Catalog of United States Census Publications, 1790-1945 PDF Download
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Author: Library of Congress. Census Library Project
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 340
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Book Description
Author: Library of Congress. Census Library Project
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 340
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2188
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Author: United States. Bureau of the Census
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1048
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Author: United States. Bureau of the Census
Publisher:
ISBN:
Category : Statistics
Languages : en
Pages : 946
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Author: United States. Bureau of the Census
Publisher:
ISBN:
Category : New York (State)
Languages : en
Pages : 276
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Author:
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ISBN:
Category :
Languages : en
Pages : 324
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Author: Michigan Historical Records Survey
Publisher:
ISBN:
Category : Archival resources
Languages : en
Pages : 298
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Author: Emily Lutenski
Publisher: University Press of Kansas
ISBN: 0700620869
Category : Social Science
Languages : en
Pages : 344
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Luminaries of the Harlem Renaissance--Langston Hughes, Jean Toomer, Wallace Thurman, and Arna Bontemps, among others--are associated with, well . . . Harlem. But the story of these New York writers unexpectedly extends to the American West. Hughes, for instance, grew up in Kansas, Thurman in Utah, and Bontemps in Los Angeles. Toomer traveled often to New Mexico. Indeed, as West of Harlem reveals, the West played a significant role in the lives and work of many of the artists who created the signal urban African American cultural movement of the twentieth century. Uncovering the forgotten histories of these major American literary figures, the book gives us a deeper appreciation of that movement, and of the cultures it reflected and inspired. These recovered experiences and literatures paint a new picture of the American West, one that better accounts for the disparate African American populations that dotted its landscape and shaped the multiethnic literatures and cultures of the borderlands. Tapping literary, biographical, historical, and visual sources, Emily Lutenski tells the New Negro movement's western story. Hughes's move to Mexico opens a window on African American transnational experiences. Thurman's engagement with Salt Lake City offers an unexpected perspective on African American sexual politics. Arna Bontemps's Los Angeles, constructed in conjunction with Louisiana, provides a new vision of the Spanish borderlands. Lesser-known writer Anita Scott Coleman imagines black Western autonomy through domesticity. The experience of others--like Toomer, invited to socialite Mabel Dodge Luhan's circle of artists in Taos--present a more pluralistic view of the West. It was this place, with its transnational and multiracial mix of Native Americans, Latina/os, Anglos, and African Americans, which buttressed Toomer's idea of a "new American race." Turning the lens elsewhere, Lutenski also explores how Latina/o, Asian American, and Native American western writers understood and represented African Americans in the early twentieth-century borderlands. The result is a new, unusually nuanced and unexpectedly complex view of key figures of the Harlem Renaissance and the borderlands cultures that influenced their art in surprising and important ways.
Author:
Publisher:
ISBN:
Category : Archival resources
Languages : en
Pages : 302
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Author: Jeff Forret
Publisher: The New Press
ISBN: 1620978997
Category : History
Languages : en
Pages : 252
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Book Description
A prizewinning historian uncovers one of the earliest instances of reparations in America—ironically, though perhaps not surprisingly, paid to slaveholders, not former slaves “A spectacular achievement of historical research. Forret shows for the first time just how far the American government went to secure reparations.” —Robert Elder‚ author of Calhoun: American Heretic In 1831, the American ship Comet, carrying 165 enslaved men, women, and children, crashed onto a coral reef near the shore of the Bahamas, then part of the British Empire. Shortly afterward, the Vice Admiralty Court in Nassau, over the outraged objections of the ship’s owners, set the rescued captives free. American slave owners and the companies who insured the liberated human cargo would spend years lobbying for reparations from Great Britain, not for the emancipated slaves, of course, but for the masters deprived of their human property. In a work of profoundly relevant research and storytelling, historian and Frederick Douglass Prize–winner Jeff Forret uncovers how the Comet incident—as well as similar episodes that unfolded over the next decade—resulted in the British Crown making reparations payments to a U.S. government that strenuously represented slaveholder interests. Through a story that has never been fully explored, The Price They Paid shows how, unlike their former owners and insurers, neither the survivors of the Comet and other vessels, nor their descendants, have ever received reparations for the price they paid in their lives, labor, and suffering during slavery. Any accounting of reparations today requires a fuller understanding of how the debts of slavery have been paid, and to whom. The Price They Paid represents a major step forward in that effort.
