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Author: Tony Bennett
Publisher: Psychology Press
ISBN: 0415321514
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
First published in 1979. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Tony Bennett
Publisher: Psychology Press
ISBN: 0415321514
Category : Literary Criticism
Languages : en
Pages : 193
Get Book Here
Book Description
First published in 1979. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Tony Bennett
Publisher: Routledge
ISBN: 1134356684
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Russian Formalism and Marxist criticism had a seismic impact on twentieth-century literary theory and the shockwaves are still felt today. First published in 1979, Tony Bennett's Formalism and Marxism created its own reverberations by offering a ground-breaking new interpretation of the Formalists' achievements and demanding a new way forward in Marxist criticism. The author first introduces and reviews the work of the Russian Formalists, a group of theorists who made an extraordinarily vital contribution to literary criticism in the decade followig the October Revolution of 1917. Placing the work of key figures in context and addressing such issues as aesthetics, linguistics and the category of literature, literary form and function and literary evolution, Bennett argues that the Formalists' concerns provided the basis for a radically historical approach to the study of literature. Bennett then turns to the situation of Marxist criticism ad sketches the risks it has run in becoming overly entangled with the concerns of traditional aesthetics. He forcefully argues that through a serious and sympathetic reassessment of the Formalists and their historical approach, Marxist critics might find their way back on to the terrain of politics, where they and theri work belong. Addressing such crucial questions as 'What is literature?' or 'How should it be studied and to what end?', Formalism and Marxism explores ideas which should be considered by any student or reader of literature and provides a particular challenge to those interested in Marxist criticism. Now with a new afterword, this classic text still offers the best available starting point for those new to the field, as well as representing a crucial intervention in twentieth-century literary theory.
Author: John Frow
Publisher:
ISBN: 9780674332805
Category :
Languages : en
Pages : 288
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Book Description
Frow's book is a novel contribution to Marxist literary theory, proposing a reconciliation of formalism and historicism in order to establish the basis for a new literary history. Through a critique of his forerunners in Marxist theory, Frow seeks to define the strengths and the limitations of this tradition and then to extend its possibilities in a radical reworking of the concept of discourse.
Author: Terry Eagleton
Publisher: Univ of California Press
ISBN: 9780520032439
Category : Literary Criticism
Languages : en
Pages : 100
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Book Description
"Far and away the best short introduction to Marxist criticism (both history and problems) which I have seen."--Fredric R. Jameson "Terry Eagleton is that rare bird among literary critics--a real writer."--Colin McCabe, The Guardian
Author: Anna Kornbluh
Publisher: University of Chicago Press
ISBN: 022665334X
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to—and substantially shifts—that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Brontë, Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling—more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies.
Author: Raymond Williams
Publisher: Oxford Paperbacks
ISBN: 0198760612
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
This classic study examines the place of literature within Marxist cultural theory, and offers an assessment of the contributions of previous thinkers to Marxist literary theory.
Author: Fredric Jameson
Publisher: Princeton University Press
ISBN: 1400884500
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Lukács, and Jean-Paul Sartre--work that was, at the time, largely neglected in the English-speaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its making--in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form. Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the Anglo-American tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism. One year after Marxism and Form, Princeton published Jameson's The Prison-House of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation.
Author: Tony Bennett
Publisher: Routledge
ISBN: 1134983042
Category : Literary Criticism
Languages : en
Pages : 476
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Book Description
Literature is often defined as a distinct category of writing in terms of particular formal or aesthetic attributes. Tony Bennett suggests that literature be re-defined as an institutionally defined field of textual uses and effects. Charting a course between literary aesthetics and their associated politics, Bennett engages critically with the central concerns of Marxist theoreticians such as Georg Lukacs, Fredric Jameson, Terry Eagleton and Frank Lentricchia. Outside Literature also includes a critique of post-structuralist and postmodernist methodologies which, Bennett suggests, are incapable of supporting anything more than a purely rhetorical politics. Drawing on the work of Foucault, Bennett asserts the need for a more definite enquiry into the institutional regulation of culture, in order that questions of literary and cultural politics be detached from the eviscerating generalities of literary and cultural criticism.
Author: Victor Erlich
Publisher:
ISBN: 9780300026351
Category : History
Languages : en
Pages : 311
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Book Description
Author: Evgeny Pashukanis
Publisher: Routledge
ISBN: 1351482343
Category : Political Science
Languages : en
Pages : 272
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Book Description
E. B. Pashukanis was the most significant contemporary to develop a fresh, new Marxist perspective in post-revolutionary Russia. In 1924 he wrote what is probably his most influential work, The General Theory of Law and Marxism. In the second edition, 1926, he stated that this work was not to be seen as a final product but more for ""self-clarification"" in hopes of adding ""stimulus and material for further discussion."" A third edition was printed in 1927.Pashukanis's ""commodity-exchange"" theory of law spearheaded a perspective that traced the form of law, not to class interests, but to capital logic itself. Until his death, he continued to argue for the ideal of the withering away of the state, law, and the juridic subject. He eventually arrived at a position contrary to Stalin's who, at that time, was attempting to consolidate and strengthen the state apparatus under the name of the dictatorship of the proletariat. Inevitably, Pashukanis was branded an enemy of the revolution in January 1937. His works were subsequently removed from soviet libraries. In 1954, Pashukanis was ""rehabilitated"" by the Soviets and restored to an acceptable position in the historical development of marxist law.In Europe and North America, a number of legal theorists only rediscovered Pashukanis's work in the late 1970s. They subjected it to careful critical analysis, and realized that he offered an alternative to the traditional Marxist interpretations, which saw law simply and purely as tied to class interests of domination. By the mid-1980s the instrumental Marxist perspective in vogue in Marxist sociology, criminology, politics, and economics gave way, to a significant extent due to Pashukanis's insights, to a more structural Marxist accounting of the relationship of law to economics and other social spheres.In his new introduction, Dragan Milovanovic discusses the life of Pashukanis, Marx and the commodity-exchange theory of law, and the historical lessons of Pashukanis's work. This bo
