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Author: Frank Dobson
Publisher:
ISBN: 9780907074106
Category : Sculpture, Modern
Languages : en
Pages : 36
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Book Description
Author: Frank Dobson
Publisher:
ISBN: 9780907074106
Category : Sculpture, Modern
Languages : en
Pages : 36
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Book Description
Author: Neville Jason
Publisher: British Sculptors & Sculpture
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
This volume presents for the first time a comprehensive overview of the life and work of the British sculptor Frank Dobson. It contains details and illustrations of over 300 works together with sixteen colour plates. A detailed biography sets Dobson's career in the context of the development of the Modern Movement in Britain.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: Frank Dobson
Publisher:
ISBN:
Category :
Languages : en
Pages : 79
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Book Description
Author: Alan Windsor
Publisher: Routledge
ISBN: 1000160521
Category : Art
Languages : en
Pages : 612
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Book Description
This title was first published 2003. In the twentieth century, Britain was rich in artistic achievement, especially in sculpture. Just some of those working in this field were Jacob Epstein, Henri Gaudier-Brzeska, Henry Moore, Barbara Hepworth, Anthony Caro, Richard Long, Mona Hatoum and Anish Kapoor. The work of these and other known and less well-known artists has an astonishing variety and expressive power, a range and strength that has placed Britain at the hub of the artistic world. Alan Windsor has compiled a concise biographical dictionary of sculpture in Britain in book form. Richly informative and easy-to-use, this guide is an art-lover's and expert's essential reference. Written by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterization of the artist's work, and, where appropriate, major bibliographical references.
Author: Mary Butts
Publisher: Yale University Press
ISBN: 0300132891
Category : Biography & Autobiography
Languages : en
Pages : 509
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Book Description
divdivBritish modernist writer Mary Butts (1890–1937), now recognized as one of the most important and original authors of the interwar years, lived an unconventional life. She encountered many of the most famous figures in early twentieth-century literature, music, and art—among them T. S. Eliot, Virginia Woolf, James Joyce, and Gertrude Stein—and came to know some of them intimately. These luminaries figure prominently in journals in which Butts chronicled the development of her craft between 1916 and her untimely death in 1937. This volume is the first substantial edition of her journals. Introduced and annotated by Nathalie Blondel, the leading authority on Butts’s life and works, the book reveals the workings of a complex and distinctive mind while offering vivid insights into her fascinating era. /DIV/DIV
Author: Nigel Pennick
Publisher: Simon and Schuster
ISBN: 1644114054
Category : Social Science
Languages : en
Pages : 483
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Book Description
• Reveals how mask rituals are akin to shamanic journeying and allow the mask wearer to personify an ancestral presence, spirit, deity, or power • Examines animal guising and shows how mask customs are tied to creation myths and the ancestral founders of a people, tribe, city, or nation • Looks at morris dancers and mummers in the UK, Krampuslauf and Perchtenlauf in Germanic areas, the Gorgon myths of Greece, Norse Berserker rituals, and the annual Black Forest rite to awaken ensouled masks every spring There is a spiritual power in masks that transports one into realms unseen and gives voice to things unspoken. Within the context of ritual, putting on a mask places the wearer at the intersection between the present and the past, the living and the dead, this world and the Otherworld. Masks make it possible to activate ancient archetypes, with the mask wearer reanimating or personifying an ancestral presence or spirit, a deity or power, an animal or a being of the eldritch world. In this illustrated study, Nigel Pennick explores the magical and spiritual aspects of mask wearing from ancient times to the present. He examines the many mask traditions around Europe and shows how mask rituals are similar to shamanic journeying and near-death experiences and can induce ecstatic states that allow the power signified by the mask to take possession of the individual wearing it. He also looks at the practice of dressing up as sacred animals and mask wearing as it relates to ostenta, events that occur suddenly and without warning that are considered a token or sign from the Otherworld. Unveiling the sacred power of masks, the author shows how masks allow us to transport into realms unseen, embody ancestors and otherworldly entities, and connect with traditions that stretch back to time immemorial.
Author: David McCann
Publisher: Cambridge Scholars Publishing
ISBN: 1527501493
Category : Art
Languages : en
Pages : 195
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Book Description
Appointed in 1938, Sir John Rothenstein was the first director of the Tate to embrace modern art, mounting a series of daring exhibitions and procuring a procession of audacious masterworks that, in the words of one contemporary, ‘completely knocked the stuffiness out of that veritable institution.' So why, since he died in 1991, has his name become a byword for reactionary conservatism? The answer is that from the outset of his career, Rothenstein refused to bow to the patriarchs of the avant-garde. In the 1920s, while they were busy decrying the figurative tradition, Rothenstein was championing a brilliant generation of artists whose work remained firmly rooted within it. In the 1930s, while they advocated a geometrical art of the utmost austerity, Rothenstein used his first curatorial positions to promote a new wave of exciting young British realists. Pitted against the progressives of Hampstead and Bloomsbury and inspired by the anti-vanguardism of his father and Wyndham Lewis, this book charts Rothenstein's earliest efforts to champion modern realistic painting in an age of abstraction. Along the way, it uncovers his selfless and pioneering patronage of artists as diverse as Stanley Spencer, Edward Bawden, Evelyn Dunbar, Paul Nash, Charles Mahoney, and Eric Ravilious. In so doing, it also establishes his importance in the reassessment of twentieth-century figuration going on today.
Author: Stephen Kite
Publisher: Bloomsbury Publishing
ISBN: 1350320684
Category : Architecture
Languages : en
Pages : 353
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Book Description
Shaping the Surface explores the history of modern British architecture through the lens of surface, materiality and decoration. Picking up on a trait that art historian Nikolaus Pevsner first identified as a 'national mania for beautiful surface quality', this book makes a new contribution to architectural history and visual culture in its detailed examination of the surfaces of British architecture from the middle of the 19th century up to the turn of the 21st century. Tracing this continuing sensibility to surface all the way through to the modern era, it explores how and why surface and materiality have featured so heavily in recent architectural tradition, examining the history of British architecture through a selection of key cultural moments and movements from Romanticism and the Arts and Crafts, to Brutalism, High-Tech, Post-Modernism, Neo-Vernacular, and the New Materiality. Embedded within the narrative is the question of whether such national characters can exist in architecture at all – and indeed the extent to which it is possible to identify a British architectural consciousness in an architectural tradition characterised by its continuous importation of theories, ideas, materials and people from around the globe. Shaping the Surface provides a deep critique and meditation on the importance of surface and materiality for architects, designers, and historians everywhere - in Britain and beyond - while it also serves as a thematic introduction to modern British architectural history, with in-depth readings of the works of many key British architects, artists, and critics from Ruskin and William Morris to Alison and Peter Smithson, Eduardo Paolozzi, Richard Rogers and Caruso St John.
Author: Henry Moore Institute
Publisher:
ISBN: 9781900081047
Category : Art
Languages : en
Pages : 418
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Book Description
