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Author: Robert Shaughnessy
Publisher: Bloomsbury Publishing
ISBN: 1350316504
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
This edition of four Renaissance comedies represents the vitality, range and diversity of the English comic drama of the late sixteenth and early seventeenth centuries, reflecting both its capacity for escapist fantasy and its concern with the intrigues of everyday city life. Comprehensive textual notes establish the plays in their originating cultural and theatrical circumstances, as well as explaining obscure references and allusions. A general introduction provides a helpful overview of early modern comedy in the context of Renaissance comic theory and practice, together with an assessment of its continuing theatrical appeal.
Author: Robert Shaughnessy
Publisher: Bloomsbury Publishing
ISBN: 1350316504
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
This edition of four Renaissance comedies represents the vitality, range and diversity of the English comic drama of the late sixteenth and early seventeenth centuries, reflecting both its capacity for escapist fantasy and its concern with the intrigues of everyday city life. Comprehensive textual notes establish the plays in their originating cultural and theatrical circumstances, as well as explaining obscure references and allusions. A general introduction provides a helpful overview of early modern comedy in the context of Renaissance comic theory and practice, together with an assessment of its continuing theatrical appeal.
Author: William Shakespeare
Publisher: Bantam Classics
ISBN: 0307420590
Category : Drama
Languages : en
Pages : 736
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Book Description
The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography
Author: William Tydeman
Publisher: Penguin Classics
ISBN:
Category : Drama
Languages : en
Pages : 458
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Book Description
Author: William Shakespeare
Publisher: Signet Classics
ISBN: 9780451523174
Category : Drama
Languages : en
Pages : 438
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Book Description
The greatest works of comedy from the Bard, this book features "The Taming ofthe Shrew, A Midsummer Night's Dream, Twelfth Night" and "The Tempest". Copyright © Libri GmbH. All rights reserved.
Author: Donald Beecher
Publisher: University of Toronto Press
ISBN: 0802092926
Category : Literary Criticism
Languages : en
Pages : 473
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Book Description
A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, ?erudite? imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light. This first of two volumes boasts five of the best-known plays of the period, each with its own historical and critical introduction. Also included is a general introduction by the editor, which discusses the features of Italian Renaissance comedy, as well as examines the stage histories of the plays and what little is known, in many cases, of the circumstances surrounding their original performances. The introduction raises questions concerning the nature of audiences, the festival occasions during which the plays were performed, and the academies which sponsored many of their creations. As a much-needed reappraisal of these comedic plays, Renaissance Comedy is an invaluable look at the performance history of the Renaissance and Italian culture in general.
Author: John Henry Ottemiller
Publisher: Scarecrow Press
ISBN: 0810877201
Category : Language Arts & Disciplines
Languages : en
Pages : 833
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Book Description
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
Author: Wendy Griswold
Publisher: University of Chicago Press
ISBN: 9780226309231
Category : History
Languages : en
Pages : 328
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Book Description
Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object.
Author:
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 608
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Book Description
Author:
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 216
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Book Description
Author: Salvatore Di Maria
Publisher: University of Toronto Press
ISBN: 1442647124
Category : Drama
Languages : en
Pages : 233
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Book Description
The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely. DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period.
