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Author: Jane L. Donawerth
Publisher: Syracuse University Press
ISBN: 9780815603955
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Women Science fiction authors—past and present—are united by the problems they face in attempting to write in this genre, an overwhelmingly male-dominated field. Science fiction has been defined by male-centered, scientific discourse that describes women as alien "others" rather than rational beings. This perspective has defined the boundaries of science fiction, resulting in women writers being excluded as equal participants in the genre. Frankenstein's Daughters explores the different strategies women have used to negotiate the minefields of their chosen career: they have created a unique utopian science formulated by and for women, with women characters taking center stage and actively confronting oppressors. This type of depiction is a radical departure from the condition where women are relegated to marginal roles within the narratives. Donawerth takes a comprehensive look at the field and explores the works of authors such as Mary Shelley, Marion Zimmer Bradley, Ursula K. Le Guin, and Anne McCaffrey.
Author: Jane L. Donawerth
Publisher: Syracuse University Press
ISBN: 9780815603955
Category : Literary Criticism
Languages : en
Pages : 252
Get Book Here
Book Description
Women Science fiction authors—past and present—are united by the problems they face in attempting to write in this genre, an overwhelmingly male-dominated field. Science fiction has been defined by male-centered, scientific discourse that describes women as alien "others" rather than rational beings. This perspective has defined the boundaries of science fiction, resulting in women writers being excluded as equal participants in the genre. Frankenstein's Daughters explores the different strategies women have used to negotiate the minefields of their chosen career: they have created a unique utopian science formulated by and for women, with women characters taking center stage and actively confronting oppressors. This type of depiction is a radical departure from the condition where women are relegated to marginal roles within the narratives. Donawerth takes a comprehensive look at the field and explores the works of authors such as Mary Shelley, Marion Zimmer Bradley, Ursula K. Le Guin, and Anne McCaffrey.
Author: Suzanne Weyn
Publisher: Scholastic Inc.
ISBN: 0545510112
Category : Juvenile Fiction
Languages : en
Pages : 208
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Book Description
A new generation is creating a monster.... When Doctor Victor Frankenstein died, he left behind a legacy of horror...as well as two unacknowledged, beautiful twin daughters. Now these girls are seventeen, and they've come to Frankenstein's castle to claim it as their inheritance.Giselle and Ingrid are twins, but they couldn't be more different. Giselle is a glamorous social climber who plans on turning Frankenstein's castle into a center of high society. Ingrid, meanwhile, is quiet and studious, drawn to the mysterious notebooks her father left behind...and the experiments he went mad trying to perfect.As Giselle prepares for lavish parties and Ingrid finds herself falling for the sullen, wounded naval officer next door, a sinister force begins to take hold in the castle. Nobody's safe as Frankenstein's legacy leads to a twisted, macabre journey of romance and horror.
Author: Iwan Rhys Morus
Publisher: Princeton University Press
ISBN: 140084777X
Category : Science
Languages : en
Pages : 340
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Book Description
During the second quarter of the nineteenth century, Londoners were enthralled by a strange fluid called electricity. In examining this period, Iwan Morus moves beyond the conventional focus on the celebrated Michael Faraday to discuss other electrical experimenters, who aspired to spectacular public displays of their discoveries. Revealing connections among such diverse fields as scientific lecturing, laboratory research, telegraphic communication, industrial electroplating, patent conventions, and innovative medical therapies, Morus also shows how electrical culture was integrated into a new machine-dominated, consumer society. He sees the history of science as part of the history of production, and emphasizes the labor and material resources needed to make electricity work. Frankenstein's Children explains that Faraday, with his colleagues at the Royal Society and the Royal Institution, looked at science as the province of a highly trained elite, who presented their abstract picture of nature only to select groups. The book contrasts Faraday's views with those of other practitioners, to whom science was a practical, skill-based activity open to all. In venues such as the Galleries of Practical Science, electrical phenomena were presented to a public less distinguished but no less enthusiastic and curious than Faraday's audiences. William Sturgeon, for instance, emphasized building apparatus and exhibiting electrical phenomena, while chemists, instrument-makers, and popular lecturers supported the London Electrical Society. These previously little studied "electricians" contributed much to the birth of "Frankenstein's children"--the not completely benign effects of electricity on a new consumer world. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Ahmed Saadawi
Publisher: Penguin
ISBN: 0143128795
Category : Fiction
Languages : en
Pages : 289
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Book Description
*International Booker Prize finalist* “Brave and ingenious.” —The New York Times “Gripping, darkly humorous . . . profound.” —Phil Klay, bestselling author and National Book Award winner for Redeployment “Extraordinary . . . A devastating but essential read.” —Kevin Powers, bestselling author and National Book Award finalist for The Yellow Birds From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi—a scavenger and an oddball fixture at a local café—collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. Hadi soon realizes he’s created a monster, one that needs human flesh to survive—first from the guilty, and then from anyone in its path. A prizewinning novel by “Baghdad’s new literary star” (The New York Times), Frankenstein in Baghdad captures with white-knuckle horror and black humor the surreal reality of contemporary Iraq.
Author: Nicholas Marsh
Publisher: Bloomsbury Publishing
ISBN: 1137037636
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
This study focuses on how Frankenstein works: how the story is told and why it is so rich and gripping. Part I uses carefully selected short extracts for close textual analysis, while Part II examines Shelley's life, the historical and literary contexts of the novel, and offers a sample of key criticism.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438115040
Category : Creation in literature
Languages : en
Pages : 279
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Book Description
Presents a collection of writings exploring the characters from Mary Shelley's Frankenstein.
Author: Robert I. Lublin
Publisher: Bloomsbury Publishing
ISBN: 135035158X
Category : Literary Criticism
Languages : en
Pages : 373
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Book Description
An exploration of the treatment of Mary Shelley's Frankenstein in popular art and culture, this book examines adaptations in film, comics, theatre, art, video-games and more, to illuminate how the novel's myth has evolved in the two centuries since its publication. Divided into four sections, The Afterlives of Frankenstein considers the cultural dialogues Mary Shelley's novel has engaged with in specific historical moments; the extraordinary examples of how Frankenstein has suffused our cultural consciousness; and how the Frankenstein myth has become something to play with, a locus for reinvention and imaginative interpretation. In the final part, artists respond to the Frankenstein legacy today, reintroducing it into cultural circulation in ways that speak creatively to current anxieties and concerns. Bringing together popular interventions that riff off Shelley's major themes, chapters survey such works as Frankenstein in Baghdad, Bob Dylan's recent “My Own Version of You”, the graphic novel series Destroyer with its Black cast of characters, Jane Louden's The Mummy!, the first Japanese translation of Frankenstein, “The New Creator”, the iconic Frankenstein mask and Kenneth Brannagh's Mary Shelley's Frankenstein film. A deep-dive into the crevasses of Frankenstein adaptation and lore, this volume offers compelling new directions for scholarship surrounding the novel through dynamic critical and creative responses to Shelley's original.
Author: George Levine
Publisher: Univ of California Press
ISBN: 0520341562
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
MARY SHELLEY's Frankenstein; or, The Modern Prometheus grew out of a parlor game and a nightmare vision. The story of the book's origin is a famous one, first told in the introduction Mary Shelley wrote for the 1831 edition of the novel. The two Shelleys, Byron, Mary's stepsister Claire Clairmont, and John William Polidori (Byron's physician) spent a "wet, ungenial summer in the Swiss Alps." Byron suggested that "each write a ghost story." If one is to trust Mary Shelley's account (and James Rieger has shown the untrustworthiness of its chronology and particulars), only she and "poor Polidori" took the contest seriously. The two "illustrious poets," according to her, "annoyed by the platitude of prose, speedily relinquished their uncongenial task." Polidori, too, is made to seem careless, unable to handle his story of a "skull-headed lady." Though Mary Shelley is just as deprecating when she speaks of her own "tiresome unlucky ghost story," she also suggests that its sources went deeper. Her truant muse became active as soon as she fastened on the "idea" of "making only a transcript of the grim terrors of my waking dream": "'I have found it! What terrified me will terrify others."' The twelve essays in this collection attest to the endurance of Mary Shelley's "waking dream." Appropriately, though less romantically, this book also grew out of a playful conversation at a party. When several of the contributors to this book discovered that they were all closet aficionados of Mary Shelley's novel, they decided that a book might be written in which each contributor-contestant might try to account for the persistent hold that Frankenstein continues to exercise on the popular imagination. Within a few months, two films--Warhol's Frankenstein and Mel Brooks's Young Frankenstein--and the Hall-Landau and Isherwood-Bachardy television versions of the novel appeared to remind us of our blunted purpose. These manifestations were an auspicious sign and resulted in the book Endurance of Frankenstein.
Author: Julia V. Douthwaite
Publisher: University of Chicago Press
ISBN: 0226160637
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
The French Revolution brings to mind violent mobs, the guillotine, and Madame Defarge, but it was also a publishing revolution: more than 1,200 novels were published between 1789 and 1804, when Napoleon declared the Revolution at an end. In this book, Julia V. Douthwaite explores how the works within this enormous corpus announced the new shapes of literature to come and reveals that vestiges of these stories can be found in novels by the likes of Mary Shelley, E. T. A. Hoffmann, Honoré de Balzac, Charles Dickens, Gustave Flaubert, and L. Frank Baum. Deploying political history, archival research, and textual analysis with eye-opening results, Douthwaite focuses on five major events between 1789 and 1794—first in newspapers, then in fiction—and shows how the symbolic stories generated by Louis XVI, Robespierre, the market women who stormed Versailles, and others were transformed into new tales with ongoing appeal. She uncovers a 1790 story of an automaton-builder named Frankénsteïn, links Baum to the suffrage campaign going back to 1789, and discovers a royalist anthem’s power to undo Balzac’s Père Goriot. Bringing to light the missing links between the ancien régime and modernity, The Frankenstein of 1790 and Other Lost Chapters from Revolutionary France is an ambitious account of a remarkable politico-literary moment and its aftermath.
Author: Elizabeth Young
Publisher: NYU Press
ISBN: 0814797156
Category : Social Science
Languages : en
Pages : 320
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Book Description
For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy—and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.
