Author: Yve-Alain Bois
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Published to accompany exhibition held at the Centre Georges Pompidou, Paris 22/5 - 26/8 1996.
Formless
Author: Yve-Alain Bois
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Published to accompany exhibition held at the Centre Georges Pompidou, Paris 22/5 - 26/8 1996.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Published to accompany exhibition held at the Centre Georges Pompidou, Paris 22/5 - 26/8 1996.
Form & Formlessness
Author: Cheryl Akner-Koler
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 276
Book Description
Transforming Perspectives in Lifelong Learning and Adult Education
Author: Laura Formenti
Publisher: Springer
ISBN: 3319963880
Category : Education
Languages : en
Pages : 330
Book Description
Winner of the AAACE Cyril O. Houle Award This book constructs a deepening, interdisciplinary understanding of adult learning and imaginatively reframes its transformative aspects. The authors explore the tension at the heart of current understanding of ‘transformative’ adult learning: that while it can be framed as both easy and imperative, personal transformation is in fact rooted in the context in which we live, our stories and relationships. At its core, transformation is never easy – nor always desirable – and the authors thus draw on interdisciplinary and auto/biographical inquiry to explore what it means to change our presuppositions and frames of meaning that guide our thinking. Using their linguistic, gendered, academic and cultural differences, the authors illuminate how the social, contextual, cultural, cognitive and psychological dimensions of transformation intertwine. In doing so, they emphasise the importance of transformation as a contingent struggle for meaning and recognition, social justice, fraternity, and the pursuit of truth. This engaging book will be of interest to students and scholars of transformative learning and education.
Publisher: Springer
ISBN: 3319963880
Category : Education
Languages : en
Pages : 330
Book Description
Winner of the AAACE Cyril O. Houle Award This book constructs a deepening, interdisciplinary understanding of adult learning and imaginatively reframes its transformative aspects. The authors explore the tension at the heart of current understanding of ‘transformative’ adult learning: that while it can be framed as both easy and imperative, personal transformation is in fact rooted in the context in which we live, our stories and relationships. At its core, transformation is never easy – nor always desirable – and the authors thus draw on interdisciplinary and auto/biographical inquiry to explore what it means to change our presuppositions and frames of meaning that guide our thinking. Using their linguistic, gendered, academic and cultural differences, the authors illuminate how the social, contextual, cultural, cognitive and psychological dimensions of transformation intertwine. In doing so, they emphasise the importance of transformation as a contingent struggle for meaning and recognition, social justice, fraternity, and the pursuit of truth. This engaging book will be of interest to students and scholars of transformative learning and education.
Formless in Form
Author: Linda H. Chance
Publisher:
ISBN: 0804730016
Category : Literary Collections
Languages : en
Pages : 343
Book Description
What makes a work of literature readable? This book asks that question of one of the classics of Japanese literature, the Tsurezuregusa (Essays in Idleness) by Kenko (1283-1352), a collection of brief, fragmentary reflections on a number of subjects. In Japanese literary history the work is classified as one of the first collections of zuihitsu, or informal essay. This first extended critical treatment of Tsurezuregusa goes back to its author and his time to rebuild the discursive world of the early fourteenth century and to examine such matters as whether genre labels assist reading or obscure significant comparisons and contexts. The book presents compelling arguments against considering Tsurezuregusa as an example of zuihitsu; instead, the text is treated as a deliberate, controlled effort by Kenko to force the reader to confront the impermanent and contingent nature of existence through experiencing the text. The book develops this view by studying the collaborative strategies operating between writers and readers in medieval Japan, the intellectual intent and devices of Kenko's text, and the many kinds of writing on which it draws. We learn how a text with a commitment to shaping responses to the world is simultaneously dedicated to exploding the reader's identification with the presumably unchanging facts of existence. The aesthetics of impermanence (mujo), central to medieval Japanese thinking, emerges not only as what writing is about but also as a means to demonstrate and to encourage the enactment of aesthetics by readers. Thus, a work that seems formless, to have little structure, is shown to be so in the interest of form, that is, of conveying a clear meaning to its audience. Or, to express it with a more Buddhist inflection amenable to Kenko, although the form that we can perceive is contingent on conditions and is hence formless, the fact of form continues to matter absolutely. Both literature and the nature of existence are readable because of the interplay of provisional and absolute truths, of the writer's and the reader's approaches to texts.
Publisher:
ISBN: 0804730016
Category : Literary Collections
Languages : en
Pages : 343
Book Description
What makes a work of literature readable? This book asks that question of one of the classics of Japanese literature, the Tsurezuregusa (Essays in Idleness) by Kenko (1283-1352), a collection of brief, fragmentary reflections on a number of subjects. In Japanese literary history the work is classified as one of the first collections of zuihitsu, or informal essay. This first extended critical treatment of Tsurezuregusa goes back to its author and his time to rebuild the discursive world of the early fourteenth century and to examine such matters as whether genre labels assist reading or obscure significant comparisons and contexts. The book presents compelling arguments against considering Tsurezuregusa as an example of zuihitsu; instead, the text is treated as a deliberate, controlled effort by Kenko to force the reader to confront the impermanent and contingent nature of existence through experiencing the text. The book develops this view by studying the collaborative strategies operating between writers and readers in medieval Japan, the intellectual intent and devices of Kenko's text, and the many kinds of writing on which it draws. We learn how a text with a commitment to shaping responses to the world is simultaneously dedicated to exploding the reader's identification with the presumably unchanging facts of existence. The aesthetics of impermanence (mujo), central to medieval Japanese thinking, emerges not only as what writing is about but also as a means to demonstrate and to encourage the enactment of aesthetics by readers. Thus, a work that seems formless, to have little structure, is shown to be so in the interest of form, that is, of conveying a clear meaning to its audience. Or, to express it with a more Buddhist inflection amenable to Kenko, although the form that we can perceive is contingent on conditions and is hence formless, the fact of form continues to matter absolutely. Both literature and the nature of existence are readable because of the interplay of provisional and absolute truths, of the writer's and the reader's approaches to texts.
Formless
Author: Patrick Crowley
Publisher: Peter Lang
ISBN: 9783039100569
Category : Art
Languages : en
Pages : 268
Book Description
The papers in this volume challenge the concept of form and aim to set out, explore and develop different theories and examples of 'the formless'. In so doing, they raise questions of form, and notions of formlessness (as distinct from something called 'the formless'). The starting point for many of the contributors is Georges Bataille's highly influential article entitled 'informe' ('formless'). Here, in a context where art, philosophy and anthropology were merging, Bataille tried to question the idea of formlessness as simply applying to things without form. This book, through a diversity of articles in various domains, asks how and why 'the formless' is such a dominant idea from the nineteenth century onwards and it asks the question: 'what is formless?'
Publisher: Peter Lang
ISBN: 9783039100569
Category : Art
Languages : en
Pages : 268
Book Description
The papers in this volume challenge the concept of form and aim to set out, explore and develop different theories and examples of 'the formless'. In so doing, they raise questions of form, and notions of formlessness (as distinct from something called 'the formless'). The starting point for many of the contributors is Georges Bataille's highly influential article entitled 'informe' ('formless'). Here, in a context where art, philosophy and anthropology were merging, Bataille tried to question the idea of formlessness as simply applying to things without form. This book, through a diversity of articles in various domains, asks how and why 'the formless' is such a dominant idea from the nineteenth century onwards and it asks the question: 'what is formless?'
Formless Formation:
Author: Sandra Ruiz
Publisher: Minor Compositions
ISBN: 9781570273797
Category : Aesthetics
Languages : en
Pages : 200
Book Description
Formless Formation is an experimental project conceived and co-authored by two performance theorists working in critical aesthetics and political thought. The book is an insurgent revolt, walking side by side with plural and planetary anticolonial forces organizing against debt, expropriative extractive capital, environmental catastrophe, and the militarized policing of people and borders. It is in direct conversation with all Indigenous, Black, Brown, ecological, queer, diasporic movements and struggles against capitalist predatory formations across time and space. Through shared resonances across differing aesthetic life-worlds and solidarities that bypass the nation-state, Ruiz and Vourloumis bring to the forefront performative and aesthetic practices and methods that address current and future social organizing.
Publisher: Minor Compositions
ISBN: 9781570273797
Category : Aesthetics
Languages : en
Pages : 200
Book Description
Formless Formation is an experimental project conceived and co-authored by two performance theorists working in critical aesthetics and political thought. The book is an insurgent revolt, walking side by side with plural and planetary anticolonial forces organizing against debt, expropriative extractive capital, environmental catastrophe, and the militarized policing of people and borders. It is in direct conversation with all Indigenous, Black, Brown, ecological, queer, diasporic movements and struggles against capitalist predatory formations across time and space. Through shared resonances across differing aesthetic life-worlds and solidarities that bypass the nation-state, Ruiz and Vourloumis bring to the forefront performative and aesthetic practices and methods that address current and future social organizing.
Zen and Comparative Studies
Author: Masao Abe
Publisher: University of Hawaii Press
ISBN: 9780824818326
Category : Psychology
Languages : en
Pages : 284
Book Description
This volume concludes the two-volume sequel to Masao Abe's Zen and Western Thought. Like its companion, Buddhism and Interfaith Dialogue, this work contains many previously published essays and papers by Abe. Here he clarifies the true meaning of Buddhist emptiness in comparison with the Aristotelian notion of substance and the Whiteheadean notion of process.
Publisher: University of Hawaii Press
ISBN: 9780824818326
Category : Psychology
Languages : en
Pages : 284
Book Description
This volume concludes the two-volume sequel to Masao Abe's Zen and Western Thought. Like its companion, Buddhism and Interfaith Dialogue, this work contains many previously published essays and papers by Abe. Here he clarifies the true meaning of Buddhist emptiness in comparison with the Aristotelian notion of substance and the Whiteheadean notion of process.
Zen and the Modern World
Author: Masao Abe
Publisher: University of Hawaii Press
ISBN: 9780824826659
Category : Religion
Languages : en
Pages : 198
Book Description
Written by one of Japan's foremost contemporary thinkers and scholars, Zen and Modern Society is the third in a series of essay collections on Zen Buddhism as seen in the context of Western thought. Throughout his career, Masao Abe has articulated the meaning of Zen thought in a uniquely compelling way - at once, true to the original tradition and appropriately relevant to a variety of comparative standpoints, ranging from Biblical Judeo-Christianity to modern existentialism, phenomenology, and postmodernism. As a leading representative of the Kyoto School, which has sought a critical, comparative linking of Eastern and Western thought, Abe has based his approach on constructive, mutually respectful yet critical intellectual interaction and dialogue with some of the leading figures in the West (including Paul Tillich, Hans Kung, and Eugene Borowitz) as well as dozens of colleagues, students, and disciples. Together with the previous volumes, this work examines and exemplifies some key features of Kyoto School thought. While the essays presented here should be read in light of the socio-political criticism that has since been lodged against the Kyoto School and, more particularly, i
Publisher: University of Hawaii Press
ISBN: 9780824826659
Category : Religion
Languages : en
Pages : 198
Book Description
Written by one of Japan's foremost contemporary thinkers and scholars, Zen and Modern Society is the third in a series of essay collections on Zen Buddhism as seen in the context of Western thought. Throughout his career, Masao Abe has articulated the meaning of Zen thought in a uniquely compelling way - at once, true to the original tradition and appropriately relevant to a variety of comparative standpoints, ranging from Biblical Judeo-Christianity to modern existentialism, phenomenology, and postmodernism. As a leading representative of the Kyoto School, which has sought a critical, comparative linking of Eastern and Western thought, Abe has based his approach on constructive, mutually respectful yet critical intellectual interaction and dialogue with some of the leading figures in the West (including Paul Tillich, Hans Kung, and Eugene Borowitz) as well as dozens of colleagues, students, and disciples. Together with the previous volumes, this work examines and exemplifies some key features of Kyoto School thought. While the essays presented here should be read in light of the socio-political criticism that has since been lodged against the Kyoto School and, more particularly, i
Dynamic Form
Author: Cara L. Lewis
Publisher: Cornell University Press
ISBN: 1501749196
Category : Photography
Languages : en
Pages : 329
Book Description
Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment. As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.
Publisher: Cornell University Press
ISBN: 1501749196
Category : Photography
Languages : en
Pages : 329
Book Description
Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment. As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.
Shiva to Shankara
Author: Devdutt Pattanaik
Publisher: Indus Source
ISBN: 9788188569045
Category : Religion
Languages : en
Pages : 176
Book Description
Many modern scholars say Shiva linga is a phallic symbol. Most devotees disagree. Who is right? To make sense of a mythological image one has to align the language heard stories] with the language performed rituals], and the language seen symbols]. This book also looks at the sexual metaphors.
Publisher: Indus Source
ISBN: 9788188569045
Category : Religion
Languages : en
Pages : 176
Book Description
Many modern scholars say Shiva linga is a phallic symbol. Most devotees disagree. Who is right? To make sense of a mythological image one has to align the language heard stories] with the language performed rituals], and the language seen symbols]. This book also looks at the sexual metaphors.