Author: Tzvetan Todorov
Publisher: Dartmouth College Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
Book Description
An internationally renowned scholar examines an episode in the chaos & retributive strife that engulfed France during the liberation at the end of World War II.
A French Tragedy
Author: Tzvetan Todorov
Publisher: Dartmouth College Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
Book Description
An internationally renowned scholar examines an episode in the chaos & retributive strife that engulfed France during the liberation at the end of World War II.
Publisher: Dartmouth College Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
Book Description
An internationally renowned scholar examines an episode in the chaos & retributive strife that engulfed France during the liberation at the end of World War II.
Onstage Violence in Sixteenth-Century French Tragedy
Author: Michael Meere
Publisher: Oxford University Press
ISBN: 0192658026
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
The performance of violence on the stage has played an integral role in French tragedy since its inception. Onstage Violence in Sixteenth-Century French Tragedy is the first book to tell this story. It traces and examines the ethical and poetic stakes of violence, as playwrights were experimenting with the newly discovered genre during decades of religious and civil war (c. 1550-1598). The study begins with an overview of the origins of French vernacular tragedy and the complex relationships between violence, performance, ethics, and poetics. The volume focuses on specific plays and analyzes biblical, mythological, historical, and politically topical tragedies—including the stories of Cain and Abel, David and Goliath, Medea, the Sultan Süleyman the Magnificent, the Roman general Regulus, and the assassination of the Duke of Guise in 1588—to show how the multifarious uses of violence on stage shed light on a range of pressing issues during that turbulent time, such as religion, gender, politics, and militantism.
Publisher: Oxford University Press
ISBN: 0192658026
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
The performance of violence on the stage has played an integral role in French tragedy since its inception. Onstage Violence in Sixteenth-Century French Tragedy is the first book to tell this story. It traces and examines the ethical and poetic stakes of violence, as playwrights were experimenting with the newly discovered genre during decades of religious and civil war (c. 1550-1598). The study begins with an overview of the origins of French vernacular tragedy and the complex relationships between violence, performance, ethics, and poetics. The volume focuses on specific plays and analyzes biblical, mythological, historical, and politically topical tragedies—including the stories of Cain and Abel, David and Goliath, Medea, the Sultan Süleyman the Magnificent, the Roman general Regulus, and the assassination of the Duke of Guise in 1588—to show how the multifarious uses of violence on stage shed light on a range of pressing issues during that turbulent time, such as religion, gender, politics, and militantism.
French Tragic Drama in the Sixteenth and Seventeenth Centuries
Author: Geoffrey Brereton
Publisher: Routledge
ISBN: 1000579018
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Originally published in 1973, the history of French tragedy and tragicomedy from their origins in the sixteenth century to the last years of Louis XIV’s reign is here surveyed in a single volume. Beginning with a brief account of the development of drama from the Middle Ages to the Renaissance, Dr Brereton examines the plays as types of drama, the circumstances in which they were produced and their reception by contemporaries. The traditionally great figures of Corneille and Racine are treated at some length, but their work is seen in perspective against the plays of their predecessors and of their own time. Garnier and Montchrestien are discussed, among others, as notable writers of Renaissance humanist tragedy. Sections are devoted to secondary but still important dramatists such as Mairet, Rotrou, Du Ryer, Tristan L’Hermite, Thomas Corneille and Quinault. A long chapter on Alexandre Hardy reviews the work of this neglected author and stresses his interest as a transitional link between the two centuries and as a vigorous pioneer of a type of drama which flourished for several decades after him concurrently with French ‘classical’ tragedy. The main currents of critical theory, social attitudes and stage history are described in their relation to the development of the drama. Well over a hundred plays are discussed or summarized; and the author has constantly referred back to the original material and has avoided an over-simplification of a vast subject which contains more exceptions and anomalies than has generally been recognized in the past. Chronological tables of the works of major dramatists, summaries of numerous plays and a bibliography containing modern editions of plays are included.
Publisher: Routledge
ISBN: 1000579018
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Originally published in 1973, the history of French tragedy and tragicomedy from their origins in the sixteenth century to the last years of Louis XIV’s reign is here surveyed in a single volume. Beginning with a brief account of the development of drama from the Middle Ages to the Renaissance, Dr Brereton examines the plays as types of drama, the circumstances in which they were produced and their reception by contemporaries. The traditionally great figures of Corneille and Racine are treated at some length, but their work is seen in perspective against the plays of their predecessors and of their own time. Garnier and Montchrestien are discussed, among others, as notable writers of Renaissance humanist tragedy. Sections are devoted to secondary but still important dramatists such as Mairet, Rotrou, Du Ryer, Tristan L’Hermite, Thomas Corneille and Quinault. A long chapter on Alexandre Hardy reviews the work of this neglected author and stresses his interest as a transitional link between the two centuries and as a vigorous pioneer of a type of drama which flourished for several decades after him concurrently with French ‘classical’ tragedy. The main currents of critical theory, social attitudes and stage history are described in their relation to the development of the drama. Well over a hundred plays are discussed or summarized; and the author has constantly referred back to the original material and has avoided an over-simplification of a vast subject which contains more exceptions and anomalies than has generally been recognized in the past. Chronological tables of the works of major dramatists, summaries of numerous plays and a bibliography containing modern editions of plays are included.
French Humanist Tragedy
Author: Donald Stone
Publisher: Manchester University Press
ISBN: 9780719005671
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
In this, the first study of its kind to appear in English, the author - a professor of Romance Languages at Harvard University - discusses the concepts which determined the nature and function of French humanist tragedy and the importance of those concepts with regard to the genre's relationship to medieval, ancient and French classical drama. The emphasis on conceptual rather than formal considerations reveals strong ties between tragedy and other sixteenth century genres, now largely neglected. The book also shows that the formal changes in tragedy introduced by the humanists are less consequential than once thought, and in his last chapter suggests that a deeper appreciation of the character of French humanist tragedy can shed new light on the coming of classicism.
Publisher: Manchester University Press
ISBN: 9780719005671
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
In this, the first study of its kind to appear in English, the author - a professor of Romance Languages at Harvard University - discusses the concepts which determined the nature and function of French humanist tragedy and the importance of those concepts with regard to the genre's relationship to medieval, ancient and French classical drama. The emphasis on conceptual rather than formal considerations reveals strong ties between tragedy and other sixteenth century genres, now largely neglected. The book also shows that the formal changes in tragedy introduced by the humanists are less consequential than once thought, and in his last chapter suggests that a deeper appreciation of the character of French humanist tragedy can shed new light on the coming of classicism.
French drama
Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 384
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 384
Book Description
Teaching French Neoclassical Tragedy
Author: Hélène E. Bilis
Publisher: Modern Language Association
ISBN: 1603295321
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
Tragedy has been reborn many times since antiquity. Seventeenth-century French playwrights composed tragedies marked by neoclassical aesthetics and the divine-right absolutism of the Grand Siècle. But their works also speak to the modern imagination, inspiring reactions from Barthes, Derrida, and Foucault; adaptations and reworkings by Césaire and Kushner; and new productions by francophone and anglophone directors. This volume addresses both the history of French neoclassical tragedy--its audiences, performance practice, and development as a genre--and the ideas these works raise, such as necessity, free will, desire, power, and moral behavior in the face of limited choices. Essays demonstrate ways to teach the plays through a variety of lenses, such as performance, spectatorship, aesthetics, rhetoric, and affect. The book also explores postcolonial engagement, by writers and directors both in and outside France, with these works.
Publisher: Modern Language Association
ISBN: 1603295321
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
Tragedy has been reborn many times since antiquity. Seventeenth-century French playwrights composed tragedies marked by neoclassical aesthetics and the divine-right absolutism of the Grand Siècle. But their works also speak to the modern imagination, inspiring reactions from Barthes, Derrida, and Foucault; adaptations and reworkings by Césaire and Kushner; and new productions by francophone and anglophone directors. This volume addresses both the history of French neoclassical tragedy--its audiences, performance practice, and development as a genre--and the ideas these works raise, such as necessity, free will, desire, power, and moral behavior in the face of limited choices. Essays demonstrate ways to teach the plays through a variety of lenses, such as performance, spectatorship, aesthetics, rhetoric, and affect. The book also explores postcolonial engagement, by writers and directors both in and outside France, with these works.
Drama and Opera: French drama
Author: Alfred Bates
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 754
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 754
Book Description
The Drama; Its History, Literature and Influence on Civilization: French drama
Author: Alfred Bates
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 374
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 374
Book Description
The Drama: French drama
Author:
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 398
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 398
Book Description
Direct Realism in French Drama ...
Author: Joseph Brunet
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 676
Book Description
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 676
Book Description