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Author: Glyn Sheridan Burgess
Publisher: D. S. Brewer
ISBN: 9781846155437
Category : Literary Criticism
Languages : en
Pages : 536
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Book Description
The lay was a flourishing genre in the French courts of the twelfth and thirteenth centuries, related to romance rather as the modern short story is to the novel. Its most famous exponent is arguably Marie de France, but in addition to her twelve lays, a number of others, mainly anonymous, have also come down to us, usually referred to as Breton lays or simply as narrative lays. The eleven anonymous lays presented in this volume show the varied nature of the genre. First brought together as a collection by Prudence Tobin in 1976, they have been freshly edited from the manuscript sources. They are presented here with facing English translation, together with substantial introductions for each lay, which deal principally with thematic issues and questions of general literary interest.BR> GLYN S. BURGESS is Emeritus Professor of French at the University of Liverpool. LESLIE C. BROOK is Honorary Senior Research Fellow in French at the University of Birmingham.
Author: Glyn Sheridan Burgess
Publisher: D. S. Brewer
ISBN: 9781846155437
Category : Literary Criticism
Languages : en
Pages : 536
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Book Description
The lay was a flourishing genre in the French courts of the twelfth and thirteenth centuries, related to romance rather as the modern short story is to the novel. Its most famous exponent is arguably Marie de France, but in addition to her twelve lays, a number of others, mainly anonymous, have also come down to us, usually referred to as Breton lays or simply as narrative lays. The eleven anonymous lays presented in this volume show the varied nature of the genre. First brought together as a collection by Prudence Tobin in 1976, they have been freshly edited from the manuscript sources. They are presented here with facing English translation, together with substantial introductions for each lay, which deal principally with thematic issues and questions of general literary interest.BR> GLYN S. BURGESS is Emeritus Professor of French at the University of Liverpool. LESLIE C. BROOK is Honorary Senior Research Fellow in French at the University of Birmingham.
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Publisher: DS Brewer
ISBN: 9781843841180
Category : Lays
Languages : en
Pages : 0
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Book Description
Author: Glyn Sheridan Burgess
Publisher: Boydell & Brewer
ISBN: 184384253X
Category : Foreign Language Study
Languages : en
Pages : 287
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Book Description
New editions, with translations and introductions. The three narrative lays presented here form a sequel to the authors' French Arthurian Literature IV: Eleven Old French Narrative Lays, published in 2007. No new edition of Ignaure has appeared since 1938 and in the meantime this poem has generated a considerable amount of critical comment, especially as it provides the first full-length example in medieval European literature of the theme of the "Eaten Heart". Oiselet recounts abird's use of three truths as a means of escaping from the clutches of an uncultivated vilain. In the extant manuscripts these truths occur in two different orders, both of which are provided in the present edition. Amours, which follows the progress of a love affair between a nobleman and his beloved, has not been edited since 1878. All three poems challenge our understanding of the term "lay", especially if we regard the lays of Marie de France as defining the principal features of this genre. GLYN S. BURGESS is Emeritus Professor of French at the University of Liverpool; LESLIE C. BROOK is Honorary Senior Research Fellow in French at the University of Birmingham.
Author:
Publisher:
ISBN: 1781383367
Category : History
Languages : en
Pages : 312
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Book Description
The first complete collection of extant Medieval French Lays. Lays are short (typically 600-1000 lines), rhymed tales of love and chivalry.
Author: Marilyn Floyde
Publisher: Pegasus Elliot Mackenzie Pu
ISBN: 1843865696
Category : Arthurian romances
Languages : en
Pages : 220
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Book Description
At the end of the famous legend, when he departs for Avalon, King Arthur is inextricably linked to Glastonbury. Or is he? Marilyn Floyde reminds us that, in the earliest stories, he is also linked to France, or Gaul as it was then called. There is a theory that King Arthur could have performed his last heroic deeds in Burgundy. Or more specifically, in the ancient town of Avallon . Why has the Avallon in Burgundy largely been ignored, when it was the only real place of that name in existence in the fifth century? Perhaps there was a conspiracy perpetrated by unscrupulous medieval monks in England, designed to deprive France of a thousand years of tourist income... These theories are put to the test in this intriguing work. Follow the intrepid author as she explores the beautiful Burgundy countryside, on an investigative trail through history, religion and warfare, and into the magical realms of Arthurian legend.
Author: Penny Eley
Publisher: Boydell & Brewer Ltd
ISBN: 1843842742
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
First book-length treatment of a fascinating medieval French romance, underlining its influence in the genre. Partonopeus de Blois is one of the most important works of twelfth-century French fiction; it shaped the development of romance as a genre, gave rise to adaptations in several other medieval languages and even an opera (Massanet's Esclarmonde). However, partly because of its complicated transmission history, and partly due to the fact that it has been overshadowed by the works of Chrétien de Troyes, it has been unjustly neglected. This firstfull-length study of the romance brings together literary, historical and manuscript studies to explore its making as it evolved through seven medieval "editions", the earliest of which probably predated most of Chrétien's romances. The book's thematic analyses show how the Partonopeus poet applied established techniques of rewriting to a wide range of classical, vernacular and Celtic sources, combining this literary fusion with political subtexts to create a new and influential model of romance composition. Detailed studies of the Continuation reveal more ambitious experimentation by the original author, as well as the activities of a series of "editors" who continued to modify the text for over a century. A final discussion of patronage proposes a new reading of the poem's distinct narratorial interventions on women and love, and suggests a link between Partonopeus and a disturbing episode in the history of Blois. Penny Eley is Professor of Medieval French at the University of Sheffield.
Author: Bart Besamusca
Publisher: University of Wales Press
ISBN: 1786836831
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
In the medieval Low Countries (modern-day Belgium and the Netherlands), Arthurian romance flourished in the thirteenth and fourteenth centuries. The Middle Dutch poets translated French material (like Chrétien’s Conte du Graal and the Prose Lancelot), but also created romances of their own, like Walewein. This book provides a current overview of the Dutch Arthurian material and the research that it has provoked. Geographically, the region is a crossroads between the French and Germanic spheres of influence, and the movement of texts and manuscripts (west to east) reflects its position, as revealed by chapters on the historical context, the French material and the Germanic Arthuriana of the Rhinelands. Three chapters on the translations of French verse texts, the translations of French prose texts, and on the indigenous romances form the core of the book, augmented by chapters on the manuscripts, on Arthur in the chronicles, and on the post-medieval Arthurian material..
Author: Logan Whalen
Publisher: BRILL
ISBN: 9004215107
Category : History
Languages : en
Pages : 350
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Book Description
After nearly eight centuries and much research and writing on Marie de France, the only biographical information we know about her, with any degree of certainty, is that she was from France and wrote for the Anglo-Angevin court of Henry II. Yet Marie de France remains today one of the most prominent literary voices of the end of the twelfth century and was the first woman of letters to write in French. The chapters in this book are composed by scholars who have specialized in Marie de France studies, in most cases for many years. Offering traditional views alongside new critical perspectives, the authors discuss many different aspects of her poetics.
Author: Leah Tether
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311043248X
Category : Literary Criticism
Languages : en
Pages : 521
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Book Description
The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.
Author: Marcus Attwater
Publisher: Mijnbestseller.nl
ISBN: 9403600381
Category : Social Science
Languages : en
Pages : 786
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Book Description
When asked to name an archetypal love story, most people will reply 'Romeo & Juliet', although some say 'Tristan & Isolde' instead. Very few will come up with a classical example, and the reason for this is simple: when you say archetypal, it is assumed you mean love between a man and a woman, and instances of this in classical accounts are rare. The reason for this is also not hard to find: as it does now, 'love' in the ancient world meant the affection of equals, and given the inferior position of women in Greek and Roman society, between the sexes is not usually where love is to be found. Straightforward examines how we got from there to here. It is a study not of the loves of real people, but of the ideal of love as it found expression in stories, stories which were often retold and reimagined by new generations and new cultures. By following these stories and the changes they underwent through the centuries Straightforward attempts to answer two related questions: 'When and why did the heterosexual ideal become normative in our narrative tradition?' and 'What was there before?' We begin in archaic Greece, with a story which was already old when Homer composed his epics...
