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Author: Emma Wilson
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
French Cinema Since 1950 brings together modern scholarship of the most widely viewed and studied works of the period including classic films such as Truffaut "s The 400 Blows, Resnais " Hiroshima Mon Amour, and works by Godard as well as critical previews of some of the most recent French films up to 1998. It covers relevant directors and their writings, and provides a comprehensive overview of different types of cinema, from thrillers and love stories to historical drama and autobiographies.
Author: Emma Wilson
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
French Cinema Since 1950 brings together modern scholarship of the most widely viewed and studied works of the period including classic films such as Truffaut "s The 400 Blows, Resnais " Hiroshima Mon Amour, and works by Godard as well as critical previews of some of the most recent French films up to 1998. It covers relevant directors and their writings, and provides a comprehensive overview of different types of cinema, from thrillers and love stories to historical drama and autobiographies.
Author: Richard Neupert
Publisher: Univ of Wisconsin Press
ISBN: 0299217035
Category : Performing Arts
Languages : en
Pages : 442
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Book Description
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
Author: Serge Bokobza
Publisher: Cambridge Scholars Publishing
ISBN: 1443889385
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
This book examines the expression of a Jewish identity in French films and the characteristics used by filmmakers to portray this nebulous concept in movies produced after the Shoah and World War II. Throughout a sixty-year span, French directors struggled to define Jewish identity and a correlation with the larger question of French national identity. The study delves into the larger question of Jewish identity as characterised in works of cinematic fiction in accordance with the history of the Jews of France, using the centrality of the emancipation paradigm of 1791 and the theoretical frame provided by Jean-Paul Sartre’s Réflexions sur la question juive. The book identifies and describes three categories of films produced between 1950 and 2010 that represent the manner in which directors portrayed an evolving Jewish identity and its relation to French society, rejecting the practice of labeling a film as “Jewish” because of the ethnicity of a director or writer. Based on extensive research including the review of over 200 full-length films, the book provides an overview of features addressing the concept of Jewish identity and includes a Descriptive Filmography of productions matching the author’s definition of a Jewish-identity film. From the template La Grande Illusion to contemporary releases, the book argues that French Jewish-identity films dwell in the sociological realm of Jewishness, as the epicenter of tension is rooted in identity rather than religion.
Author: Roy Armes
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Sarah Leahy
Publisher:
ISBN: 9780719088421
Category :
Languages : en
Pages : 384
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Book Description
This volume explores the overlooked category of screenwriters in French cinema, from the coming of sound to the digital age. Using key figures as case studies, it considers how the role has evolved industrially and critically, and sheds light on screenwriting practices in the context of debates on word and image, national cinema and authorship.
Author: Martin O’Shaughnessy
Publisher: Berghahn Books
ISBN: 0857456903
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wave of political film is very different and urgently calls out for an analysis that will account for its development, its formal characteristics and its originality. This is what this book provides. It engages with leading directors such as Cantet, Tavernier, Dumont, Kassovitz, Zonca and Guédiguian, takes in a range of less well known but important figures and strays across the Belgian border to engage with the seminal work of the Dardenne brothers. It shows how the works discussed are helping to reinvent political cinema by finding stylistic and narrative strategies adequate to the contemporary context.
Author: Michael Temple
Publisher: Bloomsbury Publishing
ISBN: 1838718869
Category : Performing Arts
Languages : en
Pages : 743
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Book Description
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Author: Dayna Oscherwitz
Publisher: Scarecrow Press
ISBN: 081087038X
Category : Performing Arts
Languages : en
Pages : 506
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Book Description
It can be argued that cinema was created in France by Louis Lumi_re in 1895 with the invention of the cinZmatographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinZmatographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumi_re's La Sortie de l'usine, a minute-long film of workers leaving the Lumi_re factory, captured the imagination of the nation and quickly inspired the likes of Georges MZli_s, Alice Guy, and Charles PathZ. Through the years, French cinema has been responsible for producing some of the world's best directors_Jean Renoir, Jean-Luc Godard, Fran_ois Truffaut, and Louis Malle_and actors_Charles Boyer, Catherine Deneuve, GZrard Depardieu, and Audrey Tautou. The A to Z of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.
Author: Phil Powrie
Publisher:
ISBN: 9780415530699
Category : Motion picture industry
Languages : en
Pages : 497
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Book Description
Of all European cinema, the most important is French. France annually produces more films than any other European nation, and throughout its history it has been the key competitor to Hollywood; it is Cannes that matters most after the Oscars. Moreover, the study of film as an academic discipline emerged from France during the 1950s, and was shaped by the work of French intellectuals during the 1960s and 1970s. And in the broad field of international scholarship that is Film Studies, after Hollywood, there are more scholars working in French cinema than any other national cinema. As serious research on French cinema continues to flourish, this new four-volume collection from Routledge meets the need for an authoritative anthology to enable users to navigate and make sense of the subject s large body of scholarship, and the continuing explosion in research output. Edited by Phil Powrie, Chief General Editor of the only academic journal specifically devoted to French cinema, and chair of the Association for Studies in French Cinema, this new Routledge title is a mini library of foundational and the very best cutting-edge work. The gathered major works bring together the best and most influential writing on French cinema. Volume I engages with two different forms of scholarship: popular cinema (genres and stars) and influential conceptualizations of French cinema. Volume II adopts the more canonical historical approach for the period up to the New Wave, assembling the best work on the silent period, the Golden Age of the 1930s and early 1940s, and the New Wave of the early 1960s. Volumes III and IV, meanwhile, focus on the post-New Wave period from the mid-1960s onwards. Each volume includes a helpful introduction, newly written by the editor, which places the gathered materials in their historical and intellectual context. Indeed, "French Cinema" is an essential work of reference, and is destined to be valued by scholars and advanced students as a vital research tool.
Author: Ginette Vincendeau
Publisher: Burns & Oates
ISBN: 9780826478962
Category : Motion picture actors and actresses
Languages : en
Pages : 0
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Book Description
When people think of film stars, they think of Hollywood. Yet, second only to America, French cinema has produced the most substantial galaxy of stars to achieve world fame in their national films. Top French stars are every bit as glamorous and charismatic as their American counterparts, but they are also different from their rivals and opposites, especially in the freedom they have to control their own images and in the ways they straddle mainstream and auteur cinema. This fascinating book, written by a leading authority on French cinema, analyses for the first time the French 'star system' and provides brilliant in-depth studies of the major popular stars of French cinema: Max Linder, Jean Gabin, Brigitte Bardot, Jeanne Moreau and the stars of the New Wave, Louis de Funes, Jean-Paul Belmondo, Alain Delon, Catherine Deneuve, Gerard Depardieu and Juliette Binoche. Stars and Stardom in French Cinema analyses these stars' images and performance styles in the context of the French film industry and in relation to French culture and society.
