Possible Worlds Theory and Counterfactual Historical Fiction PDF Download
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Author: Riyukta Raghunath
Publisher: Springer Nature
ISBN: 3030534529
Category : Language Arts & Disciplines
Languages : en
Pages : 234
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Book Description
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.
Author: Riyukta Raghunath
Publisher: Springer Nature
ISBN: 3030534529
Category : Language Arts & Disciplines
Languages : en
Pages : 234
Get Book Here
Book Description
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.
Author: Ransford Tetteh
Publisher: Graphic Communications Group
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
Author: Martin Stevens
Publisher: Oxford University Press
ISBN: 0198813678
Category : Science
Languages : en
Pages : 267
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Book Description
How do animals experience the world? Many animals experience a world far richer than ours, in sight, sound, and smell, and interact with each other in ways humans simply do not pick up, and which continue to surprise researchers. This book explores not only the wonder of animal senses, but how they work and how scientists go about investigating them. And, throughout, it considers how these senses came to be: the book explains that evolution is at the root of it all. Senses arose to enable animals to catch prey, to hide, and to mate more effectively, usually honed through fierce competition and arms races with predators. The result, over millions of years, is a wondrous panoply of ways of experiencing the world, against which our own senses often pale into insignificance.
Author: Upton Sinclair
Publisher: Open Road Media
ISBN: 1504026454
Category : Fiction
Languages : en
Pages : 620
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Book Description
From the acclaimed author of The Jungle: The first in a Pulitzer Prize–winning historical saga about the son of an American arms dealer during WWI. Lanning “Lanny” Budd spends his first thirteen years in Europe, living at the center of his mother’s glamourous circle of friends on the French Riviera. In 1913, he enters a prestigious Swiss boarding school and befriends Rick, an English boy, and Kurt, a German. The three schoolmates are privileged, happy, and precocious—but their world is about to come to an abrupt and violent end. When the gathering storm clouds of war finally burst, raining chaos and death over the continent, Lanny must put the innocence of youth behind him; his language skills and talent for decoding messages are in high demand. At his father’s side, he meets many important political and military figures, learns about the myriad causes of the conflict, and closely follows the First World War’s progress. When the bloody hostilities eventually conclude, Lanny joins the Paris Peace Conference as the assistant to a geographer asked by President Woodrow Wilson to redraw the map of Europe. Perfect for fans of The Winds of War, World’s End is the magnificent opening chapter of a monumental series that brings the first half of the twentieth century to vivid life. A thrilling mix of history, adventure, and romance, the Lanny Budd Novels are a testament to the breathtaking scope of Upton Sinclair’s vision and his singular talents as a storyteller.
Author: Henry Walter Young
Publisher:
ISBN:
Category : Electricity
Languages : en
Pages : 902
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Book Description
Author: Tamar Lane
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 264
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Book Description
Author: Django Wexler
Publisher: Penguin
ISBN: 0399539204
Category : Juvenile Fiction
Languages : en
Pages : 370
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Book Description
In this thrilling conclusion to Alice's adventures in The Forbidden Library she must lead her band of friends, magical beings, and creatures against the collected might of the Old Readers—perfect for fans of Story Thieves, Inkheart, Coraline, and Harry Potter. When Alice defeated her uncle Geryon and declared war on the totalitarian ways of the Old Readers, she knew she would have a hard fight ahead. What she didn't anticipate was the ruthlessness of the Old Reader—who can control magic and enter worlds through books. All the creatures she promised to liberate and protect are being threatened, and slowly all of Alice's defenses are being worn away. So when Ending (the giant cat-like creature who guards the magical labyrinth in Geryon's library) hints at a dangerous final solution, Alice jumps at the chance, no matter the cost to her life. She and her friends—a fire sprite, Ashes the cat, and the other apprentice Readers she met during her previous adventures—go on a quest to free the one creature possibly strong enough to overturn the Old Readers once and for all. But before it’s all over, Alice will be betrayed, her true identity will be revealed, and she’ll have to be willing to give up the person she loves the most. This is beautifully written, classic, bold historical fantasy—brave, bloody, action-packed and adventurous—with a girl at the center.
Author: Harold Child Bryant
Publisher:
ISBN:
Category :
Languages : en
Pages : 1226
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Book Description
Author:
Publisher:
ISBN:
Category : Electricity
Languages : en
Pages : 342
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Book Description
Author: Scott C. Richmond
Publisher: U of Minnesota Press
ISBN: 145295187X
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
Do contemporary big-budget blockbuster films like Gravity move something in us that is fundamentally the same as what avant-garde and experimental films have done for more than a century? In a powerful challenge to mainstream film theory, Cinema’s Bodily Illusions demonstrates that this is the case. Scott C. Richmond bridges genres and periods by focusing, most palpably, on cinema’s power to evoke illusions: feeling like you’re flying through space, experiencing 3D without glasses, or even hallucinating. He argues that cinema is, first and foremost, a technology to modulate perception. He presents a theory of cinema as a proprioceptive technology: cinema becomes art by modulating viewers’ embodied sense of space. It works primarily not at the level of the intellect but at the level of the body. Richmond develops his theory through examples of direct perceptual illusion in cinema: hallucinatory flicker phenomena in Tony Conrad’s The Flicker, eerie depth effects in Marcel Duchamp’s Anémic Cinéma, the illusion of bodily movement through onscreen space in Stanley Kubrick’s 2001, Godfrey Reggio’s Koyaanisqatsi, and Alfonso Cuarón’s Gravity. In doing so he combines insights from Maurice Merleau-Ponty’s phenomenology of perception and James J. Gibson’s ecological approach to perception. The result is his distinctive ecological phenomenology, which allows us to refocus on the cinema’s perceptual, rather than representational, power. Arguing against modernist habits of mind in film theory and aesthetics, and the attendant proclamations of cinema’s death or irrelevance, Richmond demonstrates that cinema’s proprioceptive aesthetics make it an urgent site of contemporary inquiry.
