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Author: Petra ten-Doesschate Chu
Publisher: Utrecht : Haentjens Dekker & Gumbert
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 212
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Book Description
Author: Petra ten-Doesschate Chu
Publisher: Utrecht : Haentjens Dekker & Gumbert
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 212
Get Book Here
Book Description
Author: Alison McQueen
Publisher: Amsterdam University Press
ISBN: 9789053566244
Category : Art
Languages : en
Pages : 392
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Book Description
Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.
Author: Ruth Bernard Yeazell
Publisher: Princeton University Press
ISBN: 9780691127262
Category : Art
Languages : en
Pages : 294
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Book Description
Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday--pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism? In this beautifully illustrated and elegantly written book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values. After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists--Honoré de Balzac, George Eliot, Thomas Hardy, and Marcel Proust--who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life. Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art.
Author: Esmée Quodbach
Publisher: Penn State University Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 272
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Book Description
Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.
Author: Wayne E. Franits
Publisher:
ISBN: 9780521499453
Category : Art
Languages : en
Pages : 274
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Book Description
Despite the active tradition of scholarship on Dutch painting of the seventeenth century, scholars continue to grapple with the problem of how the strikingly realistic characteristics of art from this period can be reconciled with its possible meanings. With the advent of new methodologies, these debates have gained momentum in the past decade. Looking at Seventeenth-Century Dutch Art, which includes classic essays as well as contributions especially written for this volume, provides a timely survey of the principal interpretative methods and debates, from their origins in the 1960s to current manifestations, while suggesting potential avenues of inquiry for the future. The book offers fascinating insights into the meaning of Dutch art in its original cultural context as well as into the world of scholarship that it has inspired.
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
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Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Author: T. J. Clark
Publisher: Univ of California Press
ISBN: 9780520217454
Category : Art
Languages : en
Pages : 214
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Book Description
In this pioneering study, Clark looked at the inextricable links between modern art and history.
Author: Annette Bourrut Lacouture
Publisher: Yale University Press
ISBN: 0300095759
Category : Art
Languages : en
Pages : 278
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Book Description
Jules Breton (1827-1906), known as one of the first 'peasant painters', created beautiful scenes of rural French life and was a highly popular figure among the Salon artists of his era. Taking his inspiration from his native Artois and from the landscapes of Brittany, where he stayed for long periods, he painted peasant women and men performing their daily activities, meticulously observing their world and making it a place of peace and harmony. During the second half of the nineteenth century, rewards and official decorations were heaped upon him, and his paintings were purchased not only by the emperor but also by collectors in America, Britain and Ireland. However, Breton's work became eclipsed by the avant-garde movements of the twentieth century, and he was eventually forgotten. This book now pays Breton the tribute that he deserves. It traces the development of his career and the forces that influenced him from his childhood through his early training in Belgium and Paris to his years in Brittany. The book presents and discusses a number of important paintings by Breton, some of which have been almost unknown until now, and it shows how they reflect the artist's social and humanitarian concerns as well as his painterly abilities.
Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1136787933
Category : Art
Languages : en
Pages : 1072
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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Nancy Locke
Publisher: Princeton University Press
ISBN: 9780691114842
Category : Art
Languages : en
Pages : 240
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Book Description
Édouard Manet's paintings have long been recognized for being visually compelling and uniquely recalcitrant. While critics have noted the presence of family members and intimates in paintings such as Le Déjeuner sur l'herbe, Nancy Locke takes an unprecedented look at the significance of the artist's family relationships for his art. Locke argues that a kind of mythology of the family, or Freudian family romance, frequently structures Manet's compositional decisions and choice of models. By looking at the representation of the family as a volatile mechanism for the development of sexuality and of repression, conflict, and desire, Locke brings powerful new interpretations to some of Manet's most complex works. Locke considers, for example, the impact of a father-son drama rooted in a closely guarded family secret: the adultery of Manet père and the status of Léon Leenhoff. Her nuanced exploration of the implications of this story--that Manet in fact married his father's mistress--makes us look afresh at even well-known paintings such as Olympia. This book sheds new light on Manet's infamous interest in gypsies, street musicians, and itinerants as Locke analyzes the activities of Manet's father as a civil judge. She also reexamines the close friendship between Manet and the Impressionist painter Berthe Morisot, who married Manet's brother. Morisot becomes the subject of a series of meditations on the elusiveness of the self, the transience of identity, and conflicting concerns with appearances and respectability. Manet and the Family Romance offers an entirely new set of arguments about the cultural forces that shaped these alluring paintings.
