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Author: Charles Bernheimer
Publisher: Yale University Press
ISBN: 9780300026337
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Although their styles appear remarkably different, Flaubert and Kafka share a common identification with the writing process itself. "I am a human pen," wrote Flaubert; "I am nothing but literature," declared Kafka. This stimulating book is the first to explore the link between these writers. Introducing his conception of psychopoetics, Charles Bernheimer brings new clarity to many controversial issues in psychoanalysis, rhetoric, and critical theory. In chapters on Flaubert and Kafka he probes the desires and fears motivating each writer's search for a fully satisfying literary style. His interpretation of the strategies the authors adopt to harness the negativity of writing reveals the creative function of such psychological phenomena as narcissism, fetishism, and sadomasochism. The major works, Bernheimer argues, dramatize the conflict between the structures of Eros and Thanatos, metonymy and metaphor, through which they are constituted. From this illuminating perspective he traces the genesis of each writer's mature style, analyzes two early works, La Tentation de saint Antoine and "The Judgment," and examines two late masterpieces, Bouvard et Pécuchet and The Castle, applying to the latter Walter Benjamin's description of the allegorical mode. This highly original work of theoretical criticism will interest not only readers of Flaubert and Kafka but all students of literary theory and the creative process.
Author: Charles Bernheimer
Publisher: Yale University Press
ISBN: 9780300026337
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
Although their styles appear remarkably different, Flaubert and Kafka share a common identification with the writing process itself. "I am a human pen," wrote Flaubert; "I am nothing but literature," declared Kafka. This stimulating book is the first to explore the link between these writers. Introducing his conception of psychopoetics, Charles Bernheimer brings new clarity to many controversial issues in psychoanalysis, rhetoric, and critical theory. In chapters on Flaubert and Kafka he probes the desires and fears motivating each writer's search for a fully satisfying literary style. His interpretation of the strategies the authors adopt to harness the negativity of writing reveals the creative function of such psychological phenomena as narcissism, fetishism, and sadomasochism. The major works, Bernheimer argues, dramatize the conflict between the structures of Eros and Thanatos, metonymy and metaphor, through which they are constituted. From this illuminating perspective he traces the genesis of each writer's mature style, analyzes two early works, La Tentation de saint Antoine and "The Judgment," and examines two late masterpieces, Bouvard et Pécuchet and The Castle, applying to the latter Walter Benjamin's description of the allegorical mode. This highly original work of theoretical criticism will interest not only readers of Flaubert and Kafka but all students of literary theory and the creative process.
Author: Stanley Corngold
Publisher: Cornell University Press
ISBN: 1501722824
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
In Stanley Corngold’s view, the themes and strategies of Kafka’s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka’s work in light of "the necessity of form," which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka’s art and life. The first section of the book shows how Kafka’s rhetoric may be understood as the daring project of a man compelled to live his life as literature. In the central part of the book, Corngold reflects on the place of Kafka within the modern tradition, discussing such influential precursors of Cervantes, Flaubert, and Nietzsche, whose works display a comparable narrative disruption. Kafka’s distinctive narrative strategies, Corngold points out, demand interpretation at the same time they resist it. Critics of Kafka, he says, must be aware that their approaches are guided by the principles that Kafka’s fiction identifies, dramatizes, and rejects.
Author: Carolin Duttlinger
Publisher: Cambridge University Press
ISBN: 1107085497
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
Accessible essays place Kafka in historical, political and cultural context, providing new and often unexpected perspectives on his works.
Author: Reiner Stach
Publisher: Princeton University Press
ISBN: 0691178186
Category : Biography & Autobiography
Languages : en
Pages : 580
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Book Description
The eagerly anticipated final volume of the award-winning, definitive biography of Franz Kafka How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883–1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis." Brimming with vivid and often startling details, Stach’s narrative invites readers deep inside this neglected period of Kafka’s life. The book’s richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates’ memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka’s wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest—his predilection for the back-to-nature movement—stemmed from his “nervous” surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature.
Author: Matthue Roth
Publisher: SCB Distributors
ISBN: 1935548719
Category : Juvenile Fiction
Languages : en
Pages : 56
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Book Description
Runaway children who meet up with monsters. A giant talking bug. A secret world of mouse-people. The stories of Franz Kafka are wondrous and nightmarish, miraculous and scary. In My First Kafka, storyteller Matthue Roth and artist Rohan Daniel Eason adapt three Kafka stories into startling, creepy, fun stories for all ages. With My First Kafka, the master storyteller takes his rightful place alongside Maurice Sendak, Edward Gorey, and Lemony Snicket as a literary giant for all ages.
Author: Victor H. Brombert
Publisher: Princeton University Press
ISBN: 1400874815
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Through a probing study of Flaubert's novels which brings out their nuances of tone, technique, vision, and meaning, Victor Brombert provides a close and complex analysis of Flaubert’s art in relation to his tragic themes. A voiding undue emphasis on biography, Professor Brombert focuses on the haunting motifs of the novels and analyzes the features which contribute to Flaubert’s total vision, while respecting the integrity of each work and discussing each novel in its own terms. The vision of Flaubert emerges, showing his artistic relevance to his time and to our own. Above all, the book brings out the poetic density and beauty of Flaubert’s novels: the poetry of loss and constriction, the poetry of subjective time, the tragic poetry of frustration, and the poetry of unconquerable dreams. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: James Hawes
Publisher: Macmillan
ISBN: 1429988835
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Everybody knows the face of Franz Kafka, whether they have read any of his works or not. And that brooding face carries instant images: bleak and threatening visions of an inescapable bureaucracy, nightmarish transformations, uncanny predictions of the Holocaust. But while Kafka's genius is beyond question, the image of a mysterious, sickly, shadowy figure who was scarcely known in his own lifetime bears no resemblance to the historical reality. Franz Kafka was a popular and well-connected millionaire's son who enjoyed good-time girls, brothels, and expensive porn, who landed a highly desirable state job that pulled in at least $90,000 a year in today's dollars for a six-hour day, who remained a loyal member of Prague's German-speaking Imperial elite right to the end, and whose work was backed by a powerful literary clique. Here are some of the prevalent Kafka myths: *Kafka was the archetypal genius neglected in his lifetime. *Kafka was lonely. *Kafka was stuck in a dead-end job, struggling to find time to write. *Kafka was tormented by fear of sex. *Kafka was unbendingly honest about himself to the women in his life – too honest. *Kafka had a terrible, domineering father who had no understanding of his son's needs. *Kafka's style is mysterious and opaque. *Kafka takes us into bizarre worlds. James Hawes wants to tear down the critical walls which generations of gatekeepers---scholars, biographers, and tourist guides---have built up around Franz Kafka, giving us back the real man and the real significance of his splendid works. And he'll take no prisoners in the process.
Author: Sarah Rachelle Roger
Publisher: Oxford University Press
ISBN: 0198746156
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Sarah Roger investigates Jorge Luis Borges's development as an author in light of Franz Kafka's influence, and in consideration of Borges's relationship with his father, a failed author. She explores how reading Kafka helped Borges mediate and make productive use of his own relationship with his father.
Author: Franz Kafka
Publisher: Princeton University Press
ISBN: 9780691126807
Category : Law
Languages : en
Pages : 432
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Book Description
"Brings together, for the first time in English, Kafka's most interesting professional writings, composed during his years as a high-ranking lawyer with the largest Workmen's Accident Insurance Institute in the Czech Lands of the Austro-Hungarian Empire"--Publisher marketing.
Author: Stanley Corngold
Publisher:
ISBN: 9781571134820
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Franz Kafka's literary career began in the first decade of the twentieth century and produced some of the most fascinating and influential works in all of modern European literature. Now, a hundred years later, the concerns of a new century call for a look at the challenges facing Kafka scholarship in the decades ahead: What more can we hope to learn about the context in which Kafka wrote? How does understanding that context affect how we read his stories? What are the consequences of new critical editions that offer unprecedented access to Kafka's works in manuscript form? How does our view of Kafka change the priorities and fashions of literary scholarship? What elements in Kafka's fiction will find resonance in the historical context of a new millennium? How do we compose a coherent account of a personality with so many contradictory aspects? All these questions and more are addressed by the essays in this volume, written by a group of leading international Kafka scholars. Contributors: Peter Beicken, Iris Bruce, Jacob Burnett, Uta Degner, Doreen Densky, Katja Garloff, Rolf Goebel, Mark Harman, Robert Lemon, Roland Reu, Ritchie Robertson, Walter Sokel, John Zilcosky, Saskia Ziolkowski. Stanley Corngold is Professor Emeritus of German and Comparative Literature at Princeton University. Ruth V. Gross is Professor of German and Head of the Department of Foreign Languages and Literatures at North Carolina State University.
