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Author: Monique Yaari
Publisher: Rodopi
ISBN: 904202500X
Category : Architecture
Languages : en
Pages : 526
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Book Description
This book considers the post-68 French city as a prism through which to understand the contemporary world and France's specificity within it. The reader is invited to join in a series of exploratory strolls through texts, buildings, and neighborhoods, and thereby share in a process of discovery. Zeroing in on international architectural debates, a range of key Parisian exhibitions, and major urban design decisions in Paris, Montpellier, and Lille, Yaari unravels an often-acerbic French critique of both modern and postmodern positions on culture, technology, and the city. This critique-stemming from the competing claims of national identity, the ethics of architecture and display, and an anthropologically informed revision of prevailing views on the city-has sparked in France a passionate search for a third path, which the author proposes to term apres-moderne. Breaking new ground in the field of French Studies through cultural analysis of the contemporary city, this study brings new insight to scholars and professionals in architecture and urbanism, and will interest all others for whom France and cities in general hold special appeal. Monique Yaari is a specialist of twentieth-century French literary and cultural studies. For the past decade, her research has focused on the contemporary city. The author of Ironie paradoxale et ironie poetique: sur les traces de Gide dans Paludes (Summa Publications, 1988) as well as numerous articles on contemporary French art and architecture, Professor Yaari teaches in the Culture and Civilization option of the Department of French and Francophone Studies at The Pennsylvania State University.
Author: Monique Yaari
Publisher: Rodopi
ISBN: 904202500X
Category : Architecture
Languages : en
Pages : 526
Get Book Here
Book Description
This book considers the post-68 French city as a prism through which to understand the contemporary world and France's specificity within it. The reader is invited to join in a series of exploratory strolls through texts, buildings, and neighborhoods, and thereby share in a process of discovery. Zeroing in on international architectural debates, a range of key Parisian exhibitions, and major urban design decisions in Paris, Montpellier, and Lille, Yaari unravels an often-acerbic French critique of both modern and postmodern positions on culture, technology, and the city. This critique-stemming from the competing claims of national identity, the ethics of architecture and display, and an anthropologically informed revision of prevailing views on the city-has sparked in France a passionate search for a third path, which the author proposes to term apres-moderne. Breaking new ground in the field of French Studies through cultural analysis of the contemporary city, this study brings new insight to scholars and professionals in architecture and urbanism, and will interest all others for whom France and cities in general hold special appeal. Monique Yaari is a specialist of twentieth-century French literary and cultural studies. For the past decade, her research has focused on the contemporary city. The author of Ironie paradoxale et ironie poetique: sur les traces de Gide dans Paludes (Summa Publications, 1988) as well as numerous articles on contemporary French art and architecture, Professor Yaari teaches in the Culture and Civilization option of the Department of French and Francophone Studies at The Pennsylvania State University.
Author: Jonathan Driskell
Publisher: Bloomsbury Publishing
ISBN: 0857735667
Category : Social Science
Languages : en
Pages : 299
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Book Description
Many years before Brigitte Bardot and Catherine Deneuve rose to fame, the French cinema produced a host of glamorous female stars designed to rival their Hollywood counterparts. Bathed in soft light, discussed adoringly in fan magazines and shown wearing the latest fashions, these 'cinematic stars' emerged in opposition to France's traditional stage-based stardom, while remaining, through the roles they played and the looks they sported, a distinctly French phenomenon. The French Screen Goddess examines how these stars influenced the narratives and look of their films, contributed to defining the period's new, emancipated femininity -, the 'modern woman' -, and related to the decade's politics, particularly the Popular Front of the mid-1930s. The book focuses on the three most important examples of this type of stardom, Annabella, Danielle Darrieux and Michele Morgan, while also considering many other key stars, such as Arletty, Viviane Romance and Jean Gabin. Previously neglected films are considered and true classics of French cinema re-examined, with Rene Clair's Quatorze juillet, Julien Duvivier's La Bandera, and Marcel Carne's Le Quai des brumes and Hotel du Nord foremost among these.
Author: Jean-Jacques Sempe
Publisher: Workman Publishing
ISBN: 9780894801945
Category : Humor
Languages : en
Pages : 100
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Book Description
Cartoons provide a humorous view of love, courtship, marriage, infidelity, and friendship
Author: Dana S. Hale
Publisher: Indiana University Press
ISBN: 0253000149
Category : Social Science
Languages : en
Pages : 466
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Book Description
While European commerce in race was substantial, the colonial trade in ideas of race was highly profitable as well. Looking at official propaganda and commercial representations in France during the Third Republic, this book explores the way the French increased the value of their racial identity at home at the expense of their colonized brothers and sisters. The French did not create the identity-effacing stereotypes of Africans, Arabs, and Indochinese. Instead they refined or remolded these images, and as they did so they redefined and remolded their images of themselves. Focusing on world's fairs, colonial expositions, and mundane manufacturers' trademarks, Races on Display shows not only the prevalence of racial stereotypes, but also how complex these representations prove to be.
Author: Andrew Pettegree
Publisher: BRILL
ISBN: 9047422449
Category : Reference
Languages : en
Pages : 1638
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Book Description
This work offers for the first time a complete list of all books published wholly or partially in the French language before 1601. Based on twelve years of investigations in libraries in France, the United Kingdom, the United States, Germany, the Netherlands and elsewhere, it provides an analytical short-title catalogue of over 52,000 bibliographically distinct items, with reference to surviving copies in over 1,600 libraries worldwide. Many of the items described are editions and even complete texts fully unknown and re-discovered by the project. French Vernacular Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of France, as well as historians of the early modern book world. For vols. III & IV please go to French Books III & IV.
Author: Margaret E. Gray
Publisher: University of Wales Press
ISBN: 1786838613
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Who has not, in a favored moment, ‘stolen the limelight’, whether inadvertently or by design? The implications of such an act of display – its illicitness, its verve, its vertiginous reversal of power, its subversiveness – are explored in this book. Narrative crafting and management of such scenarios are studied across canonical novels by Gide, Colette, Mauriac, and Duras, as well as by African Francophone writer Oyono and detective novelist Japrisot. As manipulated within narrative, acts of display position a viewer or reader from whom response (from veneration or desire to repugnance or horror) is solicited; but this study demonstrates that display can also work subversively, destabilising and displacing such a privileged spectator. As strategies of displacement, these scenarios ultimately neutralise and even occult the very subject they so energetically appear to solicit. Powered by gendered tensions, this dynamic of display as displacement works toward purposes of struggle, resistance or repression.
Author: John Clark Ridpath
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 784
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Book Description
Author: Edgar Stanton Maclay
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
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Book Description
Author: Anand Syea
Publisher: Taylor & Francis
ISBN: 131538857X
Category : Foreign Language Study
Languages : en
Pages : 520
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Book Description
French Creoles: A Comprehensive and Comparative Grammar is the first complete reference to present the morphology, grammar and syntax of a representative selection of French Creoles in one volume. The book is organised to promote a thorough understanding of the grammar of French Creoles and presents its complexities in a concise and readable form. An extensive index, cross-referencing and a generous use of headings provides readers with immediate access to the information they require. The varieties included within the volume provide a representative collection of French Creoles from the Indian, Atlantic and Pacific Oceans, including: Mauritian Creole, Seychelles Creole, Reunion Creole (where relevant), Haitian Creole, Martinique Creole, Guadeloupe Creole, Guyanese French Creole, Karipuna, St. Lucia Creole, Louisiana Creole and Tayo. By providing a comprehensive description of a range of French Creoles in a clear and non-technical manner, this grammar is the ideal reference for all linguists and researchers with an interest in Creole studies and in French, descriptive and historical linguistics.
Author: Leanne M. Zalewski
Publisher: Bloomsbury Publishing USA
ISBN: 1501358324
Category : Art
Languages : en
Pages : 372
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Book Description
This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this “Gilded Age picture rush,” the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors' and art dealers' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.
