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Author: Arthur Graves Canfield
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 416
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Book Description
Author: Arthur Graves Canfield
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 416
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Book Description
Author: George Saintsbury
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 308
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Book Description
Author: Arthur Graves Canfield
Publisher: BoD – Books on Demand
ISBN: 3387320213
Category : Fiction
Languages : en
Pages : 562
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author:
Publisher: University of Chicago Press
ISBN: 0226750523
Category : Literary Collections
Languages : en
Pages : 412
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Book Description
Renowned translator Norman R. Shapiro here presents fresh English versions of poems by three of Western literature’s most gifted and prolific poets—the French Renaissance writers Clément Marot, Joachim Du Bellay, and Pierre de Ronsard. Writing in the rhymed and metered verse typical of the original French poems (which appear on facing pages), Shapiro skillfully adheres to their messages but avoids slavishly literal translations, instead offering creative and spirited equivalents. Hope Glidden’s accessible introduction, along with the notes she and Shapiro provide on specific poems, will increase readers’ enjoyment and illuminate the historical and linguistic issues relating to this wealth of more than 150 lyric poems. “A marvelous micro-anthology of sixteenth-century French letters. Representing the pinnacle of French Renaissance verse, the poems singled out here are sensitively interpreted in rhymed English versions. . . . There is a pleasant and inspiring craftsmanship in these interpretations.”—Virginia Quarterly Review
Author: Daniel E. O'Sullivan
Publisher: University of Toronto Press
ISBN: 0802038859
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Texts centred on the mother of Jesus abound in religious traditions the world over, but thirteenth-century Old French lyric stands apart, both because of the enormous size of the Marian cult in thirteenth-century France and the lack of critical attention the genre has garnered from scholars. As hybrid texts, Old French Marian songs combine motifs from several genres and registers to articulate a devotional message. In this comprehensive and illuminating study, Daniel E. O'Sullivan examines the movement between secular and religious traditions in medieval culture that Old French religious song embodies. He demonstrates that Marian lyric was far more than a simple, mindless imitation of secular love song. On the contrary, Marian lyric participated in a dynamic interplay with the secular tradition that different composers shaped and reshaped in light of particular doctrinal and aesthetic concerns. It is a corpus that reveals itself to be far more malleable and supple than past readers have admitted. With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.
Author:
Publisher: Yale University Press
ISBN: 0300128681
Category : Poetry
Languages : en
Pages : 410
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Book Description
In this collection of rhymed, metrical translations of selected poems by three of France's and Western literature's most gifted and prolific poets, Norman R. Shapiro presents English versions of works by Clement Marot (1496-1544), considered by some to be the last of the medieval poets; Joachim Du Bellay (1525-1560); and Pierre de Ronsard (1524-1585). The original French poems - more than 150 in all - and their new English translations appear on facing pages. Some of the poems are very well known, while others will be a new pleasure for many readers. In these faithful translations of the poetry of the three most highly acclaimed French Renaissance poets, Shapiro maintains the rhyme and metre of the original works. He adheres to the message of each poem yet avoids a slavishly literal translation to offer creative and spirited equivalents. For students and general readers of this volume, Hope Gildden's introduction, along with notes she and Shapiro provide on the specific poems, seek to enhance appreciation and illuminate historical and linguistic issues relating to these lyric poems.
Author: Charles Edmund Young
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 186
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Book Description
Author: John Thomas Rowland
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Book Description
Author: Renee Winegarten
Publisher: Manchester University Press
ISBN:
Category : French poetry
Languages : en
Pages : 180
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Book Description
Author: Jonathyne Briggs
Publisher: Oxford University Press
ISBN: 0199377081
Category : Music
Languages : en
Pages : 249
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Book Description
Sounds French examines the history of popular music in France between the arrival of rock and roll in 1958 and the collapse of the first wave of punk in 1980, and the connections between musical genres and concepts of community in French society. During this period, scholars have tended to view the social upheavals associated with postwar reconstruction as part of debates concerning national identity in French culture and politics, a tendency that developed from political figures' and intellectuals' concerns with French national identity. In this book, author Jonathyne Briggs reorients the scholarship away from an exclusive focus on national identity and instead towards an investigation of other identities that develop as a result of the increased globalization of culture. Popular music, at once individual and communal, fixed and plastic, offers an illuminating window into such transformations in social structures through the ways in which musicians, musical consumers, and critical intermediaries re-imagined themselves as part of novel cultural communities, whether local, national, or supranational in nature. Briggs argues that national identity was but one of a panoply of identities in flux during the postwar period in France, demonstrating that the development of hybridized forms of popular music provided the French with a method for expressing and understanding that flux. Drawing upon an array of printed and aural sources, including music publications, sound recordings, record sleeves, biographies, and cultural criticism, Sounds French is an essential new look at popular music in postwar France.
