Author: Olle Nordmark
Publisher: Read Books Ltd
ISBN: 1446547345
Category : Art
Languages : en
Pages : 142
Book Description
This book has been written for the painter in fresco, who wishes to acquire enough knowledge of the craft to enable him to supervise, guide and efficiently work with the craftsmen plasterers who are put in charge of the preparation of his materials and wall and who will assist him as the finishing plasterers throughout the period of painting. It should be remembered that the surface of the so-called “Intonaco,” must yield the best possible working conditions, giving the painter the longest possible time to execute the part of the wall intended for a day’s work. In order that such a condition should prevail, a thorough knowledge of the materials used in the practice of fresco painting must be acquired through the practical utilization of a series of operations to obtain necessary ultimate results. Stress is, therefore, laid upon the fact that the painter himself must guide and guard the preparation of his materials and the different layers of mortar which build up the fresco ground, the foundation for the painting. Also, if he is not prepared himself to do the work, he must be able to give final full directions for the “Intonaco” or painting surface, the richness of the mixing and its perfect application which in itself requires experienced handling of tools in the piece-meal plastering of the wall, all of which is the groundwork for the actual painting. This HANDBOOK, therefore, will endeavor to explain the practice of fresco and fresco-secco painting in connection and collaboration with the trade from which it was derived — the building trade.
Fresco Painting - Modern Methods and Techniques for Painting in Fresco and Secco
Author: Olle Nordmark
Publisher: Read Books Ltd
ISBN: 1446547345
Category : Art
Languages : en
Pages : 142
Book Description
This book has been written for the painter in fresco, who wishes to acquire enough knowledge of the craft to enable him to supervise, guide and efficiently work with the craftsmen plasterers who are put in charge of the preparation of his materials and wall and who will assist him as the finishing plasterers throughout the period of painting. It should be remembered that the surface of the so-called “Intonaco,” must yield the best possible working conditions, giving the painter the longest possible time to execute the part of the wall intended for a day’s work. In order that such a condition should prevail, a thorough knowledge of the materials used in the practice of fresco painting must be acquired through the practical utilization of a series of operations to obtain necessary ultimate results. Stress is, therefore, laid upon the fact that the painter himself must guide and guard the preparation of his materials and the different layers of mortar which build up the fresco ground, the foundation for the painting. Also, if he is not prepared himself to do the work, he must be able to give final full directions for the “Intonaco” or painting surface, the richness of the mixing and its perfect application which in itself requires experienced handling of tools in the piece-meal plastering of the wall, all of which is the groundwork for the actual painting. This HANDBOOK, therefore, will endeavor to explain the practice of fresco and fresco-secco painting in connection and collaboration with the trade from which it was derived — the building trade.
Publisher: Read Books Ltd
ISBN: 1446547345
Category : Art
Languages : en
Pages : 142
Book Description
This book has been written for the painter in fresco, who wishes to acquire enough knowledge of the craft to enable him to supervise, guide and efficiently work with the craftsmen plasterers who are put in charge of the preparation of his materials and wall and who will assist him as the finishing plasterers throughout the period of painting. It should be remembered that the surface of the so-called “Intonaco,” must yield the best possible working conditions, giving the painter the longest possible time to execute the part of the wall intended for a day’s work. In order that such a condition should prevail, a thorough knowledge of the materials used in the practice of fresco painting must be acquired through the practical utilization of a series of operations to obtain necessary ultimate results. Stress is, therefore, laid upon the fact that the painter himself must guide and guard the preparation of his materials and the different layers of mortar which build up the fresco ground, the foundation for the painting. Also, if he is not prepared himself to do the work, he must be able to give final full directions for the “Intonaco” or painting surface, the richness of the mixing and its perfect application which in itself requires experienced handling of tools in the piece-meal plastering of the wall, all of which is the groundwork for the actual painting. This HANDBOOK, therefore, will endeavor to explain the practice of fresco and fresco-secco painting in connection and collaboration with the trade from which it was derived — the building trade.
Experimental Archaeology: Making, Understanding, Story-telling
Author: Christina Souyoudzoglou-Haywood
Publisher: Archaeopress Publishing Ltd
ISBN: 1789693209
Category : Social Science
Languages : en
Pages : 116
Book Description
In this book, based on the proceedings of a two-day workshop on experimental archaeology at the Irish Institute of Hellenic Studies at Athens in 2017, scholars, artists and craftspeople explore how people in the past made things, used and discarded them, from prehistory to the Middle Ages.
Publisher: Archaeopress Publishing Ltd
ISBN: 1789693209
Category : Social Science
Languages : en
Pages : 116
Book Description
In this book, based on the proceedings of a two-day workshop on experimental archaeology at the Irish Institute of Hellenic Studies at Athens in 2017, scholars, artists and craftspeople explore how people in the past made things, used and discarded them, from prehistory to the Middle Ages.
Monthly Bulletin
Author: San Francisco Public Library
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 468
Book Description
Ali Cavanaugh
Author: Ali Cavanaugh
Publisher: Unicorn
ISBN: 9781911604778
Category : Mural painting and decoration
Languages : en
Pages : 0
Book Description
Modern Fresco Paintings is the first collection of Ali Cavanaugh's paintings, andit follows her entire career using watercolor on kaolin clay to create hermodern fresco technique and the lovely work that flows from it. Beginning withher hyper-realistic portraits and ending with her latest, more free-flowingpictures, her use of light, color, and the human form captures the essence ofher models and their forms and feelings in a particular moment. Cavanaugh's artistic sensibilitywas developed by two important events in her childhood. Her dependence on the visualworld began when she lost much of her hearing through spinal meningitis whenshe was two, and her creative spirit developed out of her being raised in a ruralenvironment where she had to create her own ways of expressing herself and makingher own fun. She developed her stunningmodern fresco medium almost by accident as she was learning to apply the outerlayer of plaster to her home in Santa Fe, New Mexico. Since that time thisvolume illustrates her growth as an artist and her mastery of the technique. These are lovely works, paintedmasterfully. Both long-time followers of Cavanaugh's work---from the earliest "SockArms" paintings to those who found her through more recent work like the Chroma series---and those who are discoveringher and her art for the first time, will be delighted by this collection.
Publisher: Unicorn
ISBN: 9781911604778
Category : Mural painting and decoration
Languages : en
Pages : 0
Book Description
Modern Fresco Paintings is the first collection of Ali Cavanaugh's paintings, andit follows her entire career using watercolor on kaolin clay to create hermodern fresco technique and the lovely work that flows from it. Beginning withher hyper-realistic portraits and ending with her latest, more free-flowingpictures, her use of light, color, and the human form captures the essence ofher models and their forms and feelings in a particular moment. Cavanaugh's artistic sensibilitywas developed by two important events in her childhood. Her dependence on the visualworld began when she lost much of her hearing through spinal meningitis whenshe was two, and her creative spirit developed out of her being raised in a ruralenvironment where she had to create her own ways of expressing herself and makingher own fun. She developed her stunningmodern fresco medium almost by accident as she was learning to apply the outerlayer of plaster to her home in Santa Fe, New Mexico. Since that time thisvolume illustrates her growth as an artist and her mastery of the technique. These are lovely works, paintedmasterfully. Both long-time followers of Cavanaugh's work---from the earliest "SockArms" paintings to those who found her through more recent work like the Chroma series---and those who are discoveringher and her art for the first time, will be delighted by this collection.
Clay and lime renders, plasters and paints
Author: Adam Weismann
Publisher: Bloomsbury Publishing
ISBN: 0857842714
Category : House & Home
Languages : en
Pages : 264
Book Description
An in-depth guide with step-by-step instructions on how to select, mix and apply lime- and clay- based plasters, renders, paints and washes. With the increasing awareness of eco-building techniques alongside the desire to make our homes healthier, the historical benefits of using natural renders and paints are being rediscovered. Clay and Lime Renders, Plasters and Paints is a detailed guide to the selection, mixing and application of lime- and clay-based plasters, renders, paints and washes. It provides step-by-step instructions for applying lime- and clay-based plasters, renders and paints, and information on the benefits of natural finishes for personal health, the environment, and for buildings. The book draws on traditional methods & materials for using lime & clay finishes on new and historic buildings, and also includes a comprehensive and up-to-date online resource guide to suppliers, practitioners and courses. Easy to follow DIY projects guide the reader through all aspects of using these natural finishes, with beautiful photographs of techniques and examples from the UK and abroad.
Publisher: Bloomsbury Publishing
ISBN: 0857842714
Category : House & Home
Languages : en
Pages : 264
Book Description
An in-depth guide with step-by-step instructions on how to select, mix and apply lime- and clay- based plasters, renders, paints and washes. With the increasing awareness of eco-building techniques alongside the desire to make our homes healthier, the historical benefits of using natural renders and paints are being rediscovered. Clay and Lime Renders, Plasters and Paints is a detailed guide to the selection, mixing and application of lime- and clay-based plasters, renders, paints and washes. It provides step-by-step instructions for applying lime- and clay-based plasters, renders and paints, and information on the benefits of natural finishes for personal health, the environment, and for buildings. The book draws on traditional methods & materials for using lime & clay finishes on new and historic buildings, and also includes a comprehensive and up-to-date online resource guide to suppliers, practitioners and courses. Easy to follow DIY projects guide the reader through all aspects of using these natural finishes, with beautiful photographs of techniques and examples from the UK and abroad.
Greek Painting Techniques and Materials from the Fourth to the First Century BC
Author: Ioanna Kakoulli
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
This book provides the first comprehensive overview of the techniques and materials used in a range of monumental paintings from the Late Classical to the Graeco-Roman period reflecting the Hellenistic culture. Based primarily on the technical examination and analyses of wall paintings, painted architectural elements and marble monuments, the scientific study of materials provides information on the chemical composition of the plasters, the nature of pigments and their microstructure and identifies patterns of trade and methods of manufacture (if synthesised). The results suggest a highly developed and cosmopolitan culture, encompassing the entire Mediterranean region and beyond, from the mountains of Macedonia to the deserts of Ptolemaic Egypt and the Eurasian Plateau, throughout which ideas and goods flowed freely.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
This book provides the first comprehensive overview of the techniques and materials used in a range of monumental paintings from the Late Classical to the Graeco-Roman period reflecting the Hellenistic culture. Based primarily on the technical examination and analyses of wall paintings, painted architectural elements and marble monuments, the scientific study of materials provides information on the chemical composition of the plasters, the nature of pigments and their microstructure and identifies patterns of trade and methods of manufacture (if synthesised). The results suggest a highly developed and cosmopolitan culture, encompassing the entire Mediterranean region and beyond, from the mountains of Macedonia to the deserts of Ptolemaic Egypt and the Eurasian Plateau, throughout which ideas and goods flowed freely.
Catalog of Copyright Entries, Third Series
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1500
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1500
Book Description
Ancient Buddhist Mural Painting of India and Sri Lanka
Author: M. Somathilake
Publisher:
ISBN:
Category : Buddhist mural painting and decoration
Languages : en
Pages : 816
Book Description
Publisher:
ISBN:
Category : Buddhist mural painting and decoration
Languages : en
Pages : 816
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 958
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 958
Book Description
The Materials and Techniques of Medieval Painting
Author: Daniel V. Thompson
Publisher: Courier Corporation
ISBN: 0486142035
Category : Art
Languages : en
Pages : 262
Book Description
Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.
Publisher: Courier Corporation
ISBN: 0486142035
Category : Art
Languages : en
Pages : 262
Book Description
Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.