Francesca da Rimini, Op.32 PDF Download
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Author: Peter Ilich Tchaikovsky
Publisher: Serenissima Music, Inc.
ISBN: 1932419039
Category : Music
Languages : en
Pages : 146
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Book Description
Tchaikovsky's late romantic orchestral showpiece after the Dante tale was composed in 1876. This is a digitally restored reissue of the score first produced over a century ago by Eulenburg, ISMN: 979-08-00001-03-1
Author: Peter Ilich Tchaikovsky
Publisher: Serenissima Music, Inc.
ISBN: 1932419039
Category : Music
Languages : en
Pages : 146
Get Book Here
Book Description
Tchaikovsky's late romantic orchestral showpiece after the Dante tale was composed in 1876. This is a digitally restored reissue of the score first produced over a century ago by Eulenburg, ISMN: 979-08-00001-03-1
Author: Teodolinda Barolini
Publisher: Fordham Univ Press
ISBN: 0823227057
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its “three crowns”: Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante’s Vita nuova, Petrarch’s lyric sequence, and Boccaccio’s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante’s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women’s use and instruction, as explored by Guittone, Dante, and Boccaccio—but not by Petrarch—were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in “Dante and the Lyric Past” to Petrarch’s regressive stance on gender in “Notes toward a Gendered History of Italian Literature”—and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d’Arezzo—these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike.
Author: Susan Johnson
Publisher: Fanfare
ISBN: 0307575144
Category : Fiction
Languages : en
Pages : 304
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Book Description
Sweeping from the fabulous country estates and hunting lodges to the opulent ballrooms and salons of the Russian nobility, here is a novel of savage passions and dangerous pleasures by the incomparable Susan Johnson, mistress of the sensual historical and author of the bestselling Outlaw. He was a renegade prince skilled in the arts of sensual persuasion. . . . She knew him by reputation; a man unmindful of convention, it was said he offered sensual delight beyond a woman’s wildest dreams. Yet even forewarned of his wild and reckless past, Alisa Forseus found herself responding to the dark smoldering gaze and the quick warmth of Prince Nikolai Kuzan’s stolen caresses. She knew too well that love between them was impossible—forbidden—but she could not resist the rapturous pleasure of one moment in his arms. . . . She was the exquisite bounty in a scandalous wager of love. . . . She was to be his prize, his ultimate conquest, but when Nikki found himself alone with the lovely and chaste Alisa, he was shocked to discover that it was more than her body he desire to possess. He had three days to win the heart of this proud and passionate beauty, three days—and nights—to steal her from the man she called husband in name only. For what began as a simple challenge had become a dangerous passion for a woman he’d surrender anything and everything to love—even his renegade heart.
Author: Silvio Pellico
Publisher:
ISBN:
Category :
Languages : it
Pages : 36
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Book Description
Author: René Girard
Publisher: JHU Press
ISBN: 9780801836558
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
"Girard fuses literary, psychological, and anthropological texts in order to view the activity of mimesis. This includes the phenomena of scapegoating, victimage, and sacrifice. They, in turn, serve as starting points for a breathtakingly daring and encompassing theory of the origins of human culture. In an era of interdisciplinary studies, this volume stands alone."--"Choice."
Author: Robert E. Hanlon
Publisher: SIU Press
ISBN: 0809332639
Category : True Crime
Languages : en
Pages : 224
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Book Description
On November 8, 1985, 18-year-old Tom Odle brutally murdered his parents and three siblings in the small southern Illinois town of Mount Vernon, sending shockwaves throughout the nation. The murder of the Odle family remains one of the most horrific family mass murders in U.S. history. Odle was sentenced to death and, after seventeen years on death row, expected a lethal injection to end his life. However, Illinois governor George Ryan’s moratorium on the death penalty in 2000, and later commutation of all death sentences in 2003, changed Odle’s sentence to natural life. The commutation of his death sentence was an epiphany for Odle. Prior to the commutation of his death sentence, Odle lived in denial, repressing any feelings about his family and his horrible crime. Following the commutation and the removal of the weight of eventual execution associated with his death sentence, he was confronted with an unfamiliar reality. A future. As a result, he realized that he needed to understand why he murdered his family. He reached out to Dr. Robert Hanlon, a neuropsychologist who had examined him in the past. Dr. Hanlon engaged Odle in a therapeutic process of introspection and self-reflection, which became the basis of their collaboration on this book. Hanlon tells a gripping story of Odle’s life as an abused child, the life experiences that formed his personality, and his tragic homicidal escalation to mass murder, seamlessly weaving into the narrative Odle’s unadorned reflections of his childhood, finding a new family on death row, and his belief in the powers of redemption. As our nation attempts to understand the continual mass murders occurring in the U.S., Survived by One sheds some light on the psychological aspects of why and how such acts of extreme carnage may occur. However, Survived by One offers a never-been-told perspective from the mass murderer himself, as he searches for the answers concurrently being asked by the nation and the world.
Author: Gabriele D'Annunzio
Publisher: London: W. Heinemann
ISBN:
Category : Italian drama
Languages : en
Pages : 254
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Book Description
Tells the story of how Francesca da Rimini falls in love with her brother-in-law in the 13th century.
Author: Leigh Hunt
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
Author: Henry Clark Barlow
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Matthew Reynolds
Publisher: OUP Oxford
ISBN: 0191619183
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.
