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Author: Rosemary M. Magee
Publisher:
ISBN: 9780878055234
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
An anthology of reviews, essays, & appreciations that reveal the links uniting the careers of many noted southern women writers.
Author: Rosemary M. Magee
Publisher:
ISBN: 9780878055234
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
An anthology of reviews, essays, & appreciations that reveal the links uniting the careers of many noted southern women writers.
Author: Rosemary M. Magee
Publisher: Univ. Press of Mississippi
ISBN: 9781617033971
Category : American literature
Languages : en
Pages : 364
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Book Description
Author: Carolyn Perry
Publisher: LSU Press
ISBN: 9780807127537
Category : Literary Criticism
Languages : en
Pages : 724
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Book Description
Many of America’s foremost, and most beloved, authors are also southern and female: Mary Chesnut, Kate Chopin, Ellen Glasgow, Zora Neale Hurston, Eudora Welty, Harper Lee, Maya Angelou, Anne Tyler, Alice Walker, and Lee Smith, to name several. Designating a writer as “southern” if her work reflects the region’s grip on her life, Carolyn Perry and Mary Louise Weaks have produced an invaluable guide to the richly diverse and enduring tradition of southern women’s literature. Their comprehensive history—the first of its kind in a relatively young field—extends from the pioneer woman to the career woman, embracing black and white, poor and privileged, urban and Appalachian perspectives and experiences. The History of Southern Women’s Literature allows readers both to explore individual authors and to follow the developing arc of various genres across time. Conduct books and slave narratives; Civil War diaries and letters; the antebellum, postbellum, and modern novel; autobiography and memoirs; poetry; magazine and newspaper writing—these and more receive close attention. Over seventy contributors are represented here, and their essays discuss a wealth of women’s issues from four centuries: race, urbanization, and feminism; the myth of southern womanhood; preset images and assigned social roles—from the belle to the mammy—and real life behind the facade of meeting others’ expectations; poverty and the labor movement; responses to Uncle Tom’s Cabin and the influence of Gone with the Wind. The history of southern women’s literature tells, ultimately, the story of the search for freedom within an “insidious tradition,” to quote Ellen Glasgow. This teeming volume validates the deep contributions and pleasures of an impressive body of writing and marks a major achievement in women’s and literary studies.
Author: Constante González Groba
Publisher: Universitat de València
ISBN: 8437084679
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
Centrat en les obres de Kate Chopin, Elizabeth Madox Roberts, Zora Neale Hurston, Lillian Smith, Eudora Welty, Alice Walker, Llegix Smith, Jill McCorkle i Bobbie Ann Mason, aquest llibre analitza el retrat ambivalent de l'espai domèstic descrit per les escriptores del sud. Les qüestions més profundes de gènere, raça i classe en una societat tradicional com la del sud americà es manifesten precisament dins l'esfera domèstica, on l'espai és sovint un mitjà crucial de dominació. Les escriptores contemporànies del sud sovint han utilitzat la transformació de la llar i els seus significats com una nova font per a la ficció. Han estat explorant formes noves i antigues d'imaginar el que podria ser una llar i la seva narrativa diu molt de la manera en la qual el treball, els llocs i la família contribueixen a la creació d'un altre en el sud contemporani.
Author: Sharon Monteith
Publisher: Cambridge University Press
ISBN: 110743467X
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
This Companion maps the dynamic literary landscape of the American South. From pre- and post-Civil War literature to modernist and civil rights fictions and writing by immigrants in the 'global' South of the late-twentieth and twenty-first centuries, these newly commissioned essays from leading scholars explore the region's established and emergent literary traditions. Touching on poetry and song, drama and screenwriting, key figures such as William Faulkner and Eudora Welty, and iconic texts such as Gone with the Wind, chapters investigate how issues of class, poverty, sexuality and regional identity have textured Southern writing across generations. The volume's rich contextual approach highlights patterns and connections between writers while offering insight into the development of Southern literary criticism, making this Companion a valuable guide for students and teachers of American literature, American studies and the history of storytelling in America.
Author: Peggy Whitman Prenshaw
Publisher: LSU Press
ISBN: 0807137928
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
In Composing Selves, award-winning author Peggy Whitman Prenshaw provides her most comprehensive and theoretically sophisticated treatment of autobiographies by women in the American South. This long-anticipated addition to Prenshaw's study of southern literature spans the twentieth century as she provides an in-depth look at the life-writing of eighteen female authors. Drawing on so many notable authors and her own life-time of scholarship Composing Selves is Prenshaw's master work.
Author: Sharon Monteith
Publisher: University of Georgia Press
ISBN: 9780820322490
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Though black and white women have long been associated with the heart of southern culture, their relationships with each other in the context of contemporary southern fiction have been largely glossed over until now. In Advancing Sisterhood? Sharon Monteith offers an enlightening map of this new literary ground. Beginning with an overview of the theory and literary incarnations of friendship, Advancing Sisterhood? examines how prevalent specific relationships between black and white women have become in the works of Ellen Douglas, Kaye Gibbons, Connie Mae Fowler, Lane von Herzen, Ellen Gilchrist, Carol Dawson, and others. Monteith explains that interracial friendships have become an alluring topic for white women writers. She also examines these friendships in relation to the ways black women writers and critics have pictured black and white girls and women in the South. Advancing Sisterhood? explores childhood female relationships in such works as Ellen Foster and Before Women Had Wings and considers recent ecocriticism and its role in charting the female southern landscape. Monteith also provides an in-depth examination of the archetypal friendship between white housewives and their black servants. Through these discussions, Advancing Sisterhood? demonstrates how contemporary white women writers have broadened their work to include friendships between women of diverse backgrounds and to influence literary expression.
Author: Laurie Champion
Publisher: Bloomsbury Publishing USA
ISBN: 031307643X
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon. Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes:^L^DBLA brief biography^L^DBLA discussion of major works and themes^^DBLA survey of the writer's critical reception^L^DBLA bibliography of primary and secondary sources
Author: Paul Bail
Publisher: Bloomsbury Publishing USA
ISBN: 0313007772
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Anne Tyler's novels strike a deep chord of responsiveness in her readers because her novels bring to life contemporary characters to whom we can instantly relate and in whose experiences we can see mirrored our own. Tyler's novels deal with the human experience: relationships between marital partners, between parents and children...between siblings; the meaning of love; the nature of identity; impermanence and change; and loss and continuity. In Anne Tyler novels, life is a complexity whose texture is built out of multiple layers. In this insightful study, Paul Bail shows us how Tyler constructs the complex reality of life through character, narrative point of view, theme, and literary devices. With the exception of Tyler's earliest two novels, which she prefers to forget, a chapter is devoted to each of the other novels she has written. Among the twelve are her unforgettable novels of family relationships and love...loss and renewal, such as Dinner at the Homesick Restaurant, The Accidental Tourist, and Breathing Lessons. Also included is an analysis of Tyler's most recent novel, A Patchwork Planet. Following a biographical chapter that relates Tyler's life to her work, Bail discusses the novels within the literary tradition of Southern regional literature, women's literature, and popular culture. He also explores the influence of religion on her writing. Each novel is discussed in an individual chapter that includes sections on plot, characters, themes, literary devices, historical setting, and point of view. Bail also offers an alternate critical approach from which to read the novel, such as feminist or multicultural criticism. This study is ideal for students and readers of Anne Tyler and will enrich the reading and appreciation of her novels.
Author: Roxanne Harde
Publisher: Cambridge Scholars Publishing
ISBN: 1443806544
Category : Literary Criticism
Languages : en
Pages : 490
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Book Description
Narratives of Community draws together essays that examine short story sequences by women through the lenses of Sandra Zagarell’s theoretical essay, “Narrative of Community.” Reading texts from countries around the world, the collection’s twenty-two contributors expand scholarship on the genre as they employ diverse theoretical models to consider how female identity is negotiated in community or the roles of women in domestic, social and literary community. Grouped into four sections based on these examinations, the essays demonstrate how Zagarell’s theory can provide a point of reference for multiple approaches to women’s writing as they read the semiotic systems of community. While “narrative of community” provides an organizing principle behind this collection, these essays offer critical approaches grounded in a wide variety of disciplines. Zagarell contributes the collection’s concluding essay, in which she provides a series of reflections on literary and cultural representations of community, on generic categorizations of community, and on regionalism and narrative of community as she returns to theoretical ground she first broke almost twenty years ago. Overall, these essays bring their contributors and readers into a community engaged with a narrative genre that inspires and affords a rich and growing tradition of scholarship. With Narratives of Community, editor Roxanne Harde offers a wealth of critical essays on a wide variety of women's linked series of short stories, essays that can be seen overall to explore the genre as a kind of meeting house of fictional form and meaning for an inclusive sororal community. The book itself joins a growing critical community of monographs and essay collections that have been critically documenting the rise of the modern genre of the story cycle to a place second only to the novel. But more than simply joining this critical venture, Narratives of Community makes a major contribution to studies in the short story, feminist theory, women's studies, and genre theory. Its introduction and essays should prove of enduring interest to scholars and critics in these fields, as well as continue highly useful in the undergraduate and graduate classrooms. — Gerald Lynch, Professor of English, University of Ottawa The introduction, by Prof. Harde, and the 20 essays in the book dialogue with Sandra Zagarell’s proposed paradigm “narratives of community”, which other scholars have called “short story cycles” or “story sequences”. Zagarell’s proposal organically blends a generic model with a thematic concern to explain how women writing community often turn to a particular narrative style that itself supports the literary creation of that community. Harde and the volume contributors appropriate this brilliant and engaging proposal in the context of other crucial discussions of the genre—notably Forest Ingram’s germinal study, J. Gerald Kennedy’s work, and those by Robert Luscher, Maggie Dunn and Anne Morris, James Nagel, Gerald Lynch and (I’m honored to note), my own study on Asian American short story cycles—to expand the range of the critical discussion on the form. The quality and diversity of the essays remind us that there is still much work that can be done in the area of genre studies. The volume emphasizes an important caveat to one vital misconception: that although writers like James Joyce or Sherwood Anderson are thought to be the precursors or, even, “inventors” of the form, women’s sequences, by Sara Orne Jewett and Elizabeth Gaskell, among others, actually predate the work of the male writers. This fact suggests that the development of the form as a genre that attends to specific perspectives or creative formulations of and by women needs to be considered in depth. The temporal scope of the volume is therefore a vital contribution to scholarship on the form, as is the diversity of the writers analyzed. Indeed, the examination of narratives by writers from different countries and that focus on characters from different time periods, racial, religious, or ethnic communities, and social class impels a multilayered reading of the texts that inevitably promotes a nuanced understanding of the project of each of the writers, a project that connects issues of individuality and community in varied and often surprising ways. The essays thus critically explore the notion of community in its myriad associations with the individual and as a crucial site not only for women’s action upon the world but also for her creative endeavors. The essays in the volume revisit familiar texts—Naylor’s The Women of Brewster Place, Cisneros’s The House on Mango Street, Kingston’s The Woman Warrior, Welty’s The Golden Apples, Munro’s The Lives of Girls and Women, among others—but offer new perspectives on the way form interacts with issues of women’s communities and women creating community in these works. Significantly, it also offers readings on texts that have not been analyzed in detail from this perspective—Gaskell’s Cranford or Woolf’s A Haunted House, for example—thus contributing to a continuing conversation about the ways women write. The juxtaposition of the familiar and the new expand the paradigms of current criticism not only on the story cycle but also on women’s writing in general. —Rocio Davis, Professor of Literature, University of Navarre "Roxanne Harde’s forthcoming volume, Narratives of Community: Women’s Short Story Sequences, provides an abundant collection of varied responses to Sandra Zagarell’s longstanding call for further in-depth exploration of the genre that Zagarell christened “the narrative of community” in her 1988 essay linking non-novelistic narrative form with representations of female experience. As Harde observes, such narratives of community overlap significantly with the growing canon of unified but discontinuous collections of autonomous stories that critics have variously labeled as the short story cycle/ sequence/ composite . . . The essays in her collection examine a rich variety of such works by women, extending the scholarship in this area. . . Harde’s ample collection of essays presents a concerted and diverse exploration of the implications of the short story sequence form as a representation of women’s lives as part of and in conflict with membership in a community. . . . Overall, Harde’s volume is a welcome addition to current scholarship on the short story sequence, bringing in a variety of new voices and perspectives to the community of scholars who have engaged in the exploration of this paradoxical, evolving, and increasingly popular genre." — Dr. Luscher
