Author: Kirsten Blythe Painter
Publisher: Stanford University Press
ISBN: 9780804750752
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
Flint on a Bright Stone closes a significant gap in the history of Modernist poetry by identifying the existence of "Tempered Modernism," an international phenomenon exemplified by Akhmatova, Rilke, H.D., and Williams, and characterized by small poems written with precision, restraint, simplicity, equilibrium, and hardness.
Flint on a Bright Stone
Author: Kirsten Blythe Painter
Publisher: Stanford University Press
ISBN: 9780804750752
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
Flint on a Bright Stone closes a significant gap in the history of Modernist poetry by identifying the existence of "Tempered Modernism," an international phenomenon exemplified by Akhmatova, Rilke, H.D., and Williams, and characterized by small poems written with precision, restraint, simplicity, equilibrium, and hardness.
Publisher: Stanford University Press
ISBN: 9780804750752
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
Flint on a Bright Stone closes a significant gap in the history of Modernist poetry by identifying the existence of "Tempered Modernism," an international phenomenon exemplified by Akhmatova, Rilke, H.D., and Williams, and characterized by small poems written with precision, restraint, simplicity, equilibrium, and hardness.
"Flint on a Bright Stone"
Author: Kirsten Painter
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
Book Description
Flint and Mirror
Author: John Crowley
Publisher: Tor Books
ISBN: 1250817536
Category : Fiction
Languages : en
Pages : 220
Book Description
"Crowley is generous, obsessed, fascinating, gripping. Really, I think Crowley is so good that he has left everybody else in the dust."—Peter Straub From award-winning author John Crowley comes a novel that masterfully blends history and magic in Flint and Mirror. As ancient Irish clans fought to preserve their lands and their way of life, the Queen and her generals fought to tame the wild land and make it English. Hugh O'Neill, lord of the North, dubbed Earl of Tyrone by the Queen, is a divided man: the Queen gives to Hugh her love, and her commandments, through a little mirror of obsidian which he can never discard; and the ancient peoples of Ireland arise from their underworld to make Hugh their champion, the token of their vow a chip of flint. From the masterful author of Little, Big comes an exquisite fantasy of heartbreaking proportion. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Publisher: Tor Books
ISBN: 1250817536
Category : Fiction
Languages : en
Pages : 220
Book Description
"Crowley is generous, obsessed, fascinating, gripping. Really, I think Crowley is so good that he has left everybody else in the dust."—Peter Straub From award-winning author John Crowley comes a novel that masterfully blends history and magic in Flint and Mirror. As ancient Irish clans fought to preserve their lands and their way of life, the Queen and her generals fought to tame the wild land and make it English. Hugh O'Neill, lord of the North, dubbed Earl of Tyrone by the Queen, is a divided man: the Queen gives to Hugh her love, and her commandments, through a little mirror of obsidian which he can never discard; and the ancient peoples of Ireland arise from their underworld to make Hugh their champion, the token of their vow a chip of flint. From the masterful author of Little, Big comes an exquisite fantasy of heartbreaking proportion. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Flint Flushwork
Author: Stephen Hart
Publisher: Boydell Press
ISBN: 9781843833697
Category : Architecture
Languages : en
Pages : 198
Book Description
A thorough survey of Flint Flushwork decoration, one of the finest artistic forms of the medieval craftsman.
Publisher: Boydell Press
ISBN: 9781843833697
Category : Architecture
Languages : en
Pages : 198
Book Description
A thorough survey of Flint Flushwork decoration, one of the finest artistic forms of the medieval craftsman.
The H.D. Book
Author: Robert Duncan
Publisher: Univ of California Press
ISBN: 0520260759
Category : Literary Collections
Languages : en
Pages : 694
Book Description
Unpublished early version of Duncan's book
Publisher: Univ of California Press
ISBN: 0520260759
Category : Literary Collections
Languages : en
Pages : 694
Book Description
Unpublished early version of Duncan's book
My American Harp
Author: Surazeus Astarius
Publisher: Lulu.com
ISBN: 1365807142
Category : Poetry
Languages : en
Pages : 672
Book Description
"My American Harp" presents 1,169 poems written 2010-2014 by Surazeus that explore what it means to be an American in the modern world of an interconnected global civilization.
Publisher: Lulu.com
ISBN: 1365807142
Category : Poetry
Languages : en
Pages : 672
Book Description
"My American Harp" presents 1,169 poems written 2010-2014 by Surazeus that explore what it means to be an American in the modern world of an interconnected global civilization.
American Flintknappers
Author: John C. Whittaker
Publisher: University of Texas Press
ISBN: 9780292797512
Category : Social Science
Languages : en
Pages : 382
Book Description
"Whittaker's American Flintknappers will be an important resource for students of modern replication studies. This publication not only presents information on modern non-academic flintknappers, it also addresses issues of interest to anyone studying folk technologies in general."--The Journal of the Royal Anthropological Institute "This is a superb book, authored by one of the only people with both the anthropological background and the connections in the world of contemporary flintknapping to write it. It really is unlike any work I'm aware of in lithics studies."--Michael Stafford, Director, Cranbrook Institute of Science Making arrowheads, blades, and other stone tools was once a survival skill and is still a craft practiced by thousands of flintknappers around the world. In the United States, knappers gather at regional "knap-ins" to socialize, exchange ideas and material, buy and sell both equipment and knapped art, and make stone tools in the company of others. In between these gatherings, the knapping community stays connected through newsletters and the Internet. In this book, avid knapper and professional anthropologist John Whittaker offers an insider's view of the knapping community. He explores why stone tools attract modern people and what making them means to those who pursue this art. He describes how new members are incorporated into the knapping community, how novices learn the techniques of knapping and find their roles within the group, how the community is structured, and how ethics, rules, and beliefs about knapping are developed and transmitted. He also explains how the practice of knapping relates to professional archaeology, the trade in modern replicas of stone tools, and the forgery of artifacts. Whittaker's book thus documents a fascinating subculture of American life and introduces the wider public to an ancient and still rewarding craft.
Publisher: University of Texas Press
ISBN: 9780292797512
Category : Social Science
Languages : en
Pages : 382
Book Description
"Whittaker's American Flintknappers will be an important resource for students of modern replication studies. This publication not only presents information on modern non-academic flintknappers, it also addresses issues of interest to anyone studying folk technologies in general."--The Journal of the Royal Anthropological Institute "This is a superb book, authored by one of the only people with both the anthropological background and the connections in the world of contemporary flintknapping to write it. It really is unlike any work I'm aware of in lithics studies."--Michael Stafford, Director, Cranbrook Institute of Science Making arrowheads, blades, and other stone tools was once a survival skill and is still a craft practiced by thousands of flintknappers around the world. In the United States, knappers gather at regional "knap-ins" to socialize, exchange ideas and material, buy and sell both equipment and knapped art, and make stone tools in the company of others. In between these gatherings, the knapping community stays connected through newsletters and the Internet. In this book, avid knapper and professional anthropologist John Whittaker offers an insider's view of the knapping community. He explores why stone tools attract modern people and what making them means to those who pursue this art. He describes how new members are incorporated into the knapping community, how novices learn the techniques of knapping and find their roles within the group, how the community is structured, and how ethics, rules, and beliefs about knapping are developed and transmitted. He also explains how the practice of knapping relates to professional archaeology, the trade in modern replicas of stone tools, and the forgery of artifacts. Whittaker's book thus documents a fascinating subculture of American life and introduces the wider public to an ancient and still rewarding craft.
Strange Bright Blooms
Author: Randy Malamud
Publisher: Reaktion Books
ISBN: 1789144213
Category : Gardening
Languages : en
Pages : 352
Book Description
Virginia Woolf famously began one of her greatest novels: “Mrs Dalloway said she would buy the flowers herself.” Of course she would: why would anyone surrender the best part of the day to someone else? Flowers grace our lives at moments of celebration and despair. “We eat, drink, sing, dance, and flirt with them,” writes Kakuzo Okakura. Flowers brighten our homes, our parties, and our rituals with incomparable notes of natural beauty, but the “nature” in these displays is tamed and conscribed. Randy Malamud seeks to understand the transplanted nature of cut flowers—of our relationship with them and the careful curation of their very existence. It is a picaresque, unpredictable ramble through the world of flowers, but also the world itself, exploring painting, murals, fashion, public art, glass flowers, pressed flowers, flowery church hats, weaponized flowers, deconstructed flowers, flower power, and much more.
Publisher: Reaktion Books
ISBN: 1789144213
Category : Gardening
Languages : en
Pages : 352
Book Description
Virginia Woolf famously began one of her greatest novels: “Mrs Dalloway said she would buy the flowers herself.” Of course she would: why would anyone surrender the best part of the day to someone else? Flowers grace our lives at moments of celebration and despair. “We eat, drink, sing, dance, and flirt with them,” writes Kakuzo Okakura. Flowers brighten our homes, our parties, and our rituals with incomparable notes of natural beauty, but the “nature” in these displays is tamed and conscribed. Randy Malamud seeks to understand the transplanted nature of cut flowers—of our relationship with them and the careful curation of their very existence. It is a picaresque, unpredictable ramble through the world of flowers, but also the world itself, exploring painting, murals, fashion, public art, glass flowers, pressed flowers, flowery church hats, weaponized flowers, deconstructed flowers, flower power, and much more.
Shells and Bright Stones
Author: Nona Stead
Publisher: Virago Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
Publisher: Virago Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 276
Book Description
The Transmutation of Love and Avant-Garde Poetics
Author: Jeanne Heuving
Publisher: University of Alabama Press
ISBN: 0817358439
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
The Transmutation of Love and Avant-Garde Poetics is a probing examination of how the writing of sexual love undergoes a radical revision by avant-garde poets in the twentieth and twenty-first centuries. Today, the exploration of love by poets—long a fixture of Western poetic tradition—is thought to be in decline, with love itself understood to be a mere ideological overlay for the more “real” entities of physical sex and desire. In The Transmutation of Love and Avant-Garde Poetics, Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, Kathleen Fraser, Nathaniel Mackey, and others lies significantly in their engagement with the synergistic relations between being in love and writing love. These poets, she argues, have traded the clichéd lover of yore for impersonal or posthuman poetic speakers that sustain the gloire and mystery of love poetry of prior centuries. As Robert Duncan writes, “There is a love in which we are outcast and vagabond from what we are that we call ‘falling in love.’” Heuving claims that this writing of love is defining for avant-garde poetics, identifying how such important discoveries as Pound’s and H.D.’s Imagism, Pound’s Cantos, and Duncan’s “open field poetics” are derived through their changed writing of love. She draws attention to how the prevailing concept of language as material is inadequate to the ways these poets also engage language as a medium—as a conduit—enabling them to address love afresh in a time defined through preoccupations with sexuality. They engage love as immanent and change it through a writing that acts on itself. The Transmutation of Love and Avant-Garde Poetics ascribes the waning of love poetry to its problematic form: a genre in which empowered poetic speakers constitute their speech through the objectification of comparatively disempowered subjects, or beloveds. Refusing this pervasive practice, the poets she highlights reject the delimiting, one-sided tradition of masculine lovers and passive feminine beloveds; instead, they create a more nuanced, dynamic poetics of ecstatic exploration, what Heuving calls “projective love” and “libidinized field poetics,” a formally innovative poetry, in which one perception leads directly to the next and all aspects of a poem are generative of meaning.
Publisher: University of Alabama Press
ISBN: 0817358439
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
The Transmutation of Love and Avant-Garde Poetics is a probing examination of how the writing of sexual love undergoes a radical revision by avant-garde poets in the twentieth and twenty-first centuries. Today, the exploration of love by poets—long a fixture of Western poetic tradition—is thought to be in decline, with love itself understood to be a mere ideological overlay for the more “real” entities of physical sex and desire. In The Transmutation of Love and Avant-Garde Poetics, Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, Kathleen Fraser, Nathaniel Mackey, and others lies significantly in their engagement with the synergistic relations between being in love and writing love. These poets, she argues, have traded the clichéd lover of yore for impersonal or posthuman poetic speakers that sustain the gloire and mystery of love poetry of prior centuries. As Robert Duncan writes, “There is a love in which we are outcast and vagabond from what we are that we call ‘falling in love.’” Heuving claims that this writing of love is defining for avant-garde poetics, identifying how such important discoveries as Pound’s and H.D.’s Imagism, Pound’s Cantos, and Duncan’s “open field poetics” are derived through their changed writing of love. She draws attention to how the prevailing concept of language as material is inadequate to the ways these poets also engage language as a medium—as a conduit—enabling them to address love afresh in a time defined through preoccupations with sexuality. They engage love as immanent and change it through a writing that acts on itself. The Transmutation of Love and Avant-Garde Poetics ascribes the waning of love poetry to its problematic form: a genre in which empowered poetic speakers constitute their speech through the objectification of comparatively disempowered subjects, or beloveds. Refusing this pervasive practice, the poets she highlights reject the delimiting, one-sided tradition of masculine lovers and passive feminine beloveds; instead, they create a more nuanced, dynamic poetics of ecstatic exploration, what Heuving calls “projective love” and “libidinized field poetics,” a formally innovative poetry, in which one perception leads directly to the next and all aspects of a poem are generative of meaning.