From Formal Linguistic Theory to the Art of Historical Editions

From Formal Linguistic Theory to the Art of Historical Editions PDF Author: Natascha Pomino
Publisher: V&R Unipress
ISBN: 3847015532
Category : Literary Criticism
Languages : en
Pages : 389

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Book Description
Romance is a fertile ground for linguistic research. Instead of limiting their studies to one specialised area, some Romance scholars have managed to combine different aspects of the broad field of Romance linguistics in an impressive way. This volume is dedicated to the multifaceted research interests of Guido Mensching: Part 1 focusses on different aspects of the architecture of grammar and linguistic theory, covering Italian, Portuguese, French, Sardinian and Romance. The focus of Part 2 is on historical linguistics, discussing Old Occitan lexicography and Romance in Hebrew scripts. Part 3 is dedicated to aspects relating to plurilingualism, language contact and sociolinguistics. Part 4 explores research arguments that go beyond Romance philology but are nonetheless intertwined with it.

From Formal Linguistic Theory to the Art of Historical Editions

From Formal Linguistic Theory to the Art of Historical Editions PDF Author: Natascha Pomino
Publisher: V&R Unipress
ISBN: 3847015532
Category : Literary Criticism
Languages : en
Pages : 389

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Book Description
Romance is a fertile ground for linguistic research. Instead of limiting their studies to one specialised area, some Romance scholars have managed to combine different aspects of the broad field of Romance linguistics in an impressive way. This volume is dedicated to the multifaceted research interests of Guido Mensching: Part 1 focusses on different aspects of the architecture of grammar and linguistic theory, covering Italian, Portuguese, French, Sardinian and Romance. The focus of Part 2 is on historical linguistics, discussing Old Occitan lexicography and Romance in Hebrew scripts. Part 3 is dedicated to aspects relating to plurilingualism, language contact and sociolinguistics. Part 4 explores research arguments that go beyond Romance philology but are nonetheless intertwined with it.

A Key to Locked Doors

A Key to Locked Doors PDF Author:
Publisher: BRILL
ISBN: 9004705880
Category : Philosophy
Languages : en
Pages : 700

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Book Description
Gerrit Bos (Ph.D. 1989) is Professor Emeritus of Jewish Studies at the University of Cologne. He has published extensively in the fields of Jewish studies, Islamic studies, and medieval science and medicine in Arabic and Hebrew texts. In July 2023, he celebrated his 75th birthday. On this occasion, his colleagues and students presented him with a Festschrift containing over twenty original papers. They deal with various topics belonging to his wider fields of interest ranging from the Ancient Orient, Jewish and Islamic theology and philosophy, medicine and natural sciences in medieval Islamicate and European countries, to Romance philology and linguistics.

Manual of Romance Word Classes

Manual of Romance Word Classes PDF Author: Anna-Maria De Cesare
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110746476
Category : Language Arts & Disciplines
Languages : en
Pages : 826

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Book Description
Word classes are linguistic categories serving as basis in the description of the vocabulary and grammar of natural languages. While important publications are regularly devoted to their definition, identification, and classification, in the field of Romance linguistics we lack a comprehensive, state-of-the-art overview of the current research. This Manual offers an updated and detailed discussion of all relevant aspects related to word classes in the Romance languages. In the first part, word classes are discussed from both a theoretical and historical point of view. The second part of the volume takes as its point of departure single word classes, described transversally in all the main Romance languages, while the third observes the relevant word classes from the point of view of specific Romance(-based) varieties. The fourth part explores Romance word classes at the interface of grammar and other fields of research. The Manual is intended as a reference work for all scholars and students interested in the description of both the standard, major Romance languages and the smaller, lesser described Romance(-based) varieties.

Language, Migration and Multilingualism in the Age of Digital Humanities

Language, Migration and Multilingualism in the Age of Digital Humanities PDF Author: Ignacio Andrés Soria
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110746085
Category : Foreign Language Study
Languages : en
Pages : 272

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Book Description
Located at the intersection of humanities and applied informatics, the fledgling discipline of Digital Humanities is bringing new impulses to the field of (Romance) linguistics. Those are especially productive in the context of migration and heteroglossic practices, which encounter constraining language ideologies in Western societies. The aim of this volume is to critically reflect on both the usefulness and limitations of digitization in different areas and superdiverse contexts of the Spanish-speaking world. Through 11 case studies, it illuminates the digital turn from different theoretical and methodological perspectives, providing a better understanding of the complex interplay between language and digitization.

The Oxford Handbook of Linguistic Analysis

The Oxford Handbook of Linguistic Analysis PDF Author: Bernd Heine
Publisher:
ISBN: 0199677077
Category : Language Arts & Disciplines
Languages : en
Pages : 1217

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Book Description
This handbook compares the main analytic frameworks and methods of contemporary linguistics. It offers a unique overview of linguistic theory, revealing the common concerns of competing approaches. By showing their current and potential applications it provides the means by which linguists and others can judge what are the most useful models for the task in hand. Distinguished scholars from all over the world explain the rationale and aims of over thirty explanatory approaches to the description, analysis, and understanding of language. Each chapter considers the main goals of the model; the relation it proposes from between lexicon, syntax, semantics, pragmatics, and phonology; the way it defines the interactions between cognition and grammar; what it counts as evidence; and how it explains linguistic change and structure. The Oxford Handbook of Linguistic Analysis offers an indispensable guide for everyone researching any aspect of language including those in linguistics, comparative philology, cognitive science, developmental philology, cognitive science, developmental psychology, computational science, and artificial intelligence. This second edition has been updated to include seven new chapters looking at linguistic units in language acquisition, conversation analysis, neurolinguistics, experimental phonetics, phonological analysis, experimental semantics, and distributional typology.

Linguistic Theory and Grammatical Description

Linguistic Theory and Grammatical Description PDF Author: Flip G. Droste
Publisher: John Benjamins Publishing
ISBN: 9027277923
Category : Language Arts & Disciplines
Languages : en
Pages : 363

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Book Description
This volume presents nine of today's grammatical theories with a view to comparing their starting points and their methods. The particular features and properties of each theory are discussed in this book, as well as the major conceptual differences and methodological obstacles each has overcome and has yet to overcome. The parallel structure of the papers makes for easy comparison and cross-reference. This systematic and thorough introduction to the recent history of the discipline provides a state-of-the-art report on current leading tendencies as well as a wealth of directions for future research.

Critical Terms for Art History, Second Edition

Critical Terms for Art History, Second Edition PDF Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 0226571696
Category : Art
Languages : en
Pages : 541

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Book Description
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young

Theory for Art History

Theory for Art History PDF Author: Jae Emerling
Publisher: Routledge
ISBN: 1136288708
Category : Art
Languages : en
Pages : 248

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Book Description
Theory for Art History provides a concise and clear introduction to key contemporary theorists, including their lives, major works, and transformative ideas. Written to reveal the vital connections between art history, aesthetics, and contemporary philosophy, this expanded second edition presents new ways for rethinking the methodologies and theories of art and art history. The book comprises a complete revision of each theorist; updated and trustworthy bibliographies on each; an informative introduction about the reception of critical theory within art history; and a beautifully written, original essay on the state of art history and theory that serves as an afterword. From Marx to Deleuze, from Arendt to Rancière, Theory for Art History is designed for use by undergraduate students in courses on the theory and methodology of art history, graduate students seeking an introduction to critical theory that will prepare them to engage the primary sources, and advanced scholars in art history and visual culture studies who are themselves interested in how these perspectives inflect art historical practice. Adapted from Theory for Religious Studies by William E. Deal and Timothy K. Beal.

Time's Visible Surface

Time's Visible Surface PDF Author: Mike Gubser
Publisher: Wayne State University Press
ISBN: 9780814332085
Category : Art
Languages : en
Pages : 320

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Book Description
Alois Riegl's art history has influenced thinkers as diverse as Erwin Panofsky, Georg Lukacs, Walter Benjamin, Paul Feyerabend, Gilles Deleuze, and F'lix Guattari. One of the founders of the modern discipline of art history, Riegl is best known for his theories of representation. Yet his inquiries into the role of temporality in artistic production-including his argument that art conveys a culture's consciousness of time-show him to be a more wide-ranging and influential commentator on historiographical issues than has been previously acknowledged. In Time's Visible Surface, Michael Gubser presents Riegl's work as a sustained examination of the categories of temporality and history in art. Supported by a rich exploration of Riegl's writings, Gubser argues that Riegl viewed artworks as registering historical time visibly in artistic forms. Gubser's discussion of Riegl's academic milieu also challenges the widespread belief that Austrian modernism adopted a self-consciously ahistorical worldview. By analyzing the works of Riegl's professors and colleagues at the University of Vienna, Gubser shows that Riegl's interest in temporality, from his early articles on calendar art through later volumes on the Roman art industry and Dutch portraiture, fit into a broad discourse on time, history, and empiricism that engaged Viennese thinkers such as the philosopher Franz Brentano, the historian Theodor von Sickel, and the art historian Franz Wickhoff. By expanding our understanding of Riegl and his intellectual context, Time's Visible Surface demonstrates that Riegl is a pivotal figure in cultural theory and that fin-de-si'cle Vienna holds continued relevance for today's cultural and philosophical debates.

Syntactic Change in French

Syntactic Change in French PDF Author: Sam Wolfe
Publisher: Oxford University Press
ISBN: 0192609920
Category : Language Arts & Disciplines
Languages : en
Pages : 320

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Book Description
This book provides the most comprehensive and detailed formal account to date of the evolution of French syntax. It makes use of the latest formal syntactic tools and combines careful textual analysis with a detailed synthesis of the research literature to provide a novel analysis of the major syntactic developments in the history of French. The empirical scope of the volume is exceptionally broad, and includes discussion of syntactic variation and change in Latin, Old, Middle, Renaissance, and Classical French, and standard and non-standard varieties of Modern French. Following an introduction to the general trends in grammatical change from Latin to French, Sam Wolfe explores a wide range of phenomena including the left periphery, subject positions and null subjects, verb movement, object placement, negation, and the makeup of the nominal expression. The book concludes with a comparative analysis of how French has come to develop the unique typological profile it has within Romance today. The volume will thus be an indispensable tool for researchers and students in French and comparative Romance linguistics, as well as for readers interested in grammatical theory and historical linguistics more broadly.