The Witlings and The Woman-Hater PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Witlings and The Woman-Hater PDF full book. Access full book title The Witlings and The Woman-Hater by Frances Burney. Download full books in PDF and EPUB format.
Author: Frances Burney
Publisher: Broadview Press
ISBN: 1770482717
Category : Fiction
Languages : en
Pages : 330
Get Book Here
Book Description
This Broadview edition pairs two of Frances Burney’s linked comedies. They both present the character of Lady Smatter, a “femme savante” whose lineage may be traced back to Molière; they both centre on the misfortunes of the “elle” figure, the dispossessed heiress and wife who appears frequently in Burney’s fiction; and they both criticize a culture of misogyny that breeds suspicion and resentment. The Witlings, lighter and more comic, derives from late seventeenth-century conventions; The Woman-Hater, more melodramatic, both expresses and warns against the excessive sensibility of romanticism. Together, these two plays constitute a miniature history of English drama from the Restoration to the French Revolution and beyond. This edition contains a valuable selection of appendices, including: Burney’s “Epilogue to Gerilda”; letters and diary entries; contemporary writings on comedy; and Burney’s cast-list for The Woman-Hater.
Author: Frances Burney
Publisher: Broadview Press
ISBN: 1770482717
Category : Fiction
Languages : en
Pages : 330
Get Book Here
Book Description
This Broadview edition pairs two of Frances Burney’s linked comedies. They both present the character of Lady Smatter, a “femme savante” whose lineage may be traced back to Molière; they both centre on the misfortunes of the “elle” figure, the dispossessed heiress and wife who appears frequently in Burney’s fiction; and they both criticize a culture of misogyny that breeds suspicion and resentment. The Witlings, lighter and more comic, derives from late seventeenth-century conventions; The Woman-Hater, more melodramatic, both expresses and warns against the excessive sensibility of romanticism. Together, these two plays constitute a miniature history of English drama from the Restoration to the French Revolution and beyond. This edition contains a valuable selection of appendices, including: Burney’s “Epilogue to Gerilda”; letters and diary entries; contemporary writings on comedy; and Burney’s cast-list for The Woman-Hater.
Author: Frances Burney
Publisher:
ISBN: 9781785434839
Category :
Languages : en
Pages :
Get Book Here
Book Description
Frances Burney was born on June 13th, 1752 in Lynn Regis (now King's Lynn). By the age of 8 Frances had still not learned the alphabet and couldn't read. She now began a period of self-education, which included devouring the family library and to begin her own 'scribblings', these journal writings would document her life and cover the next 72 years. Her journal writing was accepted but writing novels was frowned upon by her family and friends. Feeling that she had been improper, she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. It was only in 1778 with the anonymous publication of Evelina that her talents were available to the wider world. She was now a published and admired author. Despite this success and that of her second novel, Cecilia, in 1785, Frances travelled to the court of King George III and Queen Charlotte and was offered the post of "Keeper of the Robes." Frances hesitated. She had no wish to be separated from her family, nor to anything that would restrict her time in writing. But, unmarried at 34, she felt obliged to accept and thought that improved social status and income might allow her greater freedom to write. The years at Court were fruitful but took a toll on her health, writing and relationships and in 1790 she prevailed upon her father to request her release from service. He was successful. The ideals of the French Revolution had brought support from many English literates for the ideals of equality and social justice. Frances quickly became attached to General Alexandre D'Arblay, an artillery officer who had fled to England. In spite of the objections of her father they were married on July 28th, 1793. On December 18th, 1794, Frances gave birth to their only child, a son, Alexander. Frances's third novel, Camilla, in 1796 earned her 2000 and was enough for them to build a house in Westhumble; Camilla Cottage. In 1801 D'Arblay was offered service with the government of Napoleon in France, and in 1802 Frances and her son followed him to Paris, where they expected to remain for a year. The outbreak of the war between France and England meant their stay extended for ten years. In August 1810 Frances developed breast cancer and underwent a mastectomy performed by "7 men in black." Frances was later able to write about the operation in detail, being conscious through most of it, anesthetics not yet being in use. With the death of D'Arblay, in 1818, of cancer, Frances moved to London to be near her son. Tragically he died in 1837. Frances, in her last years, was by now retired but entertained many visits from younger members of the Burney family, who gathered to listen to her fascinating accounts and her talents for imitating the people she described. Frances Burney died on January 6th, 1840."
Author: Barbara Darby
Publisher: University Press of Kentucky
ISBN: 0813193788
Category : Literary Criticism
Languages : en
Pages : 349
Get Book Here
Book Description
The position Frances Burney (1752-1840) holds as a novelist, journalist, and letterwriter is now undisputed, thanks to reevaluations of the canon in recent years. Yet Burney was always intrigued by, and wrote for, the stage. Though only one of Burney's dramas was performed in her lifetime, Barbara Darby places the plays in the context of performance and feminist theory, challenging past assertions about Burney that were based entirely on her novels and journals. Darby maintains that in exposing the failure of such practices and institutions as courtship, marriage, family, government, and the church, Burney's dramas often exceed her novels in the depth of their social commentary. In her four comedies and four tragedies, Burney uses stage space, dialogue, blocking, and gesture to highlight the ways power is distributed among society's members. According to Darby, these plays show that the eighteenth-century female experience was dominated by physical, psychic, and emotional regulation that included bodily punishment and the limitation of personal choice. Placing Burney alongside other prominent female playwrights of the period, Darby brings to light a substantial body of work, revealing that Burney's drama was not a casual sideline to her novel writing. Frances Burney, Dramatist, expands our appreciation of the extent to which eighteenth-century women playwrights used the stage as a forum.
Author: Geoffrey M Sill
Publisher: Routledge
ISBN: 1315476711
Category : Drama
Languages : en
Pages : 359
Get Book Here
Book Description
This edition contains two of Frances Burney's comedies: The Witlings, (1778-80) which satirizes the bluestockings; and The Woman Hater (1800-02), which explores social pretension and gender conflict.
Author: Peter Sabor
Publisher: Routledge
ISBN: 1315477912
Category : Drama
Languages : en
Pages : 777
Get Book Here
Book Description
The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.
Author: Arthur Murphy
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
Get Book Here
Book Description
Author: Bonnie Nelson
Publisher: Modern Language Association
ISBN: 9781603290821
Category : Literary Criticism
Languages : en
Pages : 478
Get Book Here
Book Description
The considerable contributions of British women playwrights of the Restoration and eighteenth century, long unavailable, have now inspired numerous anthologies, editions, and modern-day productions. As these works continue to gain recognition and secure a more prominent place in college curriculums, teachers face the challenge of introducing these rediscovered works to students and explaining how they fit into the period's dramatic tradition. This volume aims to help instructors present a clearer sense of this body of work in the undergraduate and graduate classroom. The volume opens with background essays on the history of women in theater, including the first appearance of actresses on the stage, the earliest professional women playwrights, and their relationships with critics, audiences, and the theater manager David Garrick. Contributors then focus on individual playwrights, from Aphra Behn and Mary Pix to Hannah Cowley and Elizabeth Inchbald, and explore these women's political, protofeminist, critical, and moralist agendas. Discussions of Frances Burney and Eliza Haywood, authors of both novels and plays, raise the question of genre. Comparative approaches offer ways of pairing plays in the classroom, following themes such as masquerade and cross-dressing through the works of female dramatists and those of their male counterparts. Other essays present methods for using these writers and their works in British literature and history courses, surveys of drama and theater history, and introductions to women's literature.
Author: Frances Burney
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773565558
Category : Performing Arts
Languages : en
Pages : 783
Get Book Here
Book Description
In the plays, as in her novels, Burney satirizes the social conventions and pretensions of her day. The Witlings (1779), her first play, is a biting satire on the Bluestockings; it was never performed, however, for fear of a possible scandal. The violent, the grotesque, and the macabre also figure strongly in her writings. Contents Volume 1: The Comedies Introduction Chronology The Witlings (1778-80) Love and Fashion (1798-99) A Busy Day (1800-02) The Woman-Hater (1800-02) Volume 2: The Tragedies Edwy and Elgiva (1788-95) Hubert de Vere (1790-97) The Siege of Pevensey (1790-91) Elberta (1791-1814) Appendix: The Triumphant Toadeater (1798)
Author: Devoney Looser
Publisher: JHU Press
ISBN: 0801887054
Category : Literary Criticism
Languages : en
Pages : 253
Get Book Here
Book Description
This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.
Author: J. Thaddeus
Publisher: Springer
ISBN: 0230288324
Category : Social Science
Languages : en
Pages : 276
Get Book Here
Book Description
Emphasizing Frances Burney's professionalism and her courage, Janice Farrar Thaddeus shows the protean writer who recognised her abilities and exercised them, always carefully shaping her career. Though now frequently depicted as retiring, even fearful, Burney forced on her reading public themes they were scarcely ready for, flamboyantly mixing genres, writing comically about intimate violence. Not content in old age to be merely a literary icon, she privately recorded with increasing clarity the moments when the world lacerates the self.
