Author: Carolyn FitzGerald
Publisher: BRILL
ISBN: 9004250999
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China. Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing.
Fragmenting Modernisms
Author: Carolyn FitzGerald
Publisher: BRILL
ISBN: 9004250999
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China. Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing.
Publisher: BRILL
ISBN: 9004250999
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China. Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing.
Fragmenting modernism
Author: Sara Haslam
Publisher: Manchester University Press
ISBN: 1847795404
Category : Literary Criticism
Languages : en
Pages : 431
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Fragmenting modernism' is about Ford Madox Ford, a hero of the modernist literary revolution. Ford is a fascinating and fundamental figure of the time; not only because as a friend and critic of Ezra Pound and Joseph Conrad, editor of the 'English Review', and author of 'The Good Soldier', he shaped the development of literary modernism. But as the grandson of Ford Madox Brown, and son of a German music critic, he also manifested formative links with mainland European culture and the visual arts. In Ford there is the chance to explore continuity in artistic life at the turn of the century, as well as the more commonly identified pattern of crisis in the time. The argument throughout is that modernism possesses more than one face. Setting Ford in his cultural and historical context, the opening chapter debates the concept of fragmentation in modernism; later chapters discuss the notion of the personal narrative, and war writing. Ford's literary technique is studied comparatively, and plot summaries of his major books ('The Good Soldier' and 'Parade's End') are provided, as is a brief biography. 'Fragmenting Modernism' will be useful for anyone studying the literature of the early twentieth century, impressionism or modernism in general terms, as well as for those who seek to investigate in detail one of the great polymorphous figures of the time.
Publisher: Manchester University Press
ISBN: 1847795404
Category : Literary Criticism
Languages : en
Pages : 431
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Fragmenting modernism' is about Ford Madox Ford, a hero of the modernist literary revolution. Ford is a fascinating and fundamental figure of the time; not only because as a friend and critic of Ezra Pound and Joseph Conrad, editor of the 'English Review', and author of 'The Good Soldier', he shaped the development of literary modernism. But as the grandson of Ford Madox Brown, and son of a German music critic, he also manifested formative links with mainland European culture and the visual arts. In Ford there is the chance to explore continuity in artistic life at the turn of the century, as well as the more commonly identified pattern of crisis in the time. The argument throughout is that modernism possesses more than one face. Setting Ford in his cultural and historical context, the opening chapter debates the concept of fragmentation in modernism; later chapters discuss the notion of the personal narrative, and war writing. Ford's literary technique is studied comparatively, and plot summaries of his major books ('The Good Soldier' and 'Parade's End') are provided, as is a brief biography. 'Fragmenting Modernism' will be useful for anyone studying the literature of the early twentieth century, impressionism or modernism in general terms, as well as for those who seek to investigate in detail one of the great polymorphous figures of the time.
Fragmenting Modernism
Author: Sara Haslam
Publisher: Manchester University Press
ISBN: 9780719060557
Category : Literary Criticism & Collections
Languages : en
Pages : 262
Book Description
As a hero of the modernist literary revolution, Ford Madox Ford is a fascinating figure of the early 20th century. Haslam explores continuity and crisis in artistic life during the early 20th century through a study of Ford's work and life.
Publisher: Manchester University Press
ISBN: 9780719060557
Category : Literary Criticism & Collections
Languages : en
Pages : 262
Book Description
As a hero of the modernist literary revolution, Ford Madox Ford is a fascinating figure of the early 20th century. Haslam explores continuity and crisis in artistic life during the early 20th century through a study of Ford's work and life.
Modernism After the Death of God
Author: Stephen Kern
Publisher: Routledge
ISBN: 1351603175
Category : Literary Criticism
Languages : en
Pages : 444
Book Description
Modernism After the Death of God explores the work of seven influential modernists. Friedrich Nietzsche, James Joyce, D. H. Lawrence, André Gide, and Martin Heidegger criticized the destructive impact that they believed Christian sexual morality had had or threatened to have on their love life. Although not a Christian, Freud criticized the negative effect that Christian sexual morality had on his clinical subjects and on Western civilization, while Virginia Woolf condemned how her society was sanctioned by a patriarchal Christian authority. All seven worked to replace the loss or absence of Christian unity with non-Christian unifying projects in their respective fields of philosophy, psychiatry, or literature. The basic structure of their main contributions to modernist culture was a dynamic interaction of radical fragmentation necessitating radical unification that was always in process and never complete.
Publisher: Routledge
ISBN: 1351603175
Category : Literary Criticism
Languages : en
Pages : 444
Book Description
Modernism After the Death of God explores the work of seven influential modernists. Friedrich Nietzsche, James Joyce, D. H. Lawrence, André Gide, and Martin Heidegger criticized the destructive impact that they believed Christian sexual morality had had or threatened to have on their love life. Although not a Christian, Freud criticized the negative effect that Christian sexual morality had on his clinical subjects and on Western civilization, while Virginia Woolf condemned how her society was sanctioned by a patriarchal Christian authority. All seven worked to replace the loss or absence of Christian unity with non-Christian unifying projects in their respective fields of philosophy, psychiatry, or literature. The basic structure of their main contributions to modernist culture was a dynamic interaction of radical fragmentation necessitating radical unification that was always in process and never complete.
Interpreting Modernism in Korean Art
Author: Kyunghee Pyun
Publisher: Routledge
ISBN: 1000453553
Category : Art
Languages : en
Pages : 292
Book Description
This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.
Publisher: Routledge
ISBN: 1000453553
Category : Art
Languages : en
Pages : 292
Book Description
This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.
Global Modernists on Modernism
Author: Alys Moody
Publisher: Bloomsbury Publishing
ISBN: 1474242332
Category : Literary Criticism
Languages : en
Pages : 489
Book Description
Winner of the Modernist Studies Association (MSA) Edited Volume Prize Bringing together works by writers from sub-Saharan Africa, Turkey, central Europe, the Muslim world, Asia, South America and Australia – many translated into English for the first time – this is the first collection of statements on modernism by writers, artists and practitioners from across the world. Annotated throughout, the texts are supported by critical essays from leading modernist scholars exploring major issues in the contemporary study of global modernism. Global Modernists on Modernism is an essential resource for students and scholars of modernism and world literature and one that opens up a dazzling new array of perspectives on the field.
Publisher: Bloomsbury Publishing
ISBN: 1474242332
Category : Literary Criticism
Languages : en
Pages : 489
Book Description
Winner of the Modernist Studies Association (MSA) Edited Volume Prize Bringing together works by writers from sub-Saharan Africa, Turkey, central Europe, the Muslim world, Asia, South America and Australia – many translated into English for the first time – this is the first collection of statements on modernism by writers, artists and practitioners from across the world. Annotated throughout, the texts are supported by critical essays from leading modernist scholars exploring major issues in the contemporary study of global modernism. Global Modernists on Modernism is an essential resource for students and scholars of modernism and world literature and one that opens up a dazzling new array of perspectives on the field.
Reading Fragments and Fragmentation in Modernist Literature
Author: Rebecca Varley-Winter
Publisher:
ISBN: 9781845199609
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
As a critical term, 'fragment' is more of a starting-point than a definition. 'Fragment' and 'fragmentation' have been used to describe damaged manuscripts; drafts; notes; subverted grammatical structures; the emergence of vers libre from formal verse; texts without linear plots; translations; quotations; and works titled 'Fragment' regardless of how formally complete they might appear. This book offers a phenomenological reading of modernist literary fragments, arguing that fragments create states of conflicted embodiment in which mind and body cannot cleanly separate. Drawing on the concept of aestheticism as an overstimulated body, each chapter connects fragments to experiences of physical and emotional ambiguity. The author introduces fragmentation as an aspect of what Julia Kristeva and Helene Cixous term 'ecriture feminine', and offers new readings of the texts that Stephane Mallarme struggled to finish.
Publisher:
ISBN: 9781845199609
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
As a critical term, 'fragment' is more of a starting-point than a definition. 'Fragment' and 'fragmentation' have been used to describe damaged manuscripts; drafts; notes; subverted grammatical structures; the emergence of vers libre from formal verse; texts without linear plots; translations; quotations; and works titled 'Fragment' regardless of how formally complete they might appear. This book offers a phenomenological reading of modernist literary fragments, arguing that fragments create states of conflicted embodiment in which mind and body cannot cleanly separate. Drawing on the concept of aestheticism as an overstimulated body, each chapter connects fragments to experiences of physical and emotional ambiguity. The author introduces fragmentation as an aspect of what Julia Kristeva and Helene Cixous term 'ecriture feminine', and offers new readings of the texts that Stephane Mallarme struggled to finish.
Modernism
Author: Ástráður Eysteinsson
Publisher: John Benjamins Publishing
ISBN: 9789027234544
Category : Art
Languages : en
Pages : 584
Book Description
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.
Publisher: John Benjamins Publishing
ISBN: 9789027234544
Category : Art
Languages : en
Pages : 584
Book Description
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.
Against Voluptuous Bodies
Author: J. M. Bernstein
Publisher: Stanford University Press
ISBN: 9780804748957
Category : Philosophy
Languages : en
Pages : 420
Book Description
The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.
Publisher: Stanford University Press
ISBN: 9780804748957
Category : Philosophy
Languages : en
Pages : 420
Book Description
The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.
The Cambridge Companion to the City in Literature
Author: Kevin R. McNamara
Publisher: Cambridge University Press
ISBN: 1107028035
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This Companion offers readers an accessible survey of the historical and symbolic relationships between literature and the city.
Publisher: Cambridge University Press
ISBN: 1107028035
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This Companion offers readers an accessible survey of the historical and symbolic relationships between literature and the city.