François Le Moyne and His Generation, 1688-1737 PDF Download
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Author: Jean-Luc Bordeaux
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 360
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Book Description
Overzicht van het werk van de Franse kunstenaar François Le Moyne (1688- 1737) en van zijn tijdgenoten.
Author: Jean-Luc Bordeaux
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 360
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Book Description
Overzicht van het werk van de Franse kunstenaar François Le Moyne (1688- 1737) en van zijn tijdgenoten.
Author: Jean-Luc Bordeaux
Publisher:
ISBN:
Category : Ceilings
Languages : en
Pages : 338
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Book Description
Author: Isabelle Tillerot
Publisher: Getty Publications
ISBN: 1606067982
Category : Art
Languages : en
Pages : 280
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Book Description
An insightful look at how East Asian notions of space transformed Western painting. This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall—and with that, their status changed from decorative device to autonomous work of art. This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.
Author: Perrin Stein
Publisher: Metropolitan Museum of Art
ISBN: 0870998927
Category : Drawing
Languages : en
Pages : 257
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Book Description
Author: Katie Scott
Publisher: Yale University Press
ISBN: 0300045824
Category : Architecture
Languages : en
Pages : 371
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Book Description
Defines and depicts the arts and architecture of the rococo period in France and examines its relation to society
Author: Michael Levey
Publisher: Yale University Press
ISBN: 9780300064940
Category : Art
Languages : en
Pages : 344
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Book Description
Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.
Author: Wolfgang M. Freitag
Publisher: Routledge
ISBN: 1134830416
Category : Literary Criticism
Languages : en
Pages : 572
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Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Author: Ewa Lajer-Burcharth
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110340453
Category : Art
Languages : en
Pages : 500
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Book Description
Veranschaulichungsformen von Innerlichkeit finden in der Moderne in Darstellungen des Interieurs ihr prägnantes Bild. Die Beiträger der Publikation untersuchen die Verbindungen zwischen architektonischen Innenräumen, visuellen und literarischen Darstellungen von Interieurs und dem Konzept der Innerlichkeit vom 18. Jahrhundert bis heute. Jene Darstellungen sind Effekt, aber auch Produzenten spezifischer Vorstellungen von Innerlichkeit als einer, wenn nicht der subjektkonstituierenden Praxis der Moderne.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994638
Category : Drawing
Languages : en
Pages : 327
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Book Description
Author: Ewa Lajer-Burcharth
Publisher: Princeton University Press
ISBN: 0691170126
Category : Art
Languages : en
Pages : 312
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Book Description
A new interpretation of the development of artistic modernity in eighteenth-century France What can be gained from considering a painting not only as an image but also a material object? How does the painter’s own experience of the process of making matter for our understanding of both the painting and its maker? The Painter’s Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of François Boucher, Jean-Siméon Chardin, and Jean-Honoré Fragonard, entirely recasting our understanding of these painters’ practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment. Lajer-Burcharth traces how the distinct logic of these painters’ work—the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard—contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher’s commercial tact, Chardin’s interiorized craft, and Fragonard’s materialization of eros. Foregrounding the question of experience—that of the painters and of the people they represent—she shows how painting as a medium contributed to the Enlightenment’s discourse on the self in both its individual and social functions. By examining what paintings actually “say” in brushstrokes, texture, and paint, The Painter’s Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era.
