Fragmented Characterization in the Modern and Postmodern American Novel PDF Download
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Author: David James Buehrer
Publisher:
ISBN:
Category :
Languages : en
Pages : 257
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Author: David James Buehrer
Publisher:
ISBN:
Category :
Languages : en
Pages : 257
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Book Description
Author: John Fowles
Publisher: Little, Brown
ISBN: 0316255637
Category : Fiction
Languages : en
Pages : 124
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Book Description
In Mantissa (1982), a novelist awakes in the hospital with amnesia -- and comes to believe that a beautiful female doctor is, in fact, his muse.
Author: Brian Richardson
Publisher: Ohio State University Press
ISBN: 9780814208953
Category : Language Arts & Disciplines
Languages : en
Pages : 416
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Book Description
This anthology brings together essential essays on major facets of narrative dynamics, that is, the means by which "narratives traverse their often unlikely routes from beginning to end." It includes the most widely cited and discussed essays on narrative beginnings, temporality, plot and emplotment, sequence and progression, closure, and frames. The text is designed as a basic reader for graduate courses in narrative and critical theory across disciplines including literature, drama and theatre, and film. Narrative Dynamics includes such classic exponents as E. M. Forster on story and plot; Vladimir Propp on the structure of the folktale; R. S. Crane on plot; Boris Tomashevsky on story, plot, and, motif; M. M. Bakhtin on the chronotope; and Gerard Genette on narrative time. Richardson highlights essential feminist essays by Nancy K. Miller on plot and plausibility, Rachel Blau Duplessis on closure, and Susan Winnett on narrative and desire. These are complimented by newer pieces by Susan Stanford Friedman on spatialization and Robyn Warhol on serial fiction. Other major contributions include Edward Said on beginnings, Hayden White on historical narrative, Peter Brooks on plot, Paul Ricoeur on time, D. A. Miller on closure, James Phelan on progression, and Jacques Derrida on the frame. Recent essays from the perspective of cultural studies, postmodernism, and artificial intelligence bring this collection right up to the present.
Author: Nina Dietrich
Publisher: GRIN Verlag
ISBN: 3638239861
Category : Literary Collections
Languages : en
Pages : 14
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Book Description
Essay from the year 2003 in the subject American Studies - Literature, grade: 1.0, University of Kent (School of English), course: American Modernisms, language: English, abstract: In an attempt to place Ralph Waldo Ellison’s novel Invisible Man within a Modernist framework, Berndt Ostendorf writes, ‘Ellison ... is a “Spätling,” a latecomer to Modernism. ... Ellison’s Modernism ... is not one of crisis and despair, but of innovation and hope. He accepts the discipline implied in [Ezra Pound’s] slogan “make it new,” but rejects the cultural pessimism of his ancestors.’1 Although Ostendorf’s description is right insofar that Ellison’s work is optimistic in its outcome rather than as pessimistic as the majority of modernist novels, it does not seem to be in agreement with the term Modernism in general. Isn’t modernist literature usually called a ‘literature of ... crisis’?2 Isn’t Modernism said to feature ‘elements of cultural apocalypse’ rather than the hope Ostendorf mentions?3 And: Doesn’t Ostendorf’s statement resemble a definition of Postmodernism rather than Modernism? In fact, Ellison’s novel is hard to categorize. Critics agree that Invisible Man includes characteristics of different literary periods. Malcolm Bradbury, for instance, says the novel mixes ‘naturalism, expressionism, and surrealism’ and thereby places it somewhere between Modernism and Postmodernism.4 As these two terms are problematic as far as their definitions are concerned, this essay will begin by naming some of the key characteristics of both periods. Later on, the essay will point out a number of typically postmodern features that Ellison integrates into Invisible Man and give examples from the novel itself. Eventually, the essay will discuss whether Invisible Man should be considered a modernist or postmodernist novel. 1 Berndt Ostendorf, ‘Anthropology, Modernism, and Jazz’, in Harold Bloom, Ralph Ellison, Chelsea House Publishers, 1986, pp. 161 - 164 2 Peter Childs, Modernism, Routledge, 2000, p.14 3 Malcolm Bradbury in A Dictionary of Modern Critical Terms, ed. Roger Fowler, as quotes in Childs, Op. Cit., p. 2 4 Malcolm Bradbury, The Modern American Novel, 2nd edition, Oxford University Press, 1992, p. 166
Author: Aleid Fokkema
Publisher: Rodopi
ISBN: 9789051832693
Category : American fiction
Languages : en
Pages : 212
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Author: Mary Robison
Publisher: Catapult
ISBN: 1619029677
Category : Fiction
Languages : en
Pages : 153
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“Tense, moving, and hilarious . . . [A] dark jewel of a novel.” —Francine Prose, O, The Oprah Magazine Three husbands have left her. I.R.S. agents are whamming on her door. And her beloved cat has gone missing. She's back and forth between Melanie, her secluded Southern town, and L.A., where she has a weakening grasp on her job as a script doctor. Having been sacked by most of the studios and convinced that her dealings with Hollywood have fractured her personality, Money Breton talks to herself nonstop. She glues and hammers and paints every item in her place. She forges loving inscriptions in all her books. Through it all, there is her darling puzzling daughter who lives close by but seems ever beyond reach, and her son, the damaged victim of a violent crime under police protection in New York. While both her children seem to be losing all their battles, Money tries for ways and reasons to keep battling. Why Did I Ever is a book of piercing intellect and belligerent humor. Since its first publication in 2002 it has had a profound impact, not only on Robison’s devoted following, but on the shape of the contemporary novel itself.
Author: Pamela B. June
Publisher: Peter Lang
ISBN: 9781433110504
Category : American fiction
Languages : en
Pages : 172
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Book Description
The Fragmented Female Body and Identity explores the symbol of the wounded and scarred female body in selected postmodern, multiethnic American women's novels, namely Toni Morrison's Beloved, Theresa Hak Kyung Cha's Dictée, Phyllis Alesia Perry's Stigmata, Gayl Jones's Corregidora, Emma Pérez's Gulf Dreams, Paula Gunn Allen's The Woman Who Owned the Shadows, and Kathy Acker's Blood and Guts in High School and Empire of the Senseless. In each of these novels, disjointed, postmodern writing reflects the novel's focus on fragmented female bodies. The wounded and scarred body emerges from various, often intersecting, forms of oppression, including patriarchy, racism, and heteronormativity. This book emphasizes the different and nuanced forms of oppression each woman faces. However, while the fragmented body symbolizes oppression and pain, it also catalyzes resistance through recognition. When female characters recognize some element of a shared oppression, they form bonds with one another. These feminist unities, as a response to multiple forms of oppression, become viable means for resistance and healing.
Author: Casey Michael Henry
Publisher: Bloomsbury Publishing
ISBN: 1350064971
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
How has American literature after postmodernism responded to the digital age? Drawing on insights from contemporary media theory, this is the first book to explore the explosion of new media technologies as an animating context for contemporary American literature. Casey Michael Henry examines the intertwining histories of new media forms since the 1970s and literary postmodernism and its aftermath, from William Gaddis's J R and Bret Easton Ellis's American Psycho through to David Foster Wallace's Infinite Jest. Through these histories, the book charts the ways in which print-based postmodern writing at first resisted new mass media forms and ultimately came to respond to them.
Author: John Carter
Publisher: Routledge
ISBN: 1134712995
Category : Medical
Languages : en
Pages : 305
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Book Description
Postmodern ideas have been vastly influential in the social sciences and beyond. However, their impact on the study of social policy has been minimal. Postmodernity and the Fragmentation of Welfare analyses the potential for a postmodern or cultural turn in welfare as it treats postmodernity as an evolving canon -from the seminal works of Baudrillard, Foucault and Lyotard, through to recent theories of the 'risk society'. Already disorientated by globalisation, new technologies and the years of new right ascendancy, welfare faces a significant challenge in the postmodern. It suggests that, rather than universality and state provision, the new social policy will be consumerised and fragmented -a welfare state of ambivalence. With contributions from authors coming from a variety of fields offering very different perspectives on postmodernity and welfare Postmodernity and the Fragmentation of Welfare also keeps social policy's intellectual inheritance in view. By exploring ways in which theorisations of postmodernity might improve understanding of welfare issues in the 1990s and assessing the relevance of theories of diversity and difference to mainstream and critical social policy traditions, this book will be and essential text for all students of social policy, social administration, social work and sociology.
Author: C. Baker
Publisher: Springer
ISBN: 0230290442
Category : Fiction
Languages : en
Pages : 234
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Book Description
A comprehensive and thematic exploration of representations of madness in postwar British and American Fiction, this book is relevant to those with interests in literary studies and is a vital read for psychiatric clinicians and professionals who are interested in how literature can inform and enhance clinical practices.
