category :
Languages : en
Pages : 189
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Book Description
Author: James D. Stone
Publisher: McFarland
ISBN: 1476625565
Category : Performing Arts
Languages : en
Pages : 342
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Book Description
As the British watched their empire crumble and the United States became the dominant world power, many British films warned of the dangers posed by American culture. Americans were frequently portrayed as disconcertingly ambitious, reckless and irreverent. Yet the same films that depicted the U.S. as an agent of chaos also suggested Britons might do well to embrace American-style energy and egalitarianism. Movies like Love Actually, The Quatermass Xperiment, 28 Weeks Later, Local Hero and Alfred Hitchcock's Secret Agent have delved into the storied "special relationship" between the U.S. and U.K. These films and many more examined in this first book-length study of British movies about America, reveal much about British attitudes regarding power, gender, class, sexuality and emotion.
Author: Chris O'Rourke
Publisher: Bloomsbury Publishing
ISBN: 1786730596
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
A shop girl wins a newspaper competition and is transformed overnight into a transatlantic celebrity. An aristocrat swaps high society for the film studio when she 'consents' to perform in a series of films, thus legitimising acting for what some might have considered a 'low' art. Stories like these were the stuff of newspaper headlines in 1920s and reflected a 'craze' for the cinema. They also demonstrated radical changes in attitudes and values within society in the wake of World War I. Chris O'Rourke investigates the myths and material practices that grew up around film actors during the silent era. The book sheds light on issues such as the social and cultural reception of cinema, the participatory film culture expressed through fan magazines, instructional booklets and movie star competitions, and the working conditions encountered by actors behind-the-scenes of silent films. Drawing on extensive research and a wealth of archival materials, O'Rourke examines how dreams of stardom were fuelled and exploited in the interwar period, and reconstructs the personal narratives and experiences of the first generation to imagine making a living on screen.In doing so, he reveals a missing - and much sought after - piece of cinematic history to bring to life the developing industries, social attitudes and norms of a period of enormous change.
Author: James Buhler
Publisher: University of Illinois Press
ISBN: 0252051866
Category : Performing Arts
Languages : en
Pages : 489
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Book Description
Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack. The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism. Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell
Author: I. Morgan
Publisher: Springer
ISBN: 0230117112
Category : History
Languages : en
Pages : 333
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Book Description
Cinematic depictions of real U.S. presidents from Abraham Lincoln to George W. Bush explore how Hollywood movies represent American history and politics on screen. Morgan and his contributors show how films blend myth and reality to present a positive message about presidents as the epitome of America's values and idealism until unpopular foreign wars in Vietnam and Iraq led to a darker portrayal of the imperial presidency, operated by Richard Nixon and Bush 43. This exciting new collection further considers how Hollywood has continually reinterpreted historically significant presidents, notably Abraham Lincoln, Theodore Roosevelt, and Franklin D. Roosevelt, to fit the times in which movies about them were made.
Author: Peter C. Rollins
Publisher: University Press of Kentucky
ISBN: 0813172977
Category : History
Languages : en
Pages : 624
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Book Description
Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life—in this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook— one of the book's editors was a combat officer in the United States Marines, the other an antiwar activist—on the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to "Duty, honor, and country." Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.
Author: Juliana Tzvetkova
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 370
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Book Description
A fascinating survey of popular culture in Europe, from Celtic punk and British TV shows to Spanish fashion and Italian sports. From One Direction and Adele to Penelope Cruz and Alexander Skarsgard, many Europeans are becoming household names in the United States. This ready-reference guide covers international pop culture spanning music, literature, movies, television and radio, the Internet, sports, video games, and fashion, from the mid-20th century through the present day. The organization of the book—with entries arranged alphabetically within thematic chapters—allows readers to quickly find the topic they are seeking. Additionally, indexing allows for cross-cultural comparisons to be made between pop culture in Europe to that of the United States. An extensive chronology and lengthy introduction provide important contextual information, such as the United States' influence on movies, music, and the Internet; the effect of censorship on Internet and social media use; and the history of pop culture over the years. Topics feature key musicians, songs, books, actors and actresses, movies and television shows, popular websites, top athletes, games, clothing fads and designers, and much more.
