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Author: Richard Buxton
Publisher: Oxford University Press, USA
ISBN: 0199245495
Category : History
Languages : en
Pages : 298
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Book Description
An illustrated study of a number of Greek myths about the transformations of humans and gods. Richard Buxton poses the question of how seriously the Greeks took these tales, and in doing so also illuminates issues explored by anthropologists and students of religion.
Author: Richard Buxton
Publisher: Oxford University Press, USA
ISBN: 0199245495
Category : History
Languages : en
Pages : 298
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Book Description
An illustrated study of a number of Greek myths about the transformations of humans and gods. Richard Buxton poses the question of how seriously the Greeks took these tales, and in doing so also illuminates issues explored by anthropologists and students of religion.
Author: Tua Korhonen
Publisher: Bloomsbury Publishing
ISBN: 1786721198
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
Animals were omnipresent in the everyday life and the visual arts of classical Greece. In literature, too, they had significant functions.This book discusses the role of animals - both domestic and wild - and mythological hybrid creatures in ancient Greek literature. Challenging the traditional view of the Greek anthropocentrism, the authors provide a nuanced interpretation of the classical relationship to animals. Through a close textual analysis, they highlight the emergence of the perspective of animals in Greek literature. Central to the book's enquiry is the question of empathy: investigating the ways in which ancient Greek authors invited their readers to empathise with non-human counterparts. The book presents case studies on the animal similes in the Iliad, the addresses to animals and nature in Sophocles' Philoctetes, the human-bird hybrids in The Birds by Aristophanes and the animal protagonists of Anyte's epigrams. Throughout, the authors develop an innovative methodology that combines philological and historical analysis with a philosophy of embodiment, or phenomenology of the body. Shedding new light on how animals were regarded in ancient Greek society, the book will be of interest to classicists, historians, philosophers, literary scholars and all those studying empathy and the human-animal relationship.
Author: Earl Lovelace
Publisher: Waveland Press
ISBN: 1478622601
Category : Fiction
Languages : en
Pages : 165
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Book Description
The Wine of Astonishment is a powerful and heart-wrenching story of the persecution of Spiritual Baptists during British colonial rule in Trinidad from 1917 to 1951. The novel, situated in the remote village of Bonasse, is narrated by Eva, a middle-aged peasant and member of the Baptist Church. Her insider view, conveyed in Trinidadian Creole, pulls readers into the communal character of the Church, the oppression of West Indian people, political corruption, and the disparate motivations of community members. Earl Lovelace’s poignant novel placed him in the front ranks of Caribbean writers and established his international reputation. His well-crafted tale of change and perseverance connects us with authentic, complicated characters who struggle to exercise their freedom and retain their identity. Through their experiences of hope, betrayal, and humiliation we gain a better understanding of ethnic and religious strife and West Indian culture.
Author: Joseph B. Entin
Publisher: UNC Press Books
ISBN: 1469606615
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such as William Carlos Williams, Richard Wright, Tillie Olsen, and Pietro di Donato, Joseph Entin argues that these artists drew attention to the country's most vulnerable residents by using what he calls an "aesthetic of astonishment," focused on startling, graphic images of pain, injury, and prejudice. Traditional portrayals of the poor depicted stoic, passive figures of sentimental suffering or degraded but potentially threatening figures in need of supervision. Sensational modernists sought to shock middle-class audiences into new ways of seeing the nation's impoverished and outcast populations. The striking images these artists created, often taking the form of contorted or disfigured bodies drawn from the realm of the tabloids, pulp magazines, and cinema, represented a bold, experimental form of social aesthetics. Entin argues that these artists created a willfully unorthodox brand of vernacular modernism in which formal avant-garde innovations were used to delineate the conditions, contradictions, and pressures of life on the nation's fringes.
Author: James Augustus Henry Murray
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1304
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Book Description
Author: David E. Fredrickson
Publisher: Fortress Press
ISBN: 1506479995
Category : Religion
Languages : en
Pages : 246
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Book Description
David E. Fredrickson asks a key question for interpreters of the New Testament in the twenty-first century: Do established ways of reading the New Testament need to be challenged and new ones explored? His answer is "yes," but he takes care not to dismiss readers' experiences in the previous two millennia. He values the readings of the past even as he contests the insights of scholars, preachers, monks, nuns, skeptics, the devout, the disinterested, the keenly interested, and all the rest who have tried to make sense of the earliest Christian writings. Fredrickson does not want to give an impression of "I know better than them." But he goes on to say that "strange as it sounds, not-knowing is actually the point of this book. More than anything else, not-knowing is, I believe, the key to reading the New Testament in the twenty-first century." Fredrickson claims that the reduction of a text to its usefulness is something a deconstructive approach seeks to avoid. That leads to readings in which practicality enjoys a privilege over mystery, knowing wins out over not-knowing, and control triumphs over hope. Ultimately, his goal in this book is to give mystery, hope, andnot-knowing a chance. For Fredrickson the experience of reading is more than coming to know something or receiving information, and the "more" that he has in mind exists in the shock of encountering some other or something that is not easily assimilated to an already known world, a familiar horizon, or the repeatability of language. What if reading the New Testament meant giving an unexpected other a chance to take place and to change the world you thought was an unchangeable given? What if we thought of reading as a way of preparing for what postmodernism calls an event?
Author: Israel Bar-Yehuda Idalovichi
Publisher: Cambridge Scholars Publishing
ISBN: 1443869635
Category : Philosophy
Languages : en
Pages : 510
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Book Description
This ambitious work reclassifies and restructures the history of ideas and the philosophy of culture through a wide-ranging and novel use of the idea of the organon. It does so by radically revising standard interpretations and theories of all branches of philosophy, and by providing an intellectual and philosophical foundation for the new organon of the cultural sciences. Furthermore, the seeded idea that saw its growth in the form of this book is the unshakable conviction that the only way by which a new apparatus of philosophy, an organon, could be created is by harking back to the vast sources of imagination, inspiration and mimēsis. This entire study is based on the notion that metaphysics, insofar as it is concerned with the world in its entirety and with human being’s existence and thought, should provide the foundation for the organon of cultural sciences, based on symbolic forms. Given that the colossal amount of information and knowledge of philosophy, arts, humanities, logic, mathematics, social sciences and natural sciences cannot be comprised, analyzed and comprehended per se, it is the organon’s objective to extract the main principles, ideas, postulates, theorems and theories of the cultural sciences, and, subsequently, to shape and restructure them as symbolic forms. Since all these principles are grounded on Becoming—which is not a stable or fixed entity such as Being, substance or thing—the symbolic forms preserve and change, elevate and further the organon of the cultural sciences, via a critical-dialectical process.
Author: Maria Balaska
Publisher: Springer
ISBN: 3030169391
Category : Philosophy
Languages : en
Pages : 179
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Book Description
This book brings together the work of Ludwig Wittgenstein and Jacques Lacan around their treatments of ‘astonishment,’ an experience of being struck by something that appears to be extraordinarily significant. Both thinkers have a central interest in the dissatisfaction with meaning that these experiences generate when we attempt to articulate them, to bring language to bear on them. Maria Balaska argues that this frustration and difficulty with meaning reveals a more fundamental characteristic of our sense-making capacities –namely, their groundlessness. Instead of disappointment with language’s sense-making capacities, Balaska argues that Wittgenstein and Lacan can help us find in this revelation of meaning’s groundlessness an opportunity to acknowledge our own involvement in meaning, to creatively participate in it and thereby to enrich our forms of life with language.
Author: Vincent Arthur De Luca
Publisher: Princeton University Press
ISBN: 1400861780
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
William Blake called himself a "sublime Artist" and acknowledged his own power to create "the Most Sublime Poetry." Words of Eternity reveals the fundamental importance of the term "sublime" in a defining of Blake's poetic achievement. This first full-length study of Blake and the sublime demonstrates that a sophisticated theory of sublimity permeates his writings, serving him as a personal poetics, a framework in which the difficulties and unusual strategies of the works find their rationale. Vincent De Luca combines historically grounded source study with insights from modern critical theories of textuality to identify Blake's two opposing conceptions of sublimity--a sublime of obscurity, terror, and material power and one of determinate, concentrated intellectual design. De Luca examines the interplay between these two modes from differing perspectives--theoretical, stylistic, and thematic. As the perspectives widen, they embrace many of the speculative systems of Blake's time and reveal these systems as various displaced modalities of an underlying sublime discourse. "Words of Eternity is one of the dozen or so most important books ever written about Blake's poetry. De Luca provides a wealth of new insights on every page."--Robert N. Essick, University of California, Riverside "With the context that this book supplies, we take a quantum leap in the sense we can make of Blake's project. De Luca opens our eyes to a Blake, and a sublime, that will never again be the same for us."--Nelson Hilton, University of Georgia Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Ladd
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 708
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Book Description
