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Author: Daniel Weeks
Publisher: Lulu.com
ISBN: 1387124838
Category : Poetry
Languages : en
Pages : 712
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Book Description
For Now: New and Collected Poems, 1979-2017 represents more than forty years of the work of the poet Daniel Weeks. Although many of the poems have been drawn from his seven published books and chapbooks, others have previously appeared only in literary journals or have never before appeared in print. OMy goal has always been to write poems that cannot be mistaken for prose, O Weeks has said, and readers have remarked on the lyricism, rhythmic flow, and musical prosody of his work as well as its vivid, hard-edged imagery and wide cultural and historical resonances.
Author: Daniel Weeks
Publisher: Lulu.com
ISBN: 1387124838
Category : Poetry
Languages : en
Pages : 712
Get Book Here
Book Description
For Now: New and Collected Poems, 1979-2017 represents more than forty years of the work of the poet Daniel Weeks. Although many of the poems have been drawn from his seven published books and chapbooks, others have previously appeared only in literary journals or have never before appeared in print. OMy goal has always been to write poems that cannot be mistaken for prose, O Weeks has said, and readers have remarked on the lyricism, rhythmic flow, and musical prosody of his work as well as its vivid, hard-edged imagery and wide cultural and historical resonances.
Author: Dave Alvin
Publisher: Incommunicado Press
ISBN: 9781884615092
Category : Poetry
Languages : en
Pages : 161
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Book Description
Alvin is peerless when it comes to painting American scenes of extremes, where people are either leaving town or promising never to leave again. Haunting, spellbinding in intensity and sobriety. --L.A. Weekly.
Author: Natalie Pollard
Publisher: Oxford University Press
ISBN: 0192593978
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.
Author: James Longenbach
Publisher: University of Chicago Press
ISBN: 022671618X
Category : Literary Criticism
Languages : en
Pages : 127
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Book Description
A poet and scholar explores how lyric poetry works by examining the lives and works of thirteen twentieth- and twenty-first–century American poets and musicians. For more than a century, American poets have heeded the siren song of Ezra Pound’s make it new, staking a claim for the next poem on the supposed obsolescence of the last. But great poems are forever rehearsing their own present, inviting readers into a nowness that makes itself new each time we read or reread them. They create the present moment as we enter it, their language relying on the long history of lyric poetry while at the same time creating a feeling of unprecedented experience. In poet and critic James Longenbach’s title, the word “now” does double duty, evoking both a lyric sense of the present and twentieth-century writers’ assertion of “nowness” as they crafted their poetry in the wake of Modernism. Longenbach examines the fruitfulness of poetic repetition and indecision, of naming and renaming, and of the evolving search for newness in the construction, history, and life of lyrics. Looking to the work of thirteen poets, from Marianne Moore and T. S. Eliot through George Oppen and Jorie Graham to Carl Phillips and Sally Keith, and several musicians, including Virgil Thomson and Patti Smith, he shows how immediacy is constructed through language. Longenbach also considers the life and times of these poets, taking a close look at the syntax and diction of poetry, and offers an original look at the nowness of lyrics. Praise for The Lyric Now “Longenbach is a lyric poet, practical critic, and literary scholar. These are distinct roles, and there are vanishingly few people good, let alone so distinguished, in all three. In The Lyric Now, he brings a career’s worth of wisdom to bear while writing with élan and urgency for both the specialist and nonspecialist reader. No one is better at explaining how poems work, how literary history happens, and why we should care about both.” —Langdon Hammer, author of James Merrill: Life and Art “[Longenbach] does prove—with stylistic wit and epigrammatic verve—that close reading can be a literary art in its own right. . . . Taken together, these essays . . . make an implicit case for the importance of syntax to lyric poetry. This is particularly evident in Longenbach’s reading of Moore’s “The Octopus,” and in masterful readings of poems by Jorie Graham and Carl Philips. When he contrasts Patti Smith’s prose and John Ashbery’s poetry with the songs of Bob Dylan, his skill as an expert close reader proves his point about the power of syntax. This volume proves a simple yet fundamental truth: “a lyric works particularly, sentence by sentence, line by line”. . . . Summing Up: Highly recommended.” —Choice
Author: Kevin Carey
Publisher:
ISBN: 9781933880792
Category :
Languages : en
Pages : 0
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Book Description
In Set in Stone, Kevin Carey's poems tell stories as dreams, as memories, as rituals, or ceremonies. Carey writes poetry for the everyperson, poetry that deals with memory, loss, and nostalgia in an accessible and honest way. These poems tell stories about growing up and growing older, about loss and victory, giving praise to the moments that pass through our lives and the imprint they leave behind. Carey embraces the mystery of nostalgia, the haunted memories, worn and cemented by time, that string a life together. These are poems of places and of people, both real and imagined. These are poems about summer ponds and barroom nights, basketball and superheroes--poems that remind us of our humanness. These are poems, set in stone, to be chipped away at carefully, revealing the truths hidden underneath.
Author: Philip Davis
Publisher: Oxford University Press
ISBN: 019254800X
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Reading for Life is an anthology of poems and of extracts from prose fiction, related to a series of case-histories of individuals carefully reading, discussing their reading lives, and thinking about the relation of literature to their existence. It enables readers to gain increased imaginative access to the works in question through seeing how they have intensely affected equivalent readers—a novelist, a poet, a doctor, a teacher, an anthologist, but also non-specialists, ordinary people within shared reading groups in many different settings, finding help from literary texts in times of often painful personal need. It is the story of the work done by Philip Davis' research unit, the Centre for Research into Reading, Literature and Society (CRILS), at the University of Liverpool, in a ten-year partnership with the outreach charity The Reader, taking serious literature to often neglected communities and struggling individuals through the shared reading—alive and aloud—of literature from all ages. Reading for Life is a detailed account of what reading literature can do for a wide variety of individuals in relation to a wide variety of texts: it will be of interest to serious readers in the wider world as much as to scholars working within literary studies, and to all those involved in thinking about the therapeutic interactions of literature and life in psychology, medicine, and mental health support settings.
Author: Benjamin P. Myers
Publisher: Wipf and Stock Publishers
ISBN: 1532695462
Category : Poetry
Languages : en
Pages : 140
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Book Description
What makes one poem better than another? Do Christians have an obligation to strive for excellence in the arts? While orthodox Christians are generally quick to affirm the existence of absolute truth and absolute goodness, even many within the church fall prey to the postmodern delusion that “beauty is in the eye of the beholder.” This book argues that Christian doctrine in fact gives us a solid basis on which to make aesthetic judgments about poetry in particular and about the arts more generally. The faith once and for all delivered unto the saints is remarkable in its combined emphasis on embodied particularity and meaningful transcendence. This unique combination makes it the perfect starting place for art that speaks to who we are as creatures made for eternity.
Author: Cynthia R. Wallace
Publisher: Columbia University Press
ISBN: 0231560230
Category : Literary Criticism
Languages : en
Pages : 145
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Book Description
The French philosopher-mystic-activist Simone Weil (1909–1943) has drawn both passionate admiration and scornful dismissal since her early death and the posthumous publication of her writings. She has also provoked an extraordinary range of literary writing focused on not only her ideas but also her person: novels, nonfiction, and especially poetry. Given the challenges of Weil’s ethic of self-emptying attention, what accounts for her appeal, especially among women writers? This book tells the story of some of Weil’s most dedicated—and at points surprising—literary conversation partners, exploring why writers with varied political and religious commitments have found her thought and life so resonant. Cynthia R. Wallace considers authors who have devoted decades of attention to Weil, such as Adrienne Rich, Annie Dillard, and Mary Gordon, and who have written poetic sequences or book-length verse biographies of Weil, including Maggie Helwig, Stephanie Strickland, Kate Daniels, Sarah Klassen, Anne Carson, and Lorri Neilsen Glenn. She illuminates how writing to, of, and in the tradition of Weil has helped these writers grapple with the linked harms and possibilities of religious belief, self-giving attention, and the kind of moral seriousness required by the ethical and political crises of late modernity. The first book to trace Weil’s influence on Anglophone literature, The Literary Afterlives of Simone Weil provides new ways to understand Weil’s legacy and why her provocative wisdom continues to challenge and inspire writers and readers.
Author: Muriel Rukeyser
Publisher: Cornell University Press
ISBN: 1501771779
Category : Literary Collections
Languages : en
Pages : 305
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Book Description
The Muriel Rukeyser Era makes available for the first time a range of Muriel Rukeyser's prose, a rich and diverse archive of political, social, and aesthetic writings. Eric Keenaghan and Rowena Kennedy-Epstein assemble a selection of unpublished and out-of-print texts, demonstrating the diversity, brilliance, and possibilities of mid-twentieth-century women's intellectual life and sociopolitical engagement. Although primarily known as a poet, Rukeyser produced an expansive and influential body of nonfiction and critical writings. Reflective of a deeply committed thinker, her accessible but philosophically complex prose—including essays, lectures, radio scripts, stories, and reviews—addresses issues related to racial, gender, and class justice, war and war crimes; the prison-industrial complex, Jewish culture and diaspora, motherhood, literature, music, cinema, and translation. Many of the selected texts have been forgotten, have fallen out of print, or were never previously published because of conservative Cold War political and gender orthodoxies. The Muriel Rukeyser Era offers new insight into Rukeyser's radical and strikingly contemporary vision for the role of the writer—especially the woman writer. This selection reveals the centrality of feminism, antifascism, and antiracism to her thinking and thus affirms the resonance and urgency of her work today.
Author: Lucille Clifton
Publisher: BOA Editions, Ltd.
ISBN: 1942683006
Category : Poetry
Languages : en
Pages : 747
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Book Description
Winner of the 2013 Hurston/Wright Legacy Award for Poetry "The Collected Poems of Lucille Clifton 1965-2010 may be the most important book of poetry to appear in years."--Publishers Weekly "All poetry readers will want to own this book; almost everything is in it."--Publishers Weekly "If you only read one poetry book in 2012, The Collected Poems of Lucille Clifton ought to be it."—NPR "The 'Collected Clifton' is a gift, not just for her fans...but for all of us."--The Washington Post "The love readers feel for Lucille Clifton—both the woman and her poetry—is constant and deeply felt. The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness."—Toni Morrison, from the Foreword The Collected Poems of Lucille Clifton 1965–2010 combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965–1969, a collection-in-progress titled the book of days (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize–winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career. On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America. "mother-tongue: to man-kind" (from the unpublished the book of days): all that I am asking is that you see me as something more than a common occurrence, more than a woman in her ordinary skin.
