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Author: Royal Academy of Arts
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Royal Academy of Arts
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Μυρτάλη Αχειμάστου - Ποταμιάνου
Publisher:
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Category : Christian art and symbolism
Languages : en
Pages : 220
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 206
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Author:
Publisher:
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Category : London 1987
Languages : en
Pages : 206
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Author: Greco
Publisher: Onassis Foundation USA
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
The Origins of El Greco focuses on the evolution of the multifaceted relationship of Cretan painters with Western art during this rich period. The icon painters in the workshops on Crete in the 15th and 16th centuries-the setting in which El Greco was trained-were renowned for their skill in painting impeccable panels not only in the traditional Byzantine manner but also in a style inspired by Western models. The Origins of El Greco presents an extraordinary group of 15th and 16th century paintings, including works by El Greco. The color-illustrated catalogue features detailed descriptions of all 46 masterpieces included in the exhibition, some of them published for the first time, as well as 3 informative essays: Anastasia Drandaki, Curator, Byzantine Collection, Benaki Museum, Athens writes on "Between Byzantium and Venice: Icon Painting in Venetian Crete in the Fifteenth and Sixteenth Centuries", Olga Gratziou, Professor of Byzantine Art and Archaeology, University of Crete writes on "Cretan Architecture and Sculpture in the Venetian Period" and Nicos Hadjinicolaou, Professor Emeritus in Art History, University of Crete, and Honorary Fellow of the Institute for Mediterranean Studies, writes on "Early and Late El Greco".
Author: Myrtalē Acheimastou-Potamianou
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 256
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Author: Angeliki Lymberopoulou
Publisher: Routledge
ISBN: 1351928783
Category : Art
Languages : en
Pages : 269
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Book Description
The main themes of this volume are the identification of 'visions', 'messages', and 'meanings' in various facets of Byzantine culture and the possible differences in the perception of these visions, messages and meanings as seen by their original audience and by modern scholars. The volume addresses the methodological question of how far interpretations should go - whether there is a tendency to read too much into too little or whether not enough attention is paid to apparent minutiae that may have been important in their historical context. As the essays span a wide chronological era, they also present a means of assessing the relative degrees of continuity and change in Byzantine visions, messages and meanings over time. Thus, as highlighted in the concluding section, the book discusses the validity of existing notions regarding the fluidity of Byzantine culture: when continuity was a matter of a rigid adherence to traditional values and when a manifestation of the ability to adapt old conventions to new circumstances, and it shows that in some respects, Byzantine cultural history may have been less fragmented than is usually assumed. Similarly, by reflecting not just on new interpretations, but also on the process of interpreting itself, the contributors demonstrate how research within Byzantine studies has evolved over the past thirty years from a set of narrowly defined individual disciplines into a broader exploration of interconnected cultural phenomena.
Author: Maria Vassilaki
Publisher: Taylor & Francis
ISBN: 1000938379
Category : History
Languages : en
Pages : 451
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Book Description
The sixteen studies in this book include six specially translated from Greek and another two published here for the first time. They deal with the art of painting in Crete at a time when the island was under Venetian rule. The main emphasis is on the 15th century and especially on the painter Angelos. More than thirty icons with his signature survive, and at least twenty more can be reliably attributed to him. Angelos was the most significant artist of a particularly significant era. It was at this time that the centre of artistic production migrated from Constantinople, the capital of the Byzantine Empire to Candia, the capital of Venetian-occupied Crete. These studies try to reconstruct the personality of this late Byzantine painter, Angelos, not only through his icons but also through his will (1436), now in the State Archives in Venice. In this context they also explore the status of the Cretan painter in society. The large number of extant Cretan icons clearly indicates the striking increase in production from the 15th century onwards. Similarly, archival documents are used to examine the trade of icons in Crete and the way Cretan artists had to organize their workshops in order to meet the requirements of the market.
