101 Scottish Songs: The wee red book (Collins Scottish Archive) PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download 101 Scottish Songs: The wee red book (Collins Scottish Archive) PDF full book. Access full book title 101 Scottish Songs: The wee red book (Collins Scottish Archive) by Norman Buchan. Download full books in PDF and EPUB format.
Author: Norman Buchan
Publisher: HarperCollins UK
ISBN: 0008173184
Category : Music
Languages : en
Pages : 193
Get Book Here
Book Description
A small format gift book which is a reproduction of the popular book ‘101 Scottish Songs’ published by Collins in 1962. Popularized as ‘the wee red songbook’ in Scottish folk circles, this publication was in print for 26 years.
Author: Norman Buchan
Publisher: HarperCollins UK
ISBN: 0008173184
Category : Music
Languages : en
Pages : 193
Get Book Here
Book Description
A small format gift book which is a reproduction of the popular book ‘101 Scottish Songs’ published by Collins in 1962. Popularized as ‘the wee red songbook’ in Scottish folk circles, this publication was in print for 26 years.
Author: Norman Cazden
Publisher: State University of New York Press
ISBN: 0791498646
Category : History
Languages : en
Pages : 208
Get Book Here
Book Description
Notes and Sources to Folk Songs of the Catskills, also published by the State University of New York Press, is the companion volume to Folk Songs of the Catskills. It contains extensive reference notes that exemplify and support detailed citations in the commentary preceding each song. The book also includes a comprehensive list of sources, including books, broadsides or pocket songsters, disc recordings, music publications, periodicals, tape archives, and other miscellaneous material, as well as information on variants, adaptations, comments or references, texts, and tunes. These notes are designed to provide succinct reference information.
Author: Alexander Keith
Publisher: Aberdeen [Scotland] : D. Wyllie
ISBN:
Category : Folk songs, Scots
Languages : en
Pages : 114
Get Book Here
Book Description
Author: Folk-Song Society (Great Britain)
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 362
Get Book Here
Book Description
List of members in each volume.
Author: Clark D. Halker
Publisher: University of Illinois Press
ISBN: 9780252017476
Category : American poetry
Languages : en
Pages : 270
Get Book Here
Book Description
Author: Gavin Greig
Publisher: Mercat Press Books
ISBN:
Category : Music
Languages : en
Pages : 628
Get Book Here
Book Description
Author: Alexander Whitelaw
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 634
Get Book Here
Book Description
Author: Mary-Ann Constantine
Publisher: Oxford University Press
ISBN: 9780197262887
Category : Language Arts & Disciplines
Languages : en
Pages : 288
Get Book Here
Book Description
This book takes a radical approach to the study of traditional songs. Folk song scholarship was originally obsessed with notions of completeness and narrative coherence; even now long narratives hold a privileged place in most folk song canons. Yet field notebooks and recordings (and, increasingly, publications) overwhelmingly suggest that apparently 'broken' and drastically shortened versions are not perceived as incomplete by those who sing them. Dealing with a wide range of traditions and languages, this study turns the focus on these 'dog-ends' of oral tradition, and looks closely at how very short texts convey meaning in performance by working the audience's knowledge of a highly allusive idiom. What emerges is the tenacity of meaning in the connotative and metaphorical language of traditional song, and the extraordinary adaptability of songs in different cultural contexts. Such pieces have a strong metonymic force: they should not be seen as residual 'last leaves' of a once-complete tradition, but as dynamic elements in the process of oral transmission. Not all song fragments remain in their natural environment, and this book also explores relocations and dislocations as songs are adapted to new contexts: a ballad of love and death is used to count pins in lace-making, song-snippets trail subversive meanings in the novels of Charles Dickens. Because they are variable and elusive to dating, songs have had little attention from the literary establishment: the authors show both how certain critical approaches can be fruitfully applied to song texts, and how concepts from studies in oral traditions prefigure aspects of contemporary critical theory. Like the songs themselves, this book crosses and recrosses the perceived divide between the literary and the oral. Coverage includes English, Welsh, Breton, American, and Finnish songs.
Author: Patrick N. Shuldham-Shaw
Publisher: Mercat Press Books
ISBN:
Category : Music
Languages : en
Pages : 808
Get Book Here
Book Description
The aim of this collection is to make available the folk songs collected by Gavin Greig and the Reverend James B. Duncan in the first two decades of the 20th century. With the publication of Volume 8, the largest and most important manuscript collection of Scottish ballads and folk songs is now available in its entirety.
Author: David Harker
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326
Get Book Here
Book Description
"'Folksongs' interest many people nowadays, because they are meant to be the kinds of songs most of our ancestors sang, before industrialisation, before the mass media, before music and song became commodities, and before all the assorted evils associated with advanced capitalist society. 'Folksongs' and 'ballads' represent real values something honest and straightforward and beautiful to hang on to, and make us feel our roots in the Britain of 1900 or 1800 or even 1700. The only problem with this way of thinking is that it is based on myths. What we now know as 'folksongs' and 'ballads' were sought after, collected, edited and published by individuals who were either members of the rising bourgeoisie, or were ideologically sympathetic to bourgeois culture and values. The working people who sang their songs, and had them chopped up, amended and sometimes re-written or invented on their behalf, are remarkably absent from the story of 'folksong'. Before we can begin to piece together the real history of our ancestors' culture, we have to penetrate the 'mediations' of people like Cecil Sharp, Francis James Child and Albert Lancaster Lloyd, and to begin building again on firmer foundations. This book sets out to clear the ground"--Page 4 of cover.
