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Author: K. Macdonald
Publisher: Springer
ISBN: 1137486775
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This book examines the connections evident between the simultaneous emergence of British modernism and middlebrow literary culture from 1880 to the 1930s. The essays illustrate the mutual influences of modernist and middlebrow authors, critics, publishers and magazines.
Author: K. Macdonald
Publisher: Springer
ISBN: 1137486775
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This book examines the connections evident between the simultaneous emergence of British modernism and middlebrow literary culture from 1880 to the 1930s. The essays illustrate the mutual influences of modernist and middlebrow authors, critics, publishers and magazines.
Author: Andrew Radford
Publisher: Springer
ISBN: 113703078X
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
This volume focuses on the literary connotations of the 'Channel Packet' and sets forth lively dialogues between French and British culture at a key period of artistic innovation and exchange between 'high' and popular art forms.
Author: Frederick Wilse Bateson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 736
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Book Description
Author: Elinor S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521222969
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
This is a yearbook sponsored by the British Comparative Literature Association which promotes comparative literary studies.
Author: Hannah L. Scott
Publisher: Routledge
ISBN: 1000565920
Category : Music
Languages : en
Pages : 226
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Book Description
Late nineteenth-century France was a nation undergoing an identity crisis: the uncertain infancy of the Third Republic and shifting alliances in the wake of the Franco-Prussian War forced France to interrogate the fundamental values and characteristics at the heart of its own national identity. Music was central to this national self-scrutiny. It comes as little surprise to us that Oriental fears, desires, and anxieties should be a fundamental part of this, but what has been overlooked to date is that Britain, too, provided a thinking space in the French musical world; it was often – surprisingly and paradoxically – represented through many of the same racialist terms and musical tropes as the Orient. However, at the same time, its shared history with France and the explosions of colonial rivalry between the two nations introduced an ever-present tension into this musical relationship. This book sheds light on this forgotten musical sphere through a rich variety of contemporary sources. It visits the café-concert and its tradition of ‘Englishing up’ with fake hair, mocking accents, and unflattering dances; it explores the reactions, both musical and physical, to British evangelical bands as they arrived in the streets of France and the colonies; it considers the French reception of, and fascination with, folk music from Ireland and Scotland; and it confronts the culture shock felt by French visitors to Britain as they witnessed British music-making for the first time. Throughout, it examines the ways in which this music allowed French society to grapple with the uncertainty of late nineteenth-century life, providing ordinary French citizens with a means of understanding and interrogating both the Franco-British relationship and French identity itself.
Author: James J. Kirschke
Publisher: Whitston Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
Author: Aimée Israel-Pelletier
Publisher: John Benjamins Publishing
ISBN: 9781556193002
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Israel Pelletier argues that "Trois contes" demands a different kind of reading which distinguishes it from "Madame Bovary" and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of "Un Coeur," an assessment of "Saint Julien" as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of "Herodias" as an autobiography of the writing process.
Author:
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 592
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Book Description
Author: George A. Willenbrink
Publisher: Rodopi
ISBN: 9789062034093
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
A study of Gustave Flaubert's Un coeur simple (A simple heart) originally written in 1876 and published in 1877.
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 542
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Book Description
