Focus On: 100 Most Popular Knights of the Garter PDF Download
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Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1793
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Book Description
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1793
Get Book Here
Book Description
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1584
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Book Description
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1617
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Book Description
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1125
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Book Description
Author: Elias Ashmole
Publisher:
ISBN:
Category : Heraldry
Languages : en
Pages : 592
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Book Description
Author: Peter J. Begent
Publisher:
ISBN:
Category : Heraldry
Languages : en
Pages : 486
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Author: Francis Ingledew
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
Francis Ingledew's book makes the case that Sir Gawain and the Green Knight, one of the canonical works of medieval English literature, should be recognized as a response to King Edward III's foundation in 1349 of the chivalric Order of the Garter. As well as providing the basis for a thorough reinterpretation of the poem's purposes and meanings, this argument dates to the mid-fourteenth-century reign of Edward III (1327-77) a poem conventionally ascribed to the reign of Richard II (1377-99). Through close readings of the poem and of an array of overlooked historical sources, Ingledew presents Sir Gawain and the Green Knight as a critique of Edward III's sexual and military behavior. Ingledew's argument takes him deep into chivalric practice in Edward's court of the 1340s, much of it connected with the early years of war with France. Ingledew pursues the significance of sexual scandal associated with Edward, especially the rape of the Countess of Salisbury confidently imputed to him by the formidable Liégois historian Jean le Bel. At the same time that he was trying to conquer France and Scotland and preside over a court vulnerable to scandal, Edward also called on the history (as it was seen) of King Arthur and the Round Table, associating himself with Arthur's imperial and moral authority through the founding of the Order of the Garter. In its portrayal of the Order of the Garter, Ingledew argues, Sir Gawain and the Green Knight sets itself at odds with Edward's central ethical and political projects. "Exhaustively researched and insightfully theorized, Ingledew's study proposes historical, cultural, and discursive contexts for Sir Gawain and the Green Knight more comprehensive, and more persuasive, than any hitherto attempted. It sets an exalted critical and scholarly standard against which to judge future interpretations of this complex and elegant poem." -- Robert Hanning, Columbia University
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 878
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Book Description
Author: Steve Luck
Publisher: Oxford University Press
ISBN: 019521465X
Category : Juvenile Nonfiction
Languages : en
Pages : 914
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Book Description
Here is one of the most up-to-date, affordable, and convenient encyclopedias on the market, offering more than 15,000 alphabetically arranged entries, placing a world of information within arm's reach. The ENCYCLOPEDIA also offers an attractive page layout, with 300 black-and-white illustrations, along with a 16-page color map section.
Author: David Peters Corbett
Publisher: John Wiley & Sons
ISBN: 1119170117
Category : Art
Languages : en
Pages : 599
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Book Description
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world
