Author: Bliss Carman
Publisher: Boston ; New York : Lamson, Wolffe ; Toronto : W. Briggs
ISBN:
Category : Bookbinding
Languages : en
Pages : 120
Book Description
Behind the Arras
Author: Bliss Carman
Publisher: Boston ; New York : Lamson, Wolffe ; Toronto : W. Briggs
ISBN:
Category : Bookbinding
Languages : en
Pages : 120
Book Description
Publisher: Boston ; New York : Lamson, Wolffe ; Toronto : W. Briggs
ISBN:
Category : Bookbinding
Languages : en
Pages : 120
Book Description
The Masks of Hamlet
Author: Marvin Rosenberg
Publisher: University of Delaware Press
ISBN: 9780874134803
Category : Drama
Languages : en
Pages : 1006
Book Description
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.
Publisher: University of Delaware Press
ISBN: 9780874134803
Category : Drama
Languages : en
Pages : 1006
Book Description
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.
Arras Hanging
Author: Rebecca Olson
Publisher: Rutgers University Press
ISBN: 1644530686
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Textiles have long provided metaphors for storytelling: a compelling novel “weaves a tapestry” and we enjoy hearing someone “spin” a tale. To what extent, however, should we take these metaphors seriously? Arras Hanging: The Textile That Determined Early Modern Literature and Drama reveals that in the early modern period, when cloth-making was ubiquitous and high-quality tapestries called arras hangings were the most valuable objects in England, such metaphors were literal. The arras in particular provided a narrative model for writers such as Edmund Spenser and William Shakespeare, who exploited their audience’s familiarity with weaving to engage them in highly idiosyncratic and “hands on” ways. Specifically, undescribed or “blank” tapestries in the period’s fiction presented audiences with opportunities to “see” whatever they desired, and thus weave themselves into the story. Far more than background objects, literary and dramatic arras hangings have much to teach us about the intersections between texts and textiles at the dawn of print, and, more broadly, about the status of visual art in post-Reformation England. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Publisher: Rutgers University Press
ISBN: 1644530686
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Textiles have long provided metaphors for storytelling: a compelling novel “weaves a tapestry” and we enjoy hearing someone “spin” a tale. To what extent, however, should we take these metaphors seriously? Arras Hanging: The Textile That Determined Early Modern Literature and Drama reveals that in the early modern period, when cloth-making was ubiquitous and high-quality tapestries called arras hangings were the most valuable objects in England, such metaphors were literal. The arras in particular provided a narrative model for writers such as Edmund Spenser and William Shakespeare, who exploited their audience’s familiarity with weaving to engage them in highly idiosyncratic and “hands on” ways. Specifically, undescribed or “blank” tapestries in the period’s fiction presented audiences with opportunities to “see” whatever they desired, and thus weave themselves into the story. Far more than background objects, literary and dramatic arras hangings have much to teach us about the intersections between texts and textiles at the dawn of print, and, more broadly, about the status of visual art in post-Reformation England. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
The Wardrobe Mistress
Author: Patrick McGrath
Publisher: Random House
ISBN: 1473544807
Category : Fiction
Languages : en
Pages : 320
Book Description
***SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION*** From the bestselling author of Asylum, Trauma and Spider 'Ghosts of the theatre and the spectre of fascism haunt cold and grimy London in this atmospheric tale from a master of the grotesque.' Guardian JANUARY 1947. London is in ruins, there’s nothing to eat, and it’s the coldest winter in living memory. To make matters worse, Charlie Grice, one of the great stage actors of the day, has suddenly died. His widow Joan, the wardrobe mistress, is beside herself with grief. Then one night she discovers Gricey’s secret. Plunged into a dark new world, Joan realises that though fascism might hide, it never dies. Her war isn’t over after all. 'McGrath is one of the age's most elegantly accomplished divers into the human psyche . . . a master writer.' John Banville ‘McGrath is that rare yet essential thing, a writer who can expose our darkest fears without making us run away from them.' New Statesman 'Wonderfully sinister ... a delight ... you are in for a thrilling ride.' Spectator 'A brilliant evocation of the theatrical world’s seedy glamour, The Wardrobe Mistress is also a moving portrait of a woman struggling to make sense of her past and imagine a future for herself.' Sunday Times '[A] rich and highly spiced feast of a novel, even before it reaches its classically gothic McGrath climax.' Reader's Digest
Publisher: Random House
ISBN: 1473544807
Category : Fiction
Languages : en
Pages : 320
Book Description
***SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION*** From the bestselling author of Asylum, Trauma and Spider 'Ghosts of the theatre and the spectre of fascism haunt cold and grimy London in this atmospheric tale from a master of the grotesque.' Guardian JANUARY 1947. London is in ruins, there’s nothing to eat, and it’s the coldest winter in living memory. To make matters worse, Charlie Grice, one of the great stage actors of the day, has suddenly died. His widow Joan, the wardrobe mistress, is beside herself with grief. Then one night she discovers Gricey’s secret. Plunged into a dark new world, Joan realises that though fascism might hide, it never dies. Her war isn’t over after all. 'McGrath is one of the age's most elegantly accomplished divers into the human psyche . . . a master writer.' John Banville ‘McGrath is that rare yet essential thing, a writer who can expose our darkest fears without making us run away from them.' New Statesman 'Wonderfully sinister ... a delight ... you are in for a thrilling ride.' Spectator 'A brilliant evocation of the theatrical world’s seedy glamour, The Wardrobe Mistress is also a moving portrait of a woman struggling to make sense of her past and imagine a future for herself.' Sunday Times '[A] rich and highly spiced feast of a novel, even before it reaches its classically gothic McGrath climax.' Reader's Digest
Travels of Four Years and a Half in the United States of America
Author: John Davis
Publisher: London : [s.n.], 1803 (Bristol : R. Edwards)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 474
Book Description
Publisher: London : [s.n.], 1803 (Bristol : R. Edwards)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 474
Book Description
The Literary Garland and British North American Magazine
Author:
Publisher:
ISBN:
Category : Canadian literature
Languages : en
Pages : 574
Book Description
Publisher:
ISBN:
Category : Canadian literature
Languages : en
Pages : 574
Book Description
Playwright, Space and Place in Early Modern Performance
Author: Tim Fitzpatrick
Publisher: Routledge
ISBN: 1317079779
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Analyzing Elizabethan and Jacobean playtexts for their spatial implications, this innovative study discloses the extent to which the resources and constraints of public playhouse buildings affected the construction of the fictional worlds of early modern plays. The study argues that playwrights were writing with foresight, inscribing the constraints and resources of the stages into their texts. It goes further, to posit that Shakespeare and his playwright-contemporaries adhered to a set of generic conventions, rather than specific local company practices, about how space and place were to be related in performance: the playwrights constituted thus an overarching virtual 'company' producing playtexts that shared features across the acting companies and playhouses. By clarifying a sixteenth- to seventeenth-century conception of theatrical place, Tim Fitzpatrick adds a new layer of meaning to our understanding of the plays. His approach adds a new dimension to these particular documents which-though many of them are considered of great literary worth-were not originally generated for any other reason than to be performed within a specific performance context. The fact that the playwrights were aware of the features of this performance tradition makes their texts a potential mine of performance information, and casts light back on the texts themselves: if some of their meanings are 'spatial', these will have been missed by purely literary tools of analysis.
Publisher: Routledge
ISBN: 1317079779
Category : Performing Arts
Languages : en
Pages : 366
Book Description
Analyzing Elizabethan and Jacobean playtexts for their spatial implications, this innovative study discloses the extent to which the resources and constraints of public playhouse buildings affected the construction of the fictional worlds of early modern plays. The study argues that playwrights were writing with foresight, inscribing the constraints and resources of the stages into their texts. It goes further, to posit that Shakespeare and his playwright-contemporaries adhered to a set of generic conventions, rather than specific local company practices, about how space and place were to be related in performance: the playwrights constituted thus an overarching virtual 'company' producing playtexts that shared features across the acting companies and playhouses. By clarifying a sixteenth- to seventeenth-century conception of theatrical place, Tim Fitzpatrick adds a new layer of meaning to our understanding of the plays. His approach adds a new dimension to these particular documents which-though many of them are considered of great literary worth-were not originally generated for any other reason than to be performed within a specific performance context. The fact that the playwrights were aware of the features of this performance tradition makes their texts a potential mine of performance information, and casts light back on the texts themselves: if some of their meanings are 'spatial', these will have been missed by purely literary tools of analysis.
Plays
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 696
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 696
Book Description
An Index to the Remarkable Passages and Words Made Use of by Shakspeare
Author: Samuel Ayscough
Publisher:
ISBN:
Category :
Languages : en
Pages : 720
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 720
Book Description
Shakspeare and His Times
Author: Nathan Drake
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 744
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 744
Book Description