Author: Robert Farris Thompson
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
Thompson examines the altar traditions in cultures from the Atlantic coast region of Africa, South America, the Caribbean, and the United States.
Folk Art of Black Africa
Author: Marcel Griaule
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
Book Description
Study of African primitive art and its meaning in the religious and social life of the African tribes.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
Book Description
Study of African primitive art and its meaning in the religious and social life of the African tribes.
Face of the Gods
Author: Robert Farris Thompson
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
Thompson examines the altar traditions in cultures from the Atlantic coast region of Africa, South America, the Caribbean, and the United States.
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
Thompson examines the altar traditions in cultures from the Atlantic coast region of Africa, South America, the Caribbean, and the United States.
African-American Art
Author: Sharon F. Patton
Publisher: Oxford University Press, USA
ISBN: 9780192842138
Category : Art
Languages : en
Pages : 328
Book Description
Discusses African American folk art, decorative art, photography, and fine arts.
Publisher: Oxford University Press, USA
ISBN: 9780192842138
Category : Art
Languages : en
Pages : 328
Book Description
Discusses African American folk art, decorative art, photography, and fine arts.
The Language of Beauty in African Art
Author: Constantine Petridis
Publisher: Art Institute of Chicago
ISBN: 9780300260045
Category : Art
Languages : en
Pages : 356
Book Description
This ambitious publication centers indigenous perspectives on traditional artworks from Africa by focusing on the judgments and vocabularies of members of the communities who created and used them. It explores cross-cultural affinities spanning the African continent while respecting local contexts; it also documents an exhibition that is extraordinary in scope and scale. The project's overriding goal is to reconsider Western evaluations of these arts in both aesthetic and financial terms. The volume features nearly 300 works from collections around the world and from the important holdings of the Art Institute of Chicago. Although it emphasizes the sculptural legacy of sub-Saharan cultures from West and Central Africa, it also includes examples of artistic traditions associated with eastern and southern Africa as well as textiles and objects designed for domestic, ritual, and decorative functions.00Exhibition: Kimbell Art Museum, Fort Worth, TX, USA (03.04. - 31.07.2022) / Art Institute of Chicago, USA (20.11.2022 - 27.02.2023).
Publisher: Art Institute of Chicago
ISBN: 9780300260045
Category : Art
Languages : en
Pages : 356
Book Description
This ambitious publication centers indigenous perspectives on traditional artworks from Africa by focusing on the judgments and vocabularies of members of the communities who created and used them. It explores cross-cultural affinities spanning the African continent while respecting local contexts; it also documents an exhibition that is extraordinary in scope and scale. The project's overriding goal is to reconsider Western evaluations of these arts in both aesthetic and financial terms. The volume features nearly 300 works from collections around the world and from the important holdings of the Art Institute of Chicago. Although it emphasizes the sculptural legacy of sub-Saharan cultures from West and Central Africa, it also includes examples of artistic traditions associated with eastern and southern Africa as well as textiles and objects designed for domestic, ritual, and decorative functions.00Exhibition: Kimbell Art Museum, Fort Worth, TX, USA (03.04. - 31.07.2022) / Art Institute of Chicago, USA (20.11.2022 - 27.02.2023).
The Black Art Renaissance
Author: Joshua I. Cohen
Publisher: University of California Press
ISBN: 0520309685
Category : Art
Languages : en
Pages : 301
Book Description
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Publisher: University of California Press
ISBN: 0520309685
Category : Art
Languages : en
Pages : 301
Book Description
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Afro-American Folk Art and Crafts
Author: William R. Ferris
Publisher: Univ. Press of Mississippi
ISBN: 9781617033438
Category : African American decorative arts
Languages : en
Pages : 460
Book Description
Publisher: Univ. Press of Mississippi
ISBN: 9781617033438
Category : African American decorative arts
Languages : en
Pages : 460
Book Description
Hair in African Art and Culture
Author: Roy Sieber
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
Published to accompany an exhibition of the same title held at the Museum for African Art, New York from 9 February - 28 May 2000.
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
Published to accompany an exhibition of the same title held at the Museum for African Art, New York from 9 February - 28 May 2000.
Black Art: A Cultural History (Third) (World of Art)
Author: Richard J. Powell
Publisher: Thames & Hudson
ISBN: 0500776202
Category : Art
Languages : en
Pages : 529
Book Description
This groundbreaking study explores the visual representations of Black culture across the globe throughout the twentieth century and into the twenty-first. The African diaspora—a direct result of the transatlantic slave trade and Western colonialism—has generated a wide array of artistic achievements, from blues and reggae to the paintings of the pioneering American artist Henry Ossawa Tanner and the music videos of Solange. This study concentrates on how these works, often created during times of major social upheaval and transformation, use Black culture both as a subject and as context. From musings on “the souls of black folk” in late-nineteenth-century art to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped Black presence in modern and contemporary visual culture. Renowned art historian Richard J. Powell presents Black art drawn from across the African diaspora, with examples from the Americas, the Caribbean, and Europe. Black Art features artworks executed in a broad range of media, including film, photography, performance art, conceptual art, advertising, and sculpture. Now updated and expanded, this new edition helps to better understand how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues.
Publisher: Thames & Hudson
ISBN: 0500776202
Category : Art
Languages : en
Pages : 529
Book Description
This groundbreaking study explores the visual representations of Black culture across the globe throughout the twentieth century and into the twenty-first. The African diaspora—a direct result of the transatlantic slave trade and Western colonialism—has generated a wide array of artistic achievements, from blues and reggae to the paintings of the pioneering American artist Henry Ossawa Tanner and the music videos of Solange. This study concentrates on how these works, often created during times of major social upheaval and transformation, use Black culture both as a subject and as context. From musings on “the souls of black folk” in late-nineteenth-century art to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped Black presence in modern and contemporary visual culture. Renowned art historian Richard J. Powell presents Black art drawn from across the African diaspora, with examples from the Americas, the Caribbean, and Europe. Black Art features artworks executed in a broad range of media, including film, photography, performance art, conceptual art, advertising, and sculpture. Now updated and expanded, this new edition helps to better understand how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues.
Folk Art
Author: Henry Glassie
Publisher: Indiana University Press
ISBN: 0253067235
Category : Art
Languages : en
Pages : 738
Book Description
Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.
Publisher: Indiana University Press
ISBN: 0253067235
Category : Art
Languages : en
Pages : 738
Book Description
Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.
African Art
Author: René S. Wassing
Publisher:
ISBN: 9780914427568
Category : Decoration and ornament
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780914427568
Category : Decoration and ornament
Languages : en
Pages : 0
Book Description